William IV sterling silver snuff box, mark of James Nasmyth,…
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William IV sterling silver snuff box, mark of James Nasmyth, Edinburgh, c. 1837, of rectangular shape with a gilded interior, all over cross hatched engraved decoration, the lid chased with a scrolled border and engraved with initials, hallmarked, weight 99 grams length 7.5 grams

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  • Cross Hatching - A decorative technique used in art, decorative arts, gilded frames and furniture to indicate light and shade through sets of parallel lines crossing each other at an oblique or right angle. The lines can be incised or engraved, as on metalware and ceramics, drawn or painted as in works of art and ceramics, or carved or applied as in furniture and mirrors. When used in art, the lines are usually very close together, whereas when used on ceramics, frames or furniture the lines may be much further apart effectively creating a square or diamond shape, which may contain further decoration.
  • William Iv - William IV was King of the United Kingdom and King of Hanover from 26 June 1830 until his death in 1837, and in English furniture design it represented the brief period between the end of the Regency period, and the beginning of the Victorian period.
  • Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

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