18ct white gold, emerald and diamond ring, claw-set with a square step-cut emerald to shoulders each set with a cluster of baguette, marquise, princess and brilliant-cut diamonds, the emerald and diamonds together weighing approximately 4.17 and 1.18 carat
An impressive Royal Worcester porcelain banquet oil lamp, shape 1354, dated cipher for 1893, of classical torchere form, the etched cranberry glass shade enclosing the Hinks & Son brass burner in a vase shaped bowl atop a baluster stem raised on a triangul
Crewenna Pottery (Harry & May Davis), Two large stoneware oil bottles, with tenmoku and grey ash glazes, impressed studio's mark to the handles, height 26 cm and height 24 cm (inclength lids), Provenance: Collection of Hans and Elizabeth Swier
Peter Stichbury, A coffee pot and an oil bottle, stoneware with ash and tenmoku glazes, impressed potter's mark to each foot, height 25 cm and height 20.5 cm (inclength lids), Provenance: Collection of Hans and Elizabeth Swier
A Chinese goldfish oil painting, 20th century in the manner of Lee man Fong, the dynamic 'Three goldfish' oil painting with simple lines, mounted in a frame with patterned silk border, inscribed to the upper right hand corner, stamped and signed 'Tong Ning
An Electrified Bayeux porcelain lamp base, probably Bayeux, 19th century the fine electrified oil lamp with a French plug, urn form with a domed foot and cover, hand decorated with a cherub in celestial landscape in oval reserve, a floral bouquet to the re
Chinese modern oil painting of flowers (Zhaoxingguo stamp-famous artist), Zhao Qingguo (named as Grape Zhao), is a first-class artist in China,member of Chinese Artists Association, distinguished professor at the School of Fine Art of Zhengzhou University,
Artist unknown, after Holbein, two 18th-19th century portraits, after Hans Holbein, oil on copper, inscribed verso 'Henry Vlll' and 'Edward Vl' in matching carved and gilded frames. 19 x 16.5 cm. (x 2)
A late 19TH/Early 20th century oil lamp, green cut glass reservoir on an ornate wrought metal stand, dimpled shade etched with flowers and citron tint, the mechnanism marked 'B Cars'. Height 78 cm.
A pair of early 20th century French Gaudard oil lamps, with vaseline glass shades and resevoirs, brass floral and scroll bases. Overall height 58 cm. (2)
Attributed to Philip James de Loutherbourg (1740-1812), an extensive river landscape with travellers on a track, oil on canvas, the frame bearing a nineteenth century attribution to Loutherbourg, 57 x 71 cm
A Napoleon III gilt-framed overmantel mirror, third quarter 19th century, the plate with arched top within a moulded frame with foliate crest set within an outer frame of panelled borders with decorative details in relief, in contrasting oil and burnished
Italian school mid 19th century, a bust-length portrait of a young woman in rustic dress and holding a flute, oil on canvas, 68 x 54 cm, oval. Provenance: Leonard Joel, the Clendinnen collection, Melbourne, 25 September, 2011, lot 98
Frederick William Woodhouse, Snr (1820-1909), a flaxen chestnut horse standing in an Australian landscape, oil on canvas, signed and dated lower left: Fred. Woodhouse Snr / 1884, 44.5 x 59.5 cm
Motor trade: an original 'Exide Batteries' poster (1926); a 'Keep Bros. & wood Pty Ltd, Batman Street, West Melbourne c.1930s trade catalogue; various unused motor-trade related advertising blotters (golden Fleece, Aero-Press, shell motor oil, etc.)
D. Gadsby, Australian first half of the 20th century, Kings Cross street scene, oil on board, 44.5 cm high by 54 cm wide, Australian, first half of the 20th century, Kings Cross street scene, oil on board, 44.5 cm high by 54 cm wide
Bettina M cmahon, Australian 20th century 1930- Study for MInerva, charcoal and oil on paper, 123 cm by 85 cm, Australian 20th century, 1930-, Study for MInerva, charcoal and oil on paper, signed, dated 04 and titled lower right, 123 cm by 85 cm
Attributed to Emanuel Teter (born in Salzburg c.1780), fine 19th century hand-painted oil on ivory of Miss Grace rose, the young Miss rose stands with blushed cheeks wearing a white silk dress with blue ribbon highlights and shoes, holding a flower filled
Pair of Chinese bronze oil lanterns, in the form of ox, with handles and lanterns to back, with evidence of gilt floral work to body, evidence of seal mark to body, 41 cm x 37 cm (2)
An American sterling silver oil lamp (night light), modelled as a genie lamp with planished finish, Black Starr & Frost, New York, height 8 cm, width 11 cm. Weight 153 gm.
An original oil painting by Terrence John Hadler, titled 'The Big Match' depicting an Essendon v Collingwood match at a critical moment with the scores level at 70 points each; signed at lower right, framed 26 x 52 cm overall.
"The Ambassadors of Agamemnon in the tent of Achilles" after Jean Auguste Dominique Ingres, modern, oil on canvas. 108 x 153 cm. Provenance: The Estate of the Hon. Dr John Kennedy McLaughlin Am, Sydney. Other notes: Ingres won the Prix de Rome in 1801 with
A Roman diorite stone bowl, 1st-3rd century AD, carved rounded bowl with large flat flared rim, May have been used for ceremonial oil, diameter 6 cm. Provenance: purchased time machine Co, New York, USA, 2003
A Roman bronze oil lamp, crescent of Diana, Lincolnshire, England, 1st-2nd century AD, Diana was the twin sister of Apollo and goddess of the moon, her symbol, a crescent moon was often depicted on Roman pieces, length 11 cm. Provenance: purchased Garry Ed
Girard-Perregaux skeletonized pocket watch, for Shell Oil Co., c.1939 made as an product promotion for Shell, chrome case, skeleton dial with black chapter ring. Plates reputedly referencing n oil rig layout. Signed 7 jewel movement
A Kyutae Kim incense burner, an oil incense burner in a geometric form, with the wick protruding from a small house. Kim is a contemporary south Korean ceramicist. Height 4.3 cm, width 10.8 cm
An antique French banquet oil lamp with bronze mounted base on facetted milk glass with hobnail crystal font, double burner, chimney and crimson glass shade, 19th century, 104 cm high overall
Chinese porcelain vase on stand, oil lamp, silver plated platter, scent bottles, glass biscuit barrel and serving plate, cobalt carnival glass 'Butterfly' sweet meat dish, butter dish, Doulton Lambeth pottery jug and an English pottery vase, 19th and 20th
A silver plate Hannukah oil lamp of Polish origin, decorated with a menorah, applied figures of rampant lions, palm trees and leaves beneath a Torah crown, made by Norblin & Co, Warsaw, early 20th century, (lacks one perforated burner cover), 29 cm high.
Antique kerosene banquet lamp converted to electricity, 81 cm high a similar lamp is illustrated on the front cover of Oil & Kerosene Lamps in Australia, by Peter Cuffley
A Democratic Republic of Congo Tetela short sword, c1890, hand forged leaf shaped blade with central strength rib and multi groove border. Hardwood carved handle. Burnt palm oil protective coating. Belgian collection, length 33 cm
An early 20th century Kuba small sword, c1920, classical hand forged broadleaf shape blade with central lineal rib. Carved hardwood handle. Burnt palm oil covering. Belgian collection, length 35 cm
A fine Colonial period Democratic Republic of Congo Saka Ngandu sword, of high status and of very unique sculptural form. Double ended forged iron blade with center ribs and multiple edges. Bound copper wire grip. Burnt palm oil rust protection. Belgian co
A Democratic Republic of Congo Multi-Blade throwing knife, c1920, design of classic Ngbaka form with three hand forged and sharp blades juxtaposed at different levels. Black palm oil patina. Old Belgian collection.
Dario Zoureff abstract painting, oil on board. Signed and dated to the lower right hand corner. Solid teak frame, Australia, c 1964, 57.5 cm high, 88w, frame size: 67 cm high, 98w
Louise Campbell November light drawing desk for Nikari, solid ash with a natural oil finish. Large single drawer, Denmark / Finland, designed 2015, 82.5 cm high, 120 cm wide, 62 cm deep
A pair of Indian cast bronze oil lamps, 19th century each of traditional form, the backplate cast with Gaja Lakshmi and elephants surrounded by plaited and beaded borders, one probably cast later, height 14 cm, width 9 cm, depth 9.5 cm
Three Victorian white metal oil lamps, 19th century, comprising an urn form lamp with twin chimneys, a baluster lamp with flora in relief, and; a censer form lamp, two with EPBM marks, the censer with marks for James Dixon & Sons, all with original mechani
Chinese song iridescent 'Oil Spot' bowl, the bowl of tapering form with a slightly flaring rim, featuring a colourful iridescent 'Oil spot' interior and exterior with exposed foot, with incised two character mark to base, height 7 cm and diameter 12 cm, Pr
An antique kerosene oil lamp with brass Corinthian column base, faceted crystal font, black button double burner, original acid etched ruby glass shade and chimney, 19th century, 85 cm high overall
19th century French miniature, after Francois Gerard's 'Portrait of Juliette Recamier', oil on ivorine, signed 'Gerard' lower right, in brass frame 16.5 cm x 11 cm
Mid 19th century, artist unknown, portrait of a young lady with red necklace, unsigned. Dated 1865 in pencil lower centre., oil on canvas on board, 37 x 26 cm
Attributed Emanuel Teter (born in Salzburg circa 1780) fine 19th century hand painted oil on ivory of Miss Grace Rose, the young Miss Rose stands with blushed cheeks wearing a white silk dress with blue ribbon highlights and shoes, holding a flower filled
A fine antique hand painted oil on porcelain portrait of 'Louis Bonaparte' late King of Holland, depicted in formal military attire. Named to the reverse. 14.5 x 11.5 cm. In ormolu frame: Note: Louis Napoleon Bonaparte (born Luigi Buonaparte; 2 September 1