The 1967 Finals Series: First Semi-Final (Geelong defeats Collingwood); Second Semi-Final (Richmond defeats Carlton); the Preliminary Final (Geelong defeats Carlton) and the Grand Final (Richmond defeats Geelong by 9 points). (4 items). Another set, as abo
A framed display comprising five Select Signature Set cards, 2003. Featuring cards of the three Brownlow Medallists (Nathan Buckley, Adam Goodes, Mark Ricciuto), Matthew Lloyd (leading goalkicker) and Michael Voss (Premiership captain). With all cards indi
An early 1930s Spalding 'C.V. Grimmett' signature cricket ball stamped 'Comforming to M.C.C. Regulations'; also, a later Bear Brand Special cricket ball stamped 'Made in Australia Guaranteed Back Stitch. Pat.No.7882. (2 balls). Provenance: The Clarrie Grim
Demetre Chiparus (1886-1947), 'Fille au pyjama', gilt bronze and ivory on a portoro nero marble plinth, circa 1925, the bronze cast by Edmond Etling &, Cie, Paris, the head and chest, arms, and feet carved in ivory, the pyjamas and slippers in gilt bronze
Original Queen Victoria signature a fountain pen signature, 'Victoria R.,' on an off-white paper 9 cm x 5.5 cm) mounted in a later frame with portrait 36 cm x 29.5 cm
Original Queen Elizabeth I hand signed signature on an off-white 12.5 cm x 5 cm approx) sheet clipped from a document, mounted in a later frame set with a token and steel engraving portrait, 59.5 cm x 46.5 cm
Chanel, 19 handbag, gold, quilted leather with gold tone hardware, signature chain with leather 'CC' turn lock closure, chain link top handle, chain link with leather strap, fabric internal with zip pocket, labelled 'Chanel, made in Italy', serial plate in
Chanel, pearl crush mini flap, denim quilted fabric with matt gold tone hardware, signature 'CC' turn lock closure, chain link with blue leather strap, featuring adjustable denim ?pearl' ball, fabric internal with zip pocket, labelled 'Chanel, made in Ital
Chanel tanzanite, diamond and pearl 'Voie Lactee' ring, circa 2015, centring a claw-set oval cabochon tanzanite weighing approximately 30.00 carats partially framed by an assortment of celestial motifs embellished with brilliant-cut diamonds between cultur
Jorgen Mogensen for Royal Copenhagen (Danish), dish, c. 1960, glazed stoneware of rectangular form, decorated with impressed beetle motif, retains factory printed marks and artists signature, height 4 cm width 21 cm. Provenance: Private Collection, Sydney
Deborah Sears (British), blue and white Flowerbrick, slipcast earthenware, tin-glaze decoration depicting Arcadian landscape one side with a cow and the other with a pig, artist's studio signature underneath, 6.5 cm x 13 cm x 5.5 cm. Provenance: The Estate
Julio Santos (b. 1933) for Les Blakebrough, two cylindrical glass vases, c.1979, clear glass, decorated with bands of orange and black cane glass, artists signature and date etched to base (2), height 30 cm (tallest). Provenance: The Estate of Les Blakebro
Julio Santos (b. 1933) for Les Blakebrough, two clear glass vases, c. 1979, of baluster form, hand blown, with applied clear glass strokes to the exterior, artists signature and date etched to base (2), height 26 cm (tallest). Provenance: The Estate of Les
Julio Santos (b. 1933) for Les Blakebrough, large glass plate, c. 1977, hand blown clear glass, decorated with central yellow glass with black looping swirls, artists signature and date etched to base, diameter cm. Provenance: The Estate of Les Blakebrough
Elina Brandt-Hansen (Norwegian 1955-2017), wall mount sculpture, hand built doubled layered stoneware and porcelain, with black and purple glaze, decorated with gold lustre, artist's signature to base, height 3 cm length 48 cm width approx. 25 cm. Provenan
Fred Olsen, two porcelain bowls, c. 1996, hand painted design, and raised with three feet, each with artist's signature to base (2), height 14.5 cm (tallest). Provenance: The Estate of Les Blakebrough
Jeff Mincham (Australian, b. 1950), vessel, wheel-thrown stoneware, with light grey crackle glaze, decorated with incised floral design, artist's signature to base, height 21 cm width 15.5 cm. Provenance: The Estate of Les Blakebrough
Alan Watt (Australian, b. 1941), sculpture, c. 1994, flat horizontal slab of cut and torn clay, with iridescent patches, artist's signature and date to base, height 7.5 cm width 26 cm. Provenance: The Estate of Les Blakebrough
Milton Moon (Australia 1926-2019), a large stoneware charger decorated with floral sprays, on a crackle glazed ground, copper glazed rim, incised signature to base. Diameter 39 cm. Together with a smaller stoneware shallow bowl, with painted flower design,
Ray Rogers (New Zealand/Australia 1935-2021), a spherical pit-fired earthenware vessel with incised 'Gill' rim, incised signature to base. Height 42 cm, width 42 cm.
Milton Moon (Australia 1926-2019), a large stoneware charger decorated with pale blue flowers on a crackle glazed ground, incised signature to base. Diameter 40 cm.
Lisa Ringwood (South African, b. 1968). Two Wall Platters, oval slab-rolled earthenware, sgraffito and oxide drawings of colonial farming scenes, one with green border and the other with yellow, manganese to rims, artist's signature and seals to undersides
Giles Bettison (Australian, b. 1966). 'Vista 19 #7', c. 2019, cold assembled, hot formed Murrini, hot formed and ground surface glass, artist's signature and date to base, height 25 cm diameter 13 cm. Provenance: Purchased from Sabbia Gallery, Private Coll
A Royal Worcester porcelain reticulated vase by George Owen, shape 2256, circa 1912, of ovoid baluster shape with an octagonal mouth and pair of raised loop handles to the shoulder, the body pierced with a graduated honeycomb design with a band of more com
A Royal Worcester 'Limoges Enamel' decorated exhibition quality chalice and cover, dated 1867, the enamel decoration by Thomas Bott, Snr, the tapering cup-shaped body on a knopped stem and circular foot, the cover with a domed and finialled centre, cobalt
A Royal Worcester porcelain pierced vase by George Owen, date cipher for 1912, globular on a footring, the rim of the mouth beaded, the body pierced to a complicated interlaced design at mid height between bands of gilt foliate decoration, the lower band i
A Worcester porcelain vase, the decoration by James Callowhill, 1850s, apparently on an earlier body, of broad baluster shape on a square foot with a pair of foliate scrolling handles between the shoulders and rim, the body with gilt-ground borders framing
A superb Royal Worcester porcelain reticulated vase and cover by George Owen, shape 871, date cipher for 1919, in Persian manner, the domed and finialled cover resting atop the everted mouth to the slender waisted neck above the globular body on a spreadin
A Royal Worcester porcelain reticulated vase by George Owen, shape 2256, date cipher for 1908, of ovoid baluster shape with an octagonal mouth and pair of raised loop handles to the shoulder, the body pierced with a graduated honeycomb design with a band o
Two Australian art glass goblets executed in the Murano style, with gold foil bird stems and amethyst foot and bowl, circa 2007, engraved signature (illegible), 23.5 cm and 24 cm high
Italian 14ct gold cameo brooch, stamped to frame 14Kt, Italy, of oval form, with incised signature to verso of cameo, with pendant bail, total weight 7.50gm, 4.1 cm x 3.2 cm
Emile Galle Art Nouveau tray. A very hard to find marquetry tray with a motif of inlaid flowers. The inlay is complete and stable. Bears an inlay signature Galle to the lower right. 40 x 25 cm
John Campbell (Tasmania) drip glazed yellow and green Pottery twin handle vase, of tapering form with shaped twig like handles C 1933, signature to base. Height 35 cm, width 27 cm, r84
O.C. Stephens (1898-1980) large green monochrome glazed vase ovoid form with incised ribs to the shoulder. Printed signature mark. Height 17.5 cm. Note: Oswold Counsell Stephens was a notable New Zealand teacher, chemist and potter. He was born in Dunedin,
Shiga, Shigeo, 1928-2011, stoneware ovoid vase. With brushed blue glaze with signature red line decoration. Impressed studio mark to base, height 12.5 cm
A vintage Murano glass chicken figurine by Licio Zanetti, 1970s/80s, the heavy gauge hollow form ribbed bird with applied opaque colours, inscribed signature to base, 22.5 cm high, 22 cm wide, 11.5 cm deep
A vintage Murano glass cat figurine by Archimedes Seguso, of solid form with aventurine inclusions, inscribed signature to base, Archimedes Seguso Murano, 17 cm high
Jack Laird, A collection of twelve stoneware mugs, together with a small jug (AF), with hanging wooden stand, most with incised signature to the base, size: variable, Provenance: Collection of Hans and Elizabeth Swier
Jova Rancich, Large yellow trough vase, together with a smaller yellow trough vase by Briar Gardner, impressed 'J. Rancich Auckland' mark and incised Briar Gardner signature, length 32.5 cm and length 16 cm, Provenance: Collection of Hans and Elizabeth Swi
Royce McGlashen, Stoneware vase, with textured and painted decoration of a stylized landscape, incised signature to the base and dated 1981, height 39 cm, Provenance: Collection of Hans and Elizabeth Swier
A large William Moorcroft Burslem 'Pansy Bud' vase, circa 1915 the large exhibition shape 65 vase, decorated with a continuous band of pansy buds against a light to dark cobalt blue ground with cream top, with green painted Moorcroft signature and Burslem
A Formia Di Murano glass "Asian Figurine", made in Italy. Made from blue and black glass. Incised signature to the base underside. Height 14 cm, diameter 8 cm
A Garry Nash green art glass bowl with a cobalt blue rim, c. 1998. Made from green blown glass, with a descending ombre effect to the exterior. Featuring a fine cobalt blue rim. Etched signature and dated '98 to base. Height 44 cm, diameter 32.5 cm
A large Garry Nash frosted glass bowl, c. 2001. Made from frosted glass, with organic spiralled decor in orange and mustard colours. Etched signature and dated '01' to base. Height 65 cm, diameter 29.7 cm
Stainless steel 45 mm Breitling Avenger chronograph wristwatch. Model reference. A13380. Calibre, Eta 7750. Blue signed dial with sub dials at 6, 9 and 12 o'clock with pointed and luminous hands, large sweeping chronograph hand complete with red tip, and n
John Middleditch (1906 - 1987) - male form, John Middleditch (1906 - 1987), Male Form, patinated bronze, stamped with signature, 634 & dated '86, 79.5 cm high
Warren Tippett deep footed bowl, polychrome on black exterior glaze, interior with abstract decoration on black, brushed signature to base & dated '82, 10 cm high, 15 cm diameter
Two Warren Tippett cups, black glazed abstract patterned exteriors, interiors in yellow and blue glazes, each with incised signature to base & dated '83, 9.5 cm high, 10 cm diameter
Barry Blight (b. 1943). Vase, c. 1986, stoneware, of tall baluster form, hand painted gumnuts and leaves, artist's signature and date inscribed to base 'Barry Blight 1986', height 44 cm. Provenance: The Jack Grace collection
Gwynith Norton, tray with salt and pepper shaker, porcelain blank hand-painted with roses and gold lustre to tray handle, rim, and tops of salt and pepper shakers, including Royal Worcester vase, artist's signature and factory marks to base (4), height 4 c
Catherine Snowball, set of six fish service plates, c. 1906, hand painted porcelain, depicting fish, with gilded rim, webbing and flora design to edges, displayed at the first Australian exhibition for women's work 1907, where she won best fish service, ar
Orpheus Arfaras (1909-1995). Rare bowl, c. 1949-1956, made at Modern Ceramic Products, by Orpheus Arfaras, hand painted with sgraffito and fossil pattern, manufacturers and artist's signature hand painted to underside, height 10 cm diameter 26 cm. Provenan
V. Myers Adelaide, jug, green mottled glaze, applied grapevine decoration with two branch-like handles, artist's signature stamped 'V.Myers Adelaide', height 20 cm. Provenance: The Jack Grace collection