A monumental Muller Freres orange Art Deco cased glass vase,…
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A monumental Muller Freres orange Art Deco cased glass vase, circa 1920s, of elongated ovoid form with a small waisted neck in deep orange with an irregular trailing purple collar and flecks, the base similar but with a granitic appearance, random patches with silver foil inclusions, etched mark, of Muller Freres Luneville to lower body, height 38 cm

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  • Art Deco Period - The Art Deco period was a cultural movement that emerged in the 1920s and 1930s, and was characterized by its emphasis on modernism, luxury, and elegance. The name "Art Deco" comes from the Exposition Internationale des Arts Décoratifs et Industriels Modernes, a large exhibition held in Paris in 1925 that showcased the latest trends in decorative arts.

    Art Deco was a reaction against the ornate and elaborate styles of the previous era, and reflected a new modern sensibility. It was characterized by streamlined, geometric shapes, bright colours, and the use of new materials such as chrome, glass, and Bakelite. Art Deco designers sought to create a sense of luxury and sophistication, often incorporating expensive materials such as ivory, marble, and rare woods.

    Art Deco had a significant impact on a wide range of artistic fields, including architecture, fashion, graphic design, and interior design. Some of the most iconic examples of Art Deco architecture include the Empire State Building in New York City, the Hoover Building in London, and the Palais de Chaillot in Paris.

    The Art Deco period came to an end in the 1940s, as World War II and changing cultural trends led to a shift in artistic styles. However, Art Deco remains an important influence on design and art, and continues to be celebrated for its modernist sensibility and glamorous aesthetic.
  • Inclusions - Inclusions in glass objects refer to small, often irregularly shaped particles or bubbles that are trapped within the glass during the manufacturing process. These inclusions can be intentional or unintentional, and can range in size, shape, and composition.

    Intentional inclusions are often added to the glass for decorative purposes, and can include materials such as colored glass, metallic foils, or even small mementos like photographs or other objects. These intentional inclusions are typically added to the glass while it is still in a molten or semi-molten state and are then moulded or blown into the final shape of the object.

    Unintentional inclusions, on the other hand, are typically the result of impurities or air bubbles that become trapped within the glass during the manufacturing process. These inclusions can be seen as small specks or bubbles within the glass, and can sometimes be a sign of poor quality control during production.

    While intentional inclusions can be a desirable feature of some glass objects, unintentional inclusions can sometimes be seen as a defect, and can reduce the value of a piece. However, in some cases, certain types of unintentional inclusions can actually increase the value of a piece, such as with antique glass that contains bubbles or other imperfections that are characteristic of the time period in which it was made.
  • Oviform /ovoid - The outline loosely resembling the shape of an egg.
  • Cased Glass - Cased glass is a type of glassware that is made by sandwiching a layer of one colour of glass between two layers of another colour of glass. This technique is also known as "slip-casting" and "slip-decorated" or "overlay" glass. The process creates a decorative effect by contrasting the colours of the outer layers with the inner layer. The outer layers can be clear, opaque or coloured and the inner layer can be a different colour, or it can be left clear to create a more subtle effect.

    The technique was first developed in the 19th century, primarily in Europe, and it was used to produce a wide range of decorative glassware such as vases, bowls, and bottles. Cased glass was particularly popular during the Art Nouveau period, when many glassmakers, including Loetz, Galle, Steuben and Tiffay began to experiment with different colours and designs to create unique and striking pieces of glassware.
  • Etched - Glass decorated with an etched design, which is achieved through marking out the pattern, protecting the area that is not be etched, and then immersing the object in acid to dissolve the surface of the unprotected area. With some glass objects, such as cameo glass, there may be several layers of different coloured glass, and part of the top layer is dissolved leaving the bottom layer as the background. The longer the time of exposure of the object to acid, the deeper the etching.

    The word etching is also sometimes used to describe another method of decoration, where wheel grinders were used decorate the surface, but this technique is usually known as engraving.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.

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