Chinese porcelain charger, Yung Chêng period, outer brown…
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Chinese porcelain charger, Yung Chêng period, outer brown border with gilt Greek key design, rim with four reserves of figures in landscape interspersed with large panels of flowers on trellis ground, the inner border with fine pâte-sur-pâte lacework, centre painted with a cockerel sitting, on a fence, diameter 35 cm. Provenance: Private Collection, Sydney

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  • Charger - A charger is a type of large plate, typically used as a decorative base for smaller plates or bowls. They are often used in formal settings, such as at a banquet or a special occasion.

    The history of chargers can be traced back to medieval times, when they were used as a base for serving dishes in banquet settings. They were typically made of metal, such as silver or pewter, and were highly decorative, often featuring intricate engravings or designs.

    During the Renaissance period, chargers began to be made of porcelain, and their designs became more ornate. They were often used in the homes of the wealthy and were considered a symbol of wealth and status.

    In the 18th and 19th centuries, chargers were produced in great numbers by European porcelain manufacturers, and they were exported to America and other parts of the world. They were highly sought after by the upper class and were often used as a decorative element in formal table settings.
  • Pâte-Sur-Pâte - Pâte-sur-pâte is a decorative technique that is commonly used in ceramics and glassmaking. The term "pâte-sur-pâte" is French and it translates to "paste on paste." This technique involves the application of layers of clay or glass paste to create a three-dimensional design.

    In ceramics, the technique involves applying successive layers of a clay slip onto a piece of pottery. Each layer is allowed to dry before the next one is applied. The layers are then carved or incised to create a design in relief. This technique is often used to create delicate and intricate designs, such as figures or floral motifs.

    In glassmaking, the technique involves applying layers of molten glass onto a blown glass form. The layers are then carved or etched to create a design in relief. This technique is often used to create intricate designs, such as floral motifs or animals.

    Both techniques require a high level of skill and precision, as the layers must be applied and carved with great care to achieve the desired effect. The end result is a beautiful and unique piece of art that showcases the artist's talent and mastery of their craft.

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