A rare and important Derby teacup and saucer, attributed to…
click the photo to enlarge
A rare and important Derby teacup and saucer, attributed to George Robertson, circa 1797-1800, the cup painted with panel depicting a battle scene with blue-coat soldiers and cannon in the foreground and red-coats in the background within a landscape and expansive sky, the saucer with three read-coats within an expansive landscape, each bordered with tooled gilding on a yellow ground, the cup interior painted with interspersed stars, crown, crossed batons, D mark and pattern number 458

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

This item has been included into following indexes:

Visually similar items

A rare Tongxhi mark and period cup and saucer, decorated in Canton famille rose enamels with butterflies, birds and insects. Saucer dia. 13 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Crown Devon porcelain demitasse and saucer, decorated with birds in landscape, in tones of yellow, blue and pink, with gilt sterling silver mount, (2)

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

19th century crown Dresden porcelain cup and saucer, beautifully painted with flowers in tones of purple, orange, blue and green, factory mark to base marker's mark: D under a crown overprinting OHME crowned mark (1882 - 1900).

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Hadley's Worcester rose bowl, painted with yellow and pink roses. Diameter 14 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.