Ormolu mounted and lacquered Chinoiserie cabinet, 20th century,…
click the photo to enlarge
ormolu mounted and lacquered chinoiserie cabinet, 20th century, in the manner of Antoine Krieger, the shaped marble top above a pair of cupboard doors decorated with Chinese lacquer panels, the interior fitted with adjustable shelves, height 117.5 cm, width 133 cm, depth 44 cm. Provenance: The Garth Barnett Estate auction, October 2016, lot 25. Private collection, Sydney

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.
  • Lacquered Lacquerware - Lacquer is a clear or coloured resin that is obtained from the sap of several species of trees in the genus Rhus, particularly the Rhus verniciflua tree, which is native to China and Japan. The resin is harvested by making incisions in the tree bark and collecting the sap that oozes out.

    The sap is then processed and refined through a series of steps, which may include filtration, heating, and chemical treatments. The resulting lacquer is a highly durable and glossy material that is used as a finish for furniture, musical instruments, and other objects.

    Lacquer has been used for thousands of years in Asia, where it is valued for its beauty and durability. It is applied in multiple thin layers, with each layer being allowed to dry and harden before the next one is added. The process can take several weeks or even months to complete, but the resulting finish is incredibly hard, glossy, and resistant to scratches and wear.

    The lacquer derived from the resin of the Rhus tree has been used for decoration of furniture in several countries in Asia, particularly China, Japan, Korea, and Vietnam. These countries have rich traditions of using lacquer for furniture decoration and have developed unique techniques and styles of lacquer work.

    In China, lacquer has been used for furniture decoration for over 2,000 years, and it became a major art form during the Ming (1368-1644) and Qing (1644-1912) dynasties. Chinese lacquerware is known for its intricate carving, painting, and inlay work, as well as its use of bold colours and designs. Lacquer was used to decorate furniture such as cabinets, screens, and chairs.

    In Japan, lacquer has been used for furniture decoration for over 1,000 years. Japanese lacquerware is characterized by its simplicity and elegance, and it often incorporates natural materials such as wood, bamboo, and shells. Lacquer was used to decorate furniture such as chests, cabinets, and trays.

    In Korea, lacquer has been used for furniture decoration for over a thousand years. Korean lacquerware is known for its restrained and understated beauty, and it often features delicate patterns and designs that are achieved through careful layering and carving. Lacquer was used to decorate furniture such as cabinets, chests, and screens.

    In Vietnam, lacquer has been used for furniture decoration for over 2,000 years. Vietnamese lacquerware is known for its vibrant colours and intricate designs, and it often features scenes from daily life, nature, and mythology

  • Chinoiserie - Furniture and decorative items decorated in imitation of a Western interpretation of the Chinese style. The Chinoiserie style first became popular in the late 17th century, though there were frequent revivals, notably by Chippendale (hence 'Chinese Chippendale') during the Regency period, and the Anglo-Japanese style in the second half of the 19th century.

    The ubiquitous 'willow pattern' is the most common 'Chinese' theme used in porcelain, while on furniture the Chinoiserie style usually has black or red painted and lacquered decoration, though the hallmark of the furniture style is the use of fretwork in geometrical patterns, pagodas and other decorative forms.

    Japonaiseries, as the name implies, are motifs in imitation of the Japanese taste.

    See also "Chinese Chippendale".
  • Manner of .... / Style of ..... - A cataloguing term where the item, in the opinion of the cataloguer is a work in the style of the artist, craftsman or designer, possibly of a later period.

This item has been included into following indexes:

Visually similar items

An early 1900s N.Z. folk art carved cupboard, the small kauri cupboard with the door heavily carved in an Australian theme featuring a kangaroo, kookaburra, an aboriginal figure, lizard, emu etc. and a shield quoting ?The Black Forest Australia?. Three she

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A 20th century Chinese ebonised cupboard, with a pair of doors, and applied decorations of birds and foliage. 107 cm high, 87 cm wide, 49 cm deep

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Ming-style huanghuali and hardwood round corner tapered cabinet Yuanjiaogui, 19th/20th century, the rounded protruding top with a recessed single panel within the mitred frame, set on slightly splayed rounded corner posts housing well figured matching si

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A black lacquered Japanese cabinet painted with stylised butterflies, 19th century, 145 cm high, 87 cm wide, 59 cm deep

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.