Louis XV Bird's Eye Maple Poudreuse Table

• Maple - Maple, native to North America, is a dense heavy timber from light to yellow-brown in colour. It has very little distincive graining unless it is one of the variants such as birds-eye maple or burr maple, so was not used extensively for furniture in 18th and 19th century, where cabinetmakers and designers preferred timbers with more distinctive features such as mahogany, walnut, rosewood and oak.
  
  Birds-eye maple has a seres of small spots linked by undulating lines in the grain, is highly sough and is used as a decorative veneer. Burr maple has larger and irregular grain swirls than birds-eye maple.
• Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
• Bird's Eye Maple - Bird's eye maple is a type of wood that is characterized by its unique, small, round eyes or spots that are scattered throughout the wood. These spots are caused by a genetic defect in the tree, and they give the wood a distinctive, swirling pattern that is highly sought after by woodworkers and furniture makers.
  
  Bird's eye maple is harvested from the hard maple tree, which is native to Northern Europe and North America. The wood is generally pale in colour, with shades of cream, white, or light brown. The bird's eye figure is most seen in hard maple, but it can also be found in other species of maple such as the big leaf maple and silver maple, but hard maple is the most common.
  
  It became fashionable in furniture manufacturing for use as a decorative veneer from the late 18th century to the late 19th century.
  
  As well as furniture making, it is also used in musical instruments such as guitar, drums, and pianos and smaller decorative items such as various type of boxes such as tea caddies and in picture frames.
• Serpentine - Resembling a serpent, in the form of an elongated 'S'. A serpentine front is similar to a bow front, except that the curve is shallow at each end, swelling towards the middle. The term presumably derives from its similarity to a moving snake or serpent. Serpentine fronts are usually veneered, with the carcase either being cut and shaped from a solid piece of timber, or built in the 'brick' method.
• Cabriole Leg - The cabriole leg evolved from an elongated scroll, curving out at the knee which may or may not be carved, and forming a serpentine shape as it descends to the foot.
  
  First introduced into English furniture in the late 17th century, cabriole legs were widely used during the Queen Anne and early Georgian periods, where they frequently terminated in a pad foot or ball and claw foot. The style has had many imitators since then. The cabriole leg was re-introduced in the mid-19th century, and is commonly associated with the balloon-back dining or drawing-room chairs made in walnut, mahogany or, in Australia, cedar. The Victorian cabriole leg, on the whole, was rather more slender than the earlier form, following the French style, which emphasized the delicacy and daintiness of the chairs they were designed to support. Cabriole legs are sometimes found on windsor chairs, especially those made during the 18th century.

This item has been included into following indexes:

• dressing tables, period or age
  • French 69
  • Victorian 124
• dressing tables, timber - maple 5
• poudreuse (ladies dressing table) 26