A five piece salon suite, late 19th century, a canape, two…
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A five piece salon suite, late 19th century, a canape, two chairs and two carvers, each with slightly waisted and arched backs with floral carved crests, with serpentine seats and cabriole legs with floral carved knees, some with porcelain casters, upholstered in old gold floral Jacquard in two patterns, height 101 cm, width 146 cm, depth 80 cm, (canape)

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  • Jacquard Fabric - Jacquard fabric is woven on a jacquard loom, which allows intricate and complex patterns to be created. The jacquard loom is controlled by a system of punched cards or a computer program that controls the movement of the loom and allows for the creation of complex patterns in the fabric.

    Jacquard fabric is known for its elaborate and detailed designs, which can include intricate floral patterns, geometric designs, and other complex motifs. The patterns are woven into the fabric, rather than printed or embroidered, which gives them a unique texture and depth.

    Jacquard fabrics can be made from a variety of fibress, including silk, cotton, wool, and synthetic materials. They are often used for upholstery, drapery, and other decorative applications, as well as for clothing such as dresses, suits, and jackets.
  • Serpentine - Resembling a serpent, in the form of an elongated 'S'. A serpentine front is similar to a bow front, except that the curve is shallow at each end, swelling towards the middle. The term presumably derives from its similarity to a moving snake or serpent. Serpentine fronts are usually veneered, with the carcase either being cut and shaped from a solid piece of timber, or built in the 'brick' method.
  • Cabriole Leg - The cabriole leg evolved from an elongated scroll, curving out at the knee which may or may not be carved, and forming a serpentine shape as it descends to the foot.

    First introduced into English furniture in the late 17th century, cabriole legs were widely used during the Queen Anne and early Georgian periods, where they frequently terminated in a pad foot or ball and claw foot. The style has had many imitators since then. The cabriole leg was re-introduced in the mid-19th century, and is commonly associated with the balloon-back dining or drawing-room chairs made in walnut, mahogany or, in Australia, cedar. The Victorian cabriole leg, on the whole, was rather more slender than the earlier form, following the French style, which emphasized the delicacy and daintiness of the chairs they were designed to support. Cabriole legs are sometimes found on windsor chairs, especially those made during the 18th century.

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