A French burl walnut veneered secretaire abattant, early 19th…
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A French burl walnut veneered secretaire abattant, early 19th century, the rectangular top above a single drawer and a fall front enclosing a fitted interior above three drawers with brass lock faces. The whole veneered in burl walnut and raised on bun feet, 141 cm high, 96.5 cm wide, 51 cm diameter

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  • Fall Front - Furniture with a hinged flap, usually associated with desks and secretaires, that opens or 'falls' to provide a flat writing surface. The flap may be supported by chains or brass quadrants and rest on wooden supports or runners, known as lopers, that pull out from a recess in either side of the piece. The interior of a fall-front desk is usually fitted with small drawers and pigeonholes.
  • Bun Feet - Similar to ball feet, though somewhat compressed or flattened in appearance. Introduced during the late 17th century, but they have been used on furniture up to the present day.
  • Veneers - Veneers are thin sheets of well-figured timber that are glued under pressure to the surface of a cheaper timber for decorative effect, and then used in the making of carcase furniture.

    Early veneers were saw-cut so were relatively thick, (up to 2 mm) but is was realised that saw cutting was wasteful, as timber to the equivilent of the thickness of the saw was lot on each cut.

    A more efficient method was devised to slice the timber, either horizontally with a knife, or in a rotary lathe.

    Flame veneer, commonly found in mahogany or cedar furniture, is cut from the junction of the branches and main trunk. So-called fiddleback veneers, where the grain is crossed by a series of pronounced darker lines, is usually cut from the outer sections of the tree trunk.

    During the 17th and 18th centuries, and in much of the walnut marquetry furniture made during the latter part of the 19th century, the veneer was laid in quarters, each of the same grain, so that one half of the surface was the mirror image of the other.

    The use of veneer allows many other decorative effects to be employed, including stringing, feather banding, cross banding, and inlaid decorative panels in the piece. The carcase over which veneer is laid is usually of cheaper timber such as pine, oak or, sometimes in Australia during the first half of the 19th century, red cedar.

    The important thing to remember about veneers is that prior to about 1850 they were cut by hand, and were consequently quite thick - ranging up to about 2mm deep.

    From the mid-19th century veneers were cut by machines and were almost wafer-thin. This is a critical point when trying to judge the approximate age of veneered furniture.

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