A large French giltwood overmantle mirror, 19th century oval in…
click the photo to enlarge
A large French giltwood overmantle mirror, 19th century oval in shape with a gilded floral encrusted frame adorned with foliate scrolls and ribbon design, 164 cm high and 168 cm wide

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Scrolls - Serpentine-shaped forms, used in cabinet construction and decoration for centuries. The scroll appears in legs, feet, as carving in chair brackets, chair rails and arms. The deeper and more spontaneous the carving is, the earlier the piece is likely to be. The Regency or 'Thomas Hope' scroll, used on pediments and sideboard backs, consists of two scrolls on the horizontal plane, placed back to back in a mirror image, and sometimes decorated with a variety of carved and/or applied ornament, such as shells, foliate and other motifs. Chippendale-style furniture is often distinguished by two corresponding scrolls in the form of a 'C' in the upper splat or where chair legs join the seat rail.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
  • Foliate - Decorated with leaves or leaf-like forms.
  • Giltwood - Giltwood is used to describe a gold finish on furniture and other decorative wooden items, whereby a thin sheet of gold metal, called gold leaf, is applied to the surface for decorative purposes.

    Unlike gilding, where the gold leaf is applied over a coating of gesso, with giltwood the gold leaf is applied direct to the surface, or over a coat of linseed oil gold leaf adhesive.

    Most gold-finished mirrors will be gilded, whereas furniture with gold highlights will have the gold applied through the giltwood method.

This item has been included into following indexes:

Visually similar items

A Victorian oval gilt framed mantel mirror, circa 1870, 200 x 180 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Bohemian bronze and enamel table mirror, late 19th century, 47 x 40 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

An 18ct gold bracelet, fancy links featuring enamelled section to a bolt ring clasp. Length 21 cm. Wt. 22.5g. Italian manufacture.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A George III carved giltwood girandole mirror, 104 cm high, 65 cm wide

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.