Georgian Bracket Clock with Lion Mask Handles

• Movement - The technical name for the workings of a clock or watch, and does not include the dial or case.
• Anchor Escapement - An anchor escapement is a type of mechanical escapement used in clocks and watches. It is a refinement of the older verge escapement, which was used in early mechanical timekeeping devices. The anchor escapement is characterised by the use of an anchor-shaped pallet that rocks back and forth, alternately locking and releasing the escape wheel. This action allows the movement of the watch or clock to be regulated, producing the characteristic tick-tock sound that is associated with mechanical timekeeping devices. The anchor escapement is generally more accurate and reliable than the verge escapement, and it is still used in many modern clocks and watches today.
• Back Plate - On many types of clocks, the movement operates between two plates, usually made of brass, one at the back, and the other at the front, which forms a mount for the dial.
  
  On English bracket, mantle and table clocks the backplate was often visible through a glass door or panel from the late 17th century, and could be profusely engraved with scrolling decorations, flowers, foliage, birds, and figures. The engraving could also include the maker?s name.
  
  The amount of engraving reduced and became simpler as the 18th century progressed, and by 1800, had been reduced to a border, often with the maker's name in the centre. By the early 1800s all decoration had ceased, and only the maker's name was added, and by the Victorian era, most bracket, mantle and table clocks had no engraving.
• Georgian - As an English stylistic period, Georgian is usually taken to cover the period from George I (1714) to the Regency of Prince George (1811-20), although the period from 1800 to 1830 is sometimes designated as the Regency period. During the Georgian period the great English cabinetmakers and designers such as Chippendale, Hepplewhite, Adam Sheraton etc., were all active.
  
  Therefore there isn't a single 'Georgian style' as such and to say something is 'Georgian', usually means it was made between 1714 and 1830. This assumes we discount George V and George VI, both being from the 20th century.
  
  The styles popular at the time of each reign were:
  
  George I (1714-1727) saw out the last years of the Baroque period.
  
  George II (1727-1760) reigned during the Rococo period.
  
  George III (1760-1820) saw the last gasp of the Rococo, all of the early Neo-Classic 'Adam style' and most of the later neo-Classic 'Regency style'.
  
  George IV (Prince Regent 1820-1830)encompassed the last of the 'Regency' style.
  
  William IV's reign (1830-1837) was something of a no man's land (stylistically) and he wasn't a 'George' anyway. He covered the last glimmerings of 'Regency' and the start of the 'Victorian' style.
• Bezel - On a clock or watch, the bezel is the metal frame into which the watch or clock glass is fitted. In clocks, the bezel may include a hinge and a flange, in effect a door to the face of the clock. In jewellery the bezel is a band of metal with a projecting lip that holds the gemstone in its setting.
• Fusee - The fusee movement was used in clocks and pocket watches from the mid 17th century. The fusee is a cone shaped drum within the works that is linked to the barrel of the spring, usually by a length of chain.
  
  As the mainspring loses its tension over time, the cone shaped barrel compensates for this by increasing the tension, by pulling the mainspring tighter, thus ensuring the time remains constant.
  
  Use of the fusee in clocks was superseded by the "going barrel" in the mid 19th century and for pocket watches at the beginning of the 19th century.
  
  The fusee continued to be used in marine chronometers until the 1970s.
• Lion Mask - The lion mask has been used for centuries in various forms of art and design, including furniture, silver, and ceramics, and is usually y depicted as a stylized representation of the face of a lion, often with an open mouth and protruding tongue. and is often used as a handle, knob, or other decorative element.
  
  In furniture design, lion masks were popular in the neoclassical and Empire styles of the late 18th and early 19th centuries. They were often used as decorative elements on the legs or arms of chairs, as well as on cabinet and drawer pulls. It was also used as a handle, knob, or other decorative element.
  
  In silverware design, lion masks were often applied to tea and coffee pots, as well as on candlesticks, snuff boxes, and other small silver items. The lion mask was often used in combination with other neoclassical motifs, such as laurel wreaths or acanthus leaves, to create a sense of grandeur and classical elegance.
  
  In ceramics, lion masks were often depicted in relief, and were sometimes used in combination with other decorative elements, such as garlands or swags.
  
  

This item has been included into following indexes:

• clocks, type - bracket 328