An Art Deco marble and spelter figural clock, 1930s, maker's…
click the photo to enlarge
An Art Deco marble and spelter figural clock, 1930s, maker's mark of Pierre Megnin, mark of L. Joly to dial, a shaped and stepped rectangular clock in red, black and portoro marble surmounted by a gilded kneeling female dancer striking a stylised pose with a hoop, the face with an octagonal dial with Arabic numerals; with key, height 43.5 cm, width 50 cm, depth 10.5 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
  • Art Deco Period - The Art Deco period was a cultural movement that emerged in the 1920s and 1930s, and was characterized by its emphasis on modernism, luxury, and elegance. The name "Art Deco" comes from the Exposition Internationale des Arts Décoratifs et Industriels Modernes, a large exhibition held in Paris in 1925 that showcased the latest trends in decorative arts.

    Art Deco was a reaction against the ornate and elaborate styles of the previous era, and reflected a new modern sensibility. It was characterized by streamlined, geometric shapes, bright colours, and the use of new materials such as chrome, glass, and Bakelite. Art Deco designers sought to create a sense of luxury and sophistication, often incorporating expensive materials such as ivory, marble, and rare woods.

    Art Deco had a significant impact on a wide range of artistic fields, including architecture, fashion, graphic design, and interior design. Some of the most iconic examples of Art Deco architecture include the Empire State Building in New York City, the Hoover Building in London, and the Palais de Chaillot in Paris.

    The Art Deco period came to an end in the 1940s, as World War II and changing cultural trends led to a shift in artistic styles. However, Art Deco remains an important influence on design and art, and continues to be celebrated for its modernist sensibility and glamorous aesthetic.
  • Spelter - Spelter was the name given to an alloy of zinc and brass or copper used in the 19th century for statuary and lighting. It is a brittle bluish-white metal. It was used as a cheap replacement for bronze, but being brittle easily breaks and can't be repaired. When finished it can often be mistaken for bronze, but if discreet a scratch on the base displays shows a greyish colour, the metal is spelter, if a golden colour the metal is most likely bronze.

This item has been included into following indexes:

Visually similar items

An Art Deco marble and spelter clock garniture, circa 1920s, with movement by Japy Freres, the striking truncated pyramid clock having a pentagonal shaped dial set within multi coloured geometrically placed marble tiles and surmounted by the cold painted s

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

An Orrery, George Philip & Son, London, late 19th century, a dark green variegated marble clock base with orrery mounted to top. The clock dial with a gilded finish and Arabic numerals. Signed George Philip & Son- 32 Fleet street- London, 156 cm high, 40 c

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

French gilt bronze figured mantle clock, late 19th century. 37 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A French 19th century gilt metal and Sevres panel mantel clock having hand painted dial and oval floral bouquets on shaped wooden base. 38 cm high.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.