Antique French Gilt Bronze Chenets with Putti Figures
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A pair of antique French gilt bronze sculptural chenets, second half 19th century, each with a figure of a putto seated amidst acanthus, (lacking log rests), 38 cm high, 36 cm wide, 20 cm deep
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- Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.
The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.
It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture. - Putto / Putti / Amorino / Amorini - A putto (plural: putti) or amerino (plural: amerini) is a cherub or cupid frequently appearing in both mythological and religious paintings and sculpture, especially of the Renaissance and Baroque periods and later used as a decorative element in the design of furniture, ceramics, statuary etc. They are usually depicted as chubby males, or of indeterminate gender, often with wings. Their depiction may represent an association with love, heaven, peace or prosperity.
- Chenets - Cenets are the French name for fire dogs or andirons. They are metal supports for logs in the fireplace, usually with two feet at the front and one at the back. They hold the wood above the hearth level allowing the air to pass around it to facilitate burning. Until the beginning of the 15th century they were made of wrought iron, and after this date were made in cast iron or steel, often with decorative brass embellishments.
- Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
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