Pair of Royal Worcester Nautilus vases, c. 1879, slipcast glazed porcelain in the shape of shells sitting on coral, gilt, retaining factory stamps to bases (2), height 22 cm. Provenance: private Estate, Tasmania
Royal Worcester porcelain Twin-handle vase and cover, by a. Watkins, 20th century, shape G1045, painted with roses against a blush ivory and gilt ground, printed factory marks to undersides, together with a pair of Royal Worcester porcelain bulbous vases,
Three carved soapstone figural vases, mid 20th century the mottled soapstone carvings, the largest with four vases in two-tone brown and grey mottled stone with engraving to the vases, with reticulated foliage arch surmounted by a flower head, the smaller
A pair of French trench art artillery shell vases, World War I, 1916 the pair of French 75 mm field gun brass shell cases, dated 1916, worked with repousse roses reserved on stippled ground. Height 34.5 cm
Three satin vases for Venini, graduated group of three. Taupe coloured glass with brushed finish. Signed, dated and retain Venini sticker. Italy, produced 2017, largest: 54 cm high, 20 cm deep
A pair of bronze mounted Imari lamps, Japanese and French, circa 1900, the baluster vases with fan shaped cartouches amidst foliage in a typical cobalt and red palette, with French bronze cast mounts, with sconces for bayonet fittings, 33.5 cm high
Mirek Smisek two small vases, the larger vase is tenmoku glazed with incised ribbing to the body, the smaller with wax resist tenmoku glaze over an ash ground. Both with impressed mark, 18 cm, 14 cm height
Pair of Venetian glass vases tall, footed, everted vases in clear glass. The lower pArt Decorated in gold hand painted patterns. The upper part with a hand cut rose bush motif. 37 cm. (2)
Painted in a Japonaiserie style, possibly by Christopher Dresser, a pair of hand painted Minton vases of globular form with an aqua ground, swimming gold fish decorations, enamelled and applied gilt air bubbles, three prawn shaped feet each, whose bright o
A pair of Sevres style gilt bronze mounted vases the baluster form vases surmounted by a gilt bronze collar of grape vines, on a mottled blue ground, resting on a circular gilt bronze foot. A spurious Sevres mark to the base. 30 cm (2)
Graeme Storm, three vases, one larger and trumpet shaped (230 x 110 x 11 cm) and two smaller wheel thrown vases (150 x 120 x 12 cm and 110 x 10 cm) all with similar rich blue barium glazes
Lyndsay Patterson, red, black and white vases, hand-etched and blown glass, three parts, signed and dated 2002/2003/2004 to underside, 24 cm: height (tallest)
Nicholas Brandon, a collection of eight bottle form vases, each with long cylindrical bodies and small-lipped openings, various glaze effects, 118 cm: height (tallest); 50 cm: height (shortest)
Assorted antique and vintage English porcelain vases, urns, cups etc, including Royal Worcester, Derby, Mintons, and Copeland, 19th and early 20th century, (9 items), the largest 15.5 cm high
Mintons antique English blue and gilt porcelain lidded urn with hand-painted floral decoration, together with a Wedgwood porcelain vase, and two Coalport miniature vases, one with hand-painted scene, 19th/20th century, (4 items), the largest 10.5 cm high
Coalport pair of antique English porcelain blue and gilt vases, titles 'Ellsmere', and 'Ullswater', painted by Percy Simpson, early 20th century, green factory marks and titles to bases, 22 cm high
Royal Worcester pair of antique English porcelain stem vases with hand-painted floral decoration, 19th century, puce factory marks to bases, 16.5 cm high
Royal Worcester pair of antique English porcelain basket vases with butterflies and flowers, 19th century, impressed factory mark to bases, 12.5 cm high
Royal Worcester pair of English porcelain vases with pierced rims and decorated with hand-painted scene of highland cattle in landscape, signed 'H. Stinton', circa 1927, green factory mark to base, 22.5 cm high
Chinese embroidered red satin textile, possibly an altar front, heavily couched in gold thread with vases and flowers, fruit, bat and butterfly, on a red satin ground, 54 cm x 62 cm
A pair of Doulton Lambeth stoneware vases decorated by Hannah Barlow & Frances E. Lee, of tapering form, with a slender fluted neck, decorated with a central band of sgraffito sheep, incised markers mark and impressed rosette England factory mark to unders
A pair of Doulton Lambeth stoneware vases decorated by Frank a. Butler, circa 1905, each of slender form, decorated with repeating relief moulded oak leaf designs, incised markers mark and impressed circle, lion and crown factory mark to underside of base,
A pair of Doulton Lambeth vases decorated by Florence E. Barlow, circa 1905, each of slender baluster form, with a fluted neck, decorated with floriate motifs and pate-sur-pate geese amongst grasses on a stippled ground, incised markers mark and impressed
A large Persian style wool rug, in varying shades of green, teal, sky blue and russet, featuring a medallion, vases of flowers issuing tendrils and flowers upon a cream field, circular spandrels to the inner corners and enclosed by a wide running floral an
A woollen Persian style hall runner, scattered with flowering branches and vases in red, blue and olive colours on a cream field, enclosed by a red border, 331 x 78 cm
An antique ombre milk glass comport with a pair of cased glass vases, 19th/20th century, a Fenton type ruffled dish with a clear rim line raised on an electroplate base with dolphin supports, together with a pair of globular satin glass vases with rouge pe
A collection of ruby glass table wares, 19th century and later, comprising a cruet set in a silver plate stand, two casters, decanter, two posy vases in stands, three tumblers and a small burner lamp and a pair of salad servers, the decanter 25 cm high
A group of Victorian ruby and amberina glass, 19th century, four pieces comprising a cased satin glass ovoid vase, a small amberina vase with clear glass feet and an internal dimpled decor, and a pair of globular vases with clear shell form feet and striki
A collection of Mary Gregory style ruby glass, 19th/20th century, comprising three vases and a small decanter jug variously decorated in white enamel with figures in landscapes and floral motifs, one vase with trailing clear rigaree decorations, the balust
A pair of late Victorian Royal Crown Derby blue and gold covered vases, 1896, of slightly cushion profile with domed covers and scrolling cornucopia handles, decorated to the cobalt bodies with loose sprays of gilt ferns fronds and other gilt enrichments,
A pair of large Victorian Staffordshire spaniel spill vases together with a single spaniel, mid 19th century, the slip moulded flatback vases featuring white moulded spaniels picked out in soft gilt colours against painted tree trunk vases and raised on gr
A pair of Royal Worcester apple green and white covered vases by Harry Davis, 1906, pedestal vases with high set scrolling handles and mascaron terminals, decorated with pastoral scenes featuring a shepherd with his flock, loose arrangements of summer flow
A pair of Royal Worcester pot pourri vases by John Stinton, 1919, 1924, 1937/8, ovoid vases with reticulated rims, husk swags and moulded handles in gilt and shot colours, decorated with highland cattle in misty Scottish moorland settings, both signed J St
A mixed pair of Royal Worcester vases with covers by John Stinton and Harry Davis, 1907, urn form vases with moulded acanthus handles in blush picked out in gilt, one vase decorated with highland cattle in a misty landscape setting, signed John Stinton low
Temuka Potteries, a collection of four trough vases, shaped as wooden logs, in pale blue, yellow and white glazes, one with printed 'Neeco Temuka Ware' mark, two with 'Vitrified porcelain Temuka NZ' mark, one unmarked, width 30.5 cm. Provenance: Collection
Temuka Potteries, a collection of three trough vases, shaped as wooden logs, in green and brown glazes, two with printed 'Neeco Temuka Ware' mark, one with 'Vitrified porcelain Temuka NZ' mark, width 30.5 cm. Provenance: Collection of Peter Joyce
Crown Lynn Potteries, four trickle glaze vases, of varying shapes, the glazes mainly in varying shades of green and blue (some wear), most with 'Made in NZ' and/or fraction marks, the tallest, height 17.5 cm. Provenance: Collection of Peter Joyce
Crown Lynn Potteries, collection of seven small trickle glaze ceramics, of various green and yellow shades, comprising an ashtray, an urn, two bulbous vases and three jars, the green glazed pieces with fraction marks, the yellow ones with shape number 63 a
Crown Lynn Potteries, a collection of three large white trough vases, slip-cast ceramic, comprising a large trough on a wave decorated pedestal foot, a ribbed trough and one with rope design, c. 1948-1960s, two with printed factory mark to the base, all wi
Crown Lynn Potteries, a collection of four white slip-cast ceramics, including two matching white float bowls with wave decoration, and two specimen vases, c. 1948-60s, printed factory mark and impressed shape number 66-8 and 482 to the bases, the largest,
Crown Lynn Potteries, a collection of seven small white pots, slip-cast ceramic, comprising three urn vases, a milk jug, and three specimen vases, various printed factory mark to the bases (including Flair Art Pottery); most with impressed shape number, in
Crown Lynn Potteries, two white mantle vases, slip-cast ceramic, decorated with overlapping petal designs, printed factory mark and impressed shape number 399 and 605, width 28.5 cm and width 26.5 cm. Provenance: Collection of Peter Joyce
Crown Lynn Potteries, two large trough vases, white slip-cast ceramic, with stylized floral design, c. 1950s-1960s, factory mark and impressed shape number 107 to the bases, width 27 cm. Provenance: Collection of Peter Joyce
Crown Lynn Potteries, a pair of large sinuous trough vases, white slip-cast ceramic, c.1955-1960s, printed factory mark and impressed shape number 106 to the bases, width 28.5 cm. Provenance: Collection of Peter Joyce
Crown Lynn Potteries, pair of white boat-shaped vases, slip-cast ceramic with intricate detailing, c.1960, impressed factory mark and shape number 554 to the bases, width 22.8 cm. Provenance: Collection of Peter Joyce
Crown Lynn Potteries, a pair of mantle vases, white slip-cast ceramic decorated with flower bands (one A/F), printed mark and impressed shape number 553 to the bases, width 30 cm. Provenance: Collection of Peter Joyce
Titian studio, pair of trough vases, slip-cast ceramic with textured glaze with mottled blue and black tones, impressed factory mark and numbers B.104 to the bases, width 18.5 cm. Provenance: Collection of Peter Joyce
Crown Lynn Potteries, pair of classical urn vases, white slip-cast ceramic (one A/F), printed factory mark and incised shape number 593 to the bases, height 23 cm. Provenance: Collection of Peter Joyce
Crown Lynn Potteries, a pair of 'Royal visit Queen Elizabeth II' urn vases, white slip-cast ceramic, 1963 (one repaired), printed 'Royal visit Queen Elizabeth II, Crown Lynn Potteries, New Zealand' and dated to the bases, height 12 cm. Provenance: Collecti
Crown Lynn Potteries, three speckled vases, white slip-cast ceramic, comprising a mantle vase and two troughs, all decorated with relief speckled decoration and scroll detailing (some faults), printed factory mark and shape number 606 and 596 to the bases,
Crown Lynn Potteries, a pair of white crag-shaped vases, slip-cast ceramic, factory mark and impressed shape number 586 to the bases, width 26.5 cm. Provenance: Collection of Peter Joyce
Crown Lynn Potteries, a pair of urn-shaped vases, brilliant white glazed slip-cast ceramic, with applied shell-shaped handles, printed factory mark and incised shape number 665 to the bases, height 20 cm. Provenance: Collection of Peter Joyce
Crown Lynn Potteries, a pair of mantle vases, slip-cast ceramic with scrolls detailing (one A/F), factory mark and impressed shape number 549 and 'K' to the bases, width 29 cm. Provenance: Collection of Peter Joyce
Crown Lynn Potteries, a pair of fan-shaped mantle vases, slip-cast ceramic with scrolls detailing, factory mark to the bases, width 29 cm. Provenance: Collection of Peter Joyce
Crown Lynn Potteries, a collection of four twisted bark-shaped vases, slip-cast ceramic, comprising of two larger vases pieces, a smaller twisted vase and a trough vase, c.1955+, factory mark and impressed shape number 585, 584, 590 and illegible to the ba