Victorian sterling silver locket and necklace the double frame locket is bright cut engraved with floral and raised ladder patterns, the necklace has applied beading and star open work flat discs. Marked Birmingham 1882 to locket Approx 78 grams weight, ch
A large Chinese celadon Ding-Form censer, 19th century, the lobed bombe-form tripod censer with carved decoration of diaper patterns and scrolling foliage, covered in an even sea-green coloured glaze, with two rope-twist handles surmounting the rim, the la
Iotua Charlie Tuarau, Maori carved wooden panel, signed, dated and inscribed 'I. C. Tuarau, Maori carver, Dominion Museum, Wellington, NZ, 1963' verso, rectangular carving with rounded edges, painted red. From proper left to proper right: two manaia figure
A small Japanese pipe cabinet, the exterior inlaid with intricate geometric patterns, the interior with holders for various pipes, drawer to base. 17 cm x 17 cm x 25 cm.
A New Zealand woods box, the geometric patterns formed from various New Zealand timbers including rewarewa, totara and kauri, the interior with one lift-out tray, with key. 41 cm x 28 cm x 18 cm
An Anglo-Indian rosewood fitted cutlery sideboard on stand, circa 1920, the exterior profusely carved with a floral border above doors with peacock, embellished borders and ornate circular patterns, an arrangement of small, cutlery drawers to the interior
An Anglo-Indian rosewood liqueur cabinet on stand, circa 1920, purchased Cochin, Kerala, the cabinet with hinged top profusely relief carved to panels with peacock, embellished borders and ornate circular patterns, raised on substantial, cabriole legs with
A pair of hongmu armchairs with 'dream-stone' marble insets, Late Qing dynasty to Republic period, by Li Jiren, 103.5 high, 61.5 wide, 46.5 deep (2). Provenance: Private collection, Sydney, acquired in the early 1980s. Erquan Shanmin is the studio name of
Two associated Dayazhai turquoise-ground cups, Guangxu four-character iron red mark and of the period, 9.4 cm diam., 9.1 cm diam. (2). Provenance: Mossgreen, Melbourne, 18 June 2012, lot 8. The Dayazhai wares were amongst a number of new imperial designs o
A Sino-tibetan gilt copper alloy repousse figure of Tsong Kharpa, 18th century, 41 cm high. Provenance: Frank Zeno Collection. Mossgreen, Melbourne, 18 June 2012, lot 28. Exhibited: Possibly exhibited or loaned to the National Gallery of Victoria, Melbourn
A Shahrebabak carpet, the field decorated with a geometric panel with diamond patterns to the centre, animal and floral motifs, multiple border guards, red and blue tones. 210 cm x 100 cm.
A Hamadan Zanjan carpet, the field decorated with a geometric panel containing a central medallion and floral forms, the quadrants with numerous floral patterns, multiple border guards, red and blue tones. 195 cm x 105 cm.
An Iranian Gochan carpet, the red field with three diamond medallions decorated with repeating diamond patterns in varying colours, multiple border guards with conforming diamond shapes. 185 cm x 132 cm.
An Iranian Gochan carpet, the central panel divided into four, each decorated in different colours with the same script motif, multiple border guards with geometric patterns. 185 cm x 130 cm.
An Iranian Hamadan carpet, three central medallions decorated with geometric forms, multiple border guards with conforming floral and geometric patterns in unusual colour tones (some repairs.). 212 cm x 127 cm.
A Hamadan runner, the central panel decorated with three medallions, geometric and floral patterns, multiple border guards, blues and greens on a red ground. 100 cm x 300 cm.
Pair of Japanese Imari porcelain chargers, of scalloped form, decorated with a central petalled roundel with wave and floral motifs, surrounded by four dragon panels alternating with a series of floral patterns, depth 39 cm (2)
Two small trumpet vases, W & R Carlton Ware 'Temple' and Carlton Ware, Mikado, mid to late 1920s, patterns 2929 and 2881, both with oriental designs in enamel colours, 'Temple' in mid blue with a cracked ice black and gold rim, 'Mikado' in matt black with
Two Doulton 'Harvest' wares with sterling silver mounts, 1901 and 1902 London silver marks, patterns 658 and 9889, a large beaker and an ovoid jug with plain mounts, rich green black glazed, borders to the upper registers, typically decorated with applied
Nine cut and flashed glass and crystal hock goblets, in four patterns, two by Val St Lambert, others Bohemian, in various shades, of green, cranberry, one each in purple, smoke and black, stencil and etched, marks to some, height 20 cm, and smaller
An Art Deco figural clock, circa 1920s, a dramatically posed 'Diana' in silver and gold colours to spear a fleeing deer upon a bold geometric shaped case faced with marble and onyx fan, patterns, a lozenge shaped dial with Roman numerals and rubbed marks,
A rare Chantilly teapot circa 1735-40 decorated with flowers, foliage, insects and an exotic bird in the kakiemon style, inspired by Fraisse patterns supplied to the Chantilly factory. Height 13 cm
18ct yellow gold and diamond pendant of heart form with cross weaved gold set with diamonds to the body and bail and an pierced work heart patterns to reverse, marked 750 25x princess cut and 4@ round brilliant cut. Total pendant weight 6.9 grams
A Persian Caucasian hand knotted rug, decorated with geometric patterns within a stylised geometric meander border between narrow guards. 237 cm x 139 cm.
A Chinese porcelain baluster jar and cover, decorated with fine flowering tendrils and a fret pattern at the foot, cloud patterns decorate the shoulder and short neck, the domed cover with conforming decoration. Height 43 cm.
A Tibetan parcel gilt silver teapot 18th century, the teapot is chased and engraved all over with scrolling foliage motifs, elaborate lotus petal borders and various other flower patterns. Both sides of the body are decorated with central stylised cloud-sh
Blue and white moon flask vase mark to base in the Qing style and decorated with several cartouches with symmetrical patterns and floral script. Two gilt handles mark the neck. Condition: good, some wear to paint height 33 cm
A fine gilt Washed Victorian sterling silver vinaigrette, 1853 Birmingham, with maker's mark for Alfred Taylor of lobed rectangular form with an applied unmarked shield cartouche upon a delicately engine turned striped ground, patterns and crimp work to th
A fifty six piece Royal Doulton dinner service, 'Vanborough pattern 4992, a service for eight comprising, dinner, soup, entree, and side plates with twelve coffee cans and associated saucers, with dark green borders with formal gilt patterns, backstamps un
A Neapolitan porcelain figural perfume bottle, circa 1860s finely modelled as a woman holding her cape and crinoline, with a skirt in floral and black striped patterns, and a puce and yellow bodice, the head serving as the stopper, blue Crown and N mark un
A Persian wool tribal rug in strawberry, turquoise and green colours with a central lozenge, spandrels and herati motifs upon a white field, the main border with patterns enclosed by floral bands, length 154 cm, width 112 cm
A 19th century chinoiserie lacquer sewing work table, decorated in traditional gilt patterns, the lid lifts to reveal multiple lidded compartments to hold sewing accessories, on lyre shape legs, stretcher base with conforming gilded decoration, the top has
Two modern famille rose porcelain goldfish bowls on stands, the interiors decorated with goldfish and water plants, the exteriors in traditional famille rose colours and patterns. 45 cm x 52 cm.
A Villeroy & Boch Flamande blue vase garniture, 1920-1925, Bonn, an ovoid jar with a domed lid and finial, and two side baluster vases with riverside scenes to cartouches and flower patterns upon a patterned triangular ground; with blue backstamps undersid
A Royal Worcester soup bowl, 1910, pattern 5659, the scalloped gadroon edged bowl with a finely decorated cobalt border with six gilt rococo cartouches enclosing delicate floral sprigs alternating with formal gilt patterns, puce backstamp and pattern numbe
Two antique blue and white Plates: Chinese and English Pearlware, 18th to early 19th century, a thickly potted Chinese plate with an unglazed base having an all over blue floral design in hatched patterns, and; a pearlware Willow pattern plate with pattern
Two Spode dessert plates, circa 1820, patterns 3404 and 3838, squared plates with cusped corners, one with a Japan type pattern with pink peony and cobalt and gilt leaves between a trellis border; and a dentil edged plate with bright polychrome posies and
Teawares by Copeland & Garrett: a trio and a Duo, 1833-1847 period, patterns 5563 and 5802, of 'Wellington Embossed' shape with 'Victoria' handles, including a trio with floral reserves, embellished with insects upon a mazarine blue and gilt fern decorated
Two tea cups and saucers, probably Coalport, circa 1830, both patterns 2/417, 'No, 7' type shapes with moulded edges to the pedestal cups and 'Broken' curled handles, one with fancy birds within delicate gold foliage, and; the other with polychrome floral
A fine Louis XV style parquetry Bombe commode, circa 1930s, with a serpentine purple and ochre marble top above two long drawers with decorative tile and lattice patterns to shaped and strung reserves, the sides conforming, with a shaped apron, extended hi
A Victorian Mother-of-Pearl Visiting card case, 19th century, the rectangular hinge top case diagonally set with mother-of-pearl tiles finely engraved with patterns and floral motifs, with a press button opening mechanism revealing the ivory tipped edges a
Jeff Mincham (Australian, b. 1950), vessel, 1986, raku fired earthernware, wheel thrown body with incised patterns and applied slab built fin ornamentation, inscribed artist's signature 'Mincham '86' to base, height 32.5 cm width 40.5 cm
Shelley 'Intarsio' double handled bowl in the Art Nouveau style and of green, blue and red floral interlaced patterns to the inside and outside on a brown field, two shaped handles and stamped to the base, height 9 cm, diameter 25 cm
Large elephant handled famille rose vase in a large baluster shape with hand painted central section depicting characters among a forest, the top and bottom characterised by several different symmetrical patterns and featuring two elephant shaped handles,
Large blue and white Xuande style charger with serrated edge and decorated with various symmetrical patterns that include floral banding, fish, waves and a centralised flower surrounded by varying cartouches., diameter 51 cm
Green and red 'Dog of Foo' Chinese vase in the baluster shape, with extended rim and the guardian lion among a field of flowers, the neck graced with a phoenix in between two symmetrical patterns, height 45 cm
Fine pair of mid 19th century Minton pot pouris in the Sevres style and finely detailed with elaborate florally decorated lids, gilt detailing, pierced shoulder and the mid section featuring six classical themed cartouches surrounded by scrolling floral pa
Blue and white Chinese squat vase with circular patterns and flowers sitting on top of a crackle finish, large globular mid section and long neck, Kangxi double ring stamped., height 31 cm
Mid century north European silver group, includes a Georg Jensen #56 ring, wear to design. a silver bird brooch marked 925 and a floral necklace cast in repeating patterns marked 835 makers mark unknown. Approx 48 cm necklace length, ring size Q, total sil
A bronze handwarmer Qing dynasty, with squat rounded sides set with a swing handle, the domed cover pierced with different diaper patterns, the base with impressed maker's mark Zhang Mingchi zhi (made by Zhang Mingchi). -2. 13.5 cm wide.
A Chinese ivory brise fan, the 26 sticks and ends finely carved and pierced with delicate patterns. Length 19 cm. Provenance: The Flower Family Collection.
An intricately rose engine tuned circular table snuff box, of finely grained timber, the circular lid engraved with four quadrants displaying unique patterns framing a central silver cartouche, the base engraved with a concentric turned design. Diameter 10
A Chinese ivory brise fan, the 25 sticks and ends finely carved and pierced with delicate patterns of pagodas, temples and flowers. Length 19.5 cm. Provenance: The Flower Family Collection.
A Chinese Qing period carved ivory snuff bottle, carved with encircling courtyard scenes with figures engaged in daily pursuits, the shoulder, foot and stopper with various incised patterns. Richly patinated. Height 9.4 cm. Provenance: The Flower Family Co
An impressive whalebone and marine ivory walking stick, the main portion of shaft in whalebone with five smaller sections of marine ivory and ivorine carved in varied patterns with baleen embellishments, the shaft terminating in clenched fist carved from m
Large blue and white Xuande style charger with serrated edge and decorated with various symmetrical patterns that include floral banding, fish, waves and a centrilised flower surrounded by varying cartouches, diameter 51 cm
Green and red 'Dog of Foo' Chinese vase in the baluster shape, with extended rim and the guardian lion among a field of flowers, the neck graced with a phoenix in between two symmetrical patterns, height 45 cm
Blue and white Chinese squat vase with circular patterns and flowers sitting on top of a crackle finish, large globular mid section and long neck, Kangxi double ring stamped, height 31 cm
A magnificent George II sterling silver bread basket, 1744 London, with maker's marks for Ayme Videau, with a pierced scroll and grapevine cast border above a formal arrangement of cross patterns and lavish scrollwork, a shaped swing handle and engraved co
A Louis XV style tulipwood, palisander & marquetry commode, mid 20th century, of bombe shape with a serpentine orange ochre marble top above two drawers, with parquetry patterns to the facade and sides with bold palisander trims, the drawers with a shaped
A hand knotted Iranian Moud carpet, the central panel profusely decorated with florals in bright polychrome tones, three border guards with conforming decoration including paisley patterns. 278 cm x 202 cm
A fine cloisonne jar and cover, spherical shape, decorated with circular patterns of various flowers on a brocade ground, a linen-fold fabric design decorates the shoulder, decorated with a further floral brocade pattern, a small domed cover surmounted by
An old Chinese ivory puzzle ball of ten concentric layers, the outermost carved with a dragon amongst clouds and birds amongst bamboo, the inner layers carved with various complexities of diaper patterns, stars, cruciform piercings. Provenance: The Flower
A Victorian pink glass and brass kerosene banqueting lamp, the glass base and reservoir decorated in polychrome enamels with floral patterns, the burner with twin wick. Height (incl. chimney) 60 cm
A walking stick, the shaft with metal ferrule, two bands of coloured Tunbridge ware decoration to the top, the handle rounded form inlaid with various timbers in varying patterns. Provenance: The Flower Family Collection. Length 93.5 cm
Six replica Clarice Cliff collectors plates issued by Wedgwood, including 'Eden', 'Avignon', 'Lugano', 'Caravan', 'Windmill', and 'Palermo', patterns. Certificates of Authenticity available. in original packaging. Diameter 20.5 cm(each)
Porcelain celadon-glazed Cong vase, Guangxu mark with a body of attenuated square section supported on a short waisted foot, rising to a flat shoulder and a thick circular neck, and protruding symmetrical archaic 'Brick' patterns, height 30 cm
A rare George III silver pomander ball, in two screw apart sections, pierced with multiple holes and engraved with wiggle-work seaweed patterns, London 1777 by Thomas Wallis I. Diameter 2.4 cm
A carved mahogany wine table inlaid in the Moorish taste, 19th century, the table inlaid in star, chequered and diamond point patterns in a variety of specimen timbers, with a raised relief caved edge, raised on a turned stem to a lavishly scrolled base wi
An Anglo-Indian Vizagapatam ivory and Lac engraved sewing box, mid 19th century, the twin lidded tapering box with a swing handle, having shaped edges and arabesque and trailing floral border patterns throughout, centred with a monogram, and raised on paw
A finely inlaid box by Eugenio Quarti (1867-1926), 19th century, the walnut rectangular box with brass edging and a swing handle to the lid, exquisitely inlaid in the Moorish taste with delicate copper and brass stringing and designs, with mother-of-pearl