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An early Ming style blue and white potted charger, diameter 27 cm decorated with tessalating vine like patterns, bearing a central flower and three outer examples.,

A Kuba mask Democratic Republic of Congo, the oval face painted with geometric patterns and with circular pierced eyes. Elaborately woven coiffure with attached feathers, 38 x 24 cm

Mirek Smisek, pedestal bowl blue glaze with wax relief patterns, impressed mark, 14 cm height, 18 cm dia.

An antique ivory okimono of a Comical figure with a fly Whisk, Meiji period, 1868-1912, a round faced gloomy figure wrapped in a cloak holding a fly whisk, a small crouching child at his side, with lightly engraved patterns and inked enrichments, character

Antique yellow gold ring wedding band with repeat cross 'Patonce' patterns, name and date engraved to the interior, width 6.3 mm, ring size T, weight 6.3 grams, Tests as 15ct

Early engraved boomerang, Western New South Wales / Southern Queensland, carved and engraved hardwood (with custom stand) of convex section with clipped ends, the face with linear, criss-crossed and linked diamond patterns, the reverse bearing fine engrave

Early club, South East Australia, carved and engraved hardwood (no custom stand) wooden club, tapered to a handle which is cone shaped and incised with cross hatching and an elongated flattened blade head with incised geometric patterns, old dark patina. L

Fine pearl shell pendant, Kimberley Region, Western Australia, carved and engraved pearl shell, in-filled with red ochre (no custom stand) These beautiful Kimberley pearlshell pendants are usually incised with intricate patterns on their convex surface. Th

Fine early engraved boomerang, Western New South Wales / Southern Queensland, carved and engraved hardwood (with custom stand) of convex section, the face with linear, criss-crossed and linked diamond patterns, the reverse bearing fine engraved lines, old

Chester Nealie anagama fired vase, small lug side handles, streaks of grey/green heavy glaze, impressed leaf patterns. Incised potter's marks and with paper label. Height 25.5 cm.

Two Walter Moorcroft dishes anemone and spring flower patterns 9 cm dia's

Circa 1775 first period Worcester three tea bowls underglaze blue Mansfield, garden fence and birds in branches patterns

A brown scarf, Christian Dior. Features one side brown 100% silk with red square patterns, and one side chocolate brown 100% wool with fringe ends. Measurements 27 x 140 cm.

A leather bracelet, Furla. Features smooth grey leather inside and multicolour outside with bird patterns, with a gold tone push lock closure. Made in Italy. Inside diameter 6.2 cm. Dustbag.

A 38 mm wide bangle, Hermes. With yellow, brown and dark blue geometric patterns and gold plated trim. Inside diameter 67 mm. Box.

A Logo 2Way crossbody bag, Fendi. Features black leather exterior with stitched patterns and a Fendi logo in centre. Fold-over flap with magnetic clasp opens to leather lined interior with zip pocket on back wall. Gold tone hardware. Approximately 25 x 20

A Japanese Koransha bowl and an Arita charger, Meiji period (1868-1912), 1880-1900, the Fukagawa bowl with deeply lobed rim and moulded form, decorated with the Chinese immortal Qingao riding a carp to the interior, the lobes decorated with brocade pattern

Three plates for Royal Copenhagen, ceramic with detailed and coloured patterns, Denmark, c 1960s, largest 5 cm high, 26 cm wide, 26 cm deep

Two Danish candle holders for Soholm, ceramic with hand painted patterns, Denmark, c 1960s, 28 cm high, 15 cm wide, 4 cm deep

A Clarice Cliff Bizarre two-handled lotus vase, hand painted with banded geometric patterns in orange, yellow and cream. Ovoid body with tapering mouth to the upper. Stamped to base 'Hand painted Bizarre by Clarice Cliff/Newport potter England.' height 30

A Worcester coffee cup and saucer, a Spode 'Hester Savory Service' cup and saucer, circa 1760, and 1802, Worcester cup and saucer Woodside Antiques UK 2001 for £490; Spode cup and saucer. Provenance: The David Drakard collection, a Worcester duo black pri

An Art Deco moulded glass vase, circa 1930s, the frosted globular vase with arching panels of roses, flute patterns to the neck, marked Made in France in relief underside, height: 20.5 cm

A blue and white pedestal bowl or large goblet, the ovoid body decorated with writhing dragons chasing a flaming pearl amidst fungus and flaming clouds, lappets and key fret patterns to the base, a chevron design to the rim with apocryphal Ming (Xuande) ma

An antique famille verte baluster vase, later Qing Dynasty, the waisted tapering vase with a carinate collar, decorated to the body with figural narratives set within garden and sublime landscape settings, diaper patterns and borders punctuated with cartou

A Japanese Ko Imari okimono of a man; Genroku period (1688-1704); modelled as a standing gentleman holding a fan, with brocade patterns in coloured enamels and gilding, the base with impressed cloth pattern. Height 31.5 cm

A Chinese celadon egg-shell porcelain 'Dragon' bowl, 20th century the bowl with an extremely thin body, the exterior is finely carved in anhua decoration with two confronted dragons chasing a flaming bowl, amongst clouds above wave patterns. It is covered

A Chinese Cizhou painted deep bowl, Jin Dynasty-Yuan Dynasty, 13th-14th century the exterior is decorated with scroll patterns in a black pigment over the white slip under a layer of clear glaze, 12.4 cm diameter; 13 cm high. Provenance: Private Collection

A vintage silver locket on chain, octagonal shape hinged locket featuring fancy guilloche patterns, size 30 x 25 mm, on a fancy cable link chain with bolt rin clasp, length 45 cm, wt. 8.35g.

German World War II M37 RAD leader's hewer, with alloy eagle's head pommel, ferrule and quillon with RAD symbol, small chips to trylon grips; fullered blade with Alcoso maker's stamp at ricasso, etched motto 'Arbeit Adelt'. Silver plated scabbard with ribb

Two Arabic sterling silver spoons, of various patterns. Weight 63grams.

Large African fertility figure, carved extensively with geometric patterns, mother with child, height 105 cm

Large African fertility group, carved extensively with geometric patterns, mother and child, height 100 cm

New Zealand six silver various napkin rings various patterns and makers including Joseph Swindell & Son and Alexander Petrie Buick

Three mid circa 19th Mason's Ironstone plates and other varying stylised patterns (one with old staple repair) together with Charles Mason plate Battle of Austerlitz pattern

Three early to mid circa 19th English black and white dishes Spode shaped oval and small Staffordshire ashet both with exotic animal patterns and leaf shape pickle dish

First period Worcester mug saucer and tea bowl, all underglaze blue patterns (mug af), crescent and oriental marks circa 1755 - 1790

Set four William de Morgan design tiles four varying ship with sails patterns

Two Victorian sterling silver condiment spoons, fiddle, thread and shell patterns, Elizabeth Eaton London 1856 and Chawner & Co London 1856. Weight 54grams.

Michelle Delucchi 'Oceanic' lamp for Memphis Milano, painted metal, bold colors and patterns this lamp's design was inspired by an ocean steamer. Italy, designed 1981

Scandinavian floor rug, Aztec patterns in red and pale tones, Scandinavia, c 1960s, 235 cm high, 168 cm wide

Nathalie du Pasquier 'Carrot' vase for Memphis Milano, the symmetrical silhouette combines a flared base and mouth that is enlivened by two different decorative patterns on the cylindrical elements. Italy, designed 1985, 30 cm high, 12 cm deep

Missoni rug, 100% wool. Multi coloured field of triagle patterns in a sea of pink, purple and green. Italy, c 1980s

Missoni rug, 100% wool. Geometric triangle patterns in purple, brown, green. Italy, c 1980s, 152 cm high, 243 cm wide

Good antique Burmese lacquer lidded box extensively decorated with traditional patterns to fitted lid and circular box below, height 25 cm; diameter 30 cm

Good antique Burmese lacquer Stupa form bowl extensively decorated in traditional patterns, to Stupa form lid and circular bowl below, on three carved wood lacquered feet, height 44 cm; diameter 40 cm

Pair London Delft Pottery plates. Decorated with tin glazed polychrome traditional stylised geometric patterns, circa 1760. With minor rim chips and hairline cracks. Diameter 22.5 cm

Five vintage Rosenthal Studio-Linie wares in 'Memphis' and 'Flash' patterns, 1982, released 1984, designed by Dorothy Hafner, Germany, a 'Memphis' tapered triangular vase and four 'Flash' series items a platter, canoe shaped vase, bowl and ashtray, impress

Two French enamelled scent bottles, circa 1830s, overlaid glass bottles with silver mounts, one of conical form with borders of floral designs and teal patterns with a silver gilt engraved hinged lid with glass stopper, the other of waisted and faceted for

A Turkmen Teke type runner, the 'Elephant Foot' design runner with a series of central motifs interspersed with crosses and enclosed by a main designed border with hook patterns and narrow geometric bands, in black, tan and cream colours upon an iron red f

A Ziegler wool rug, in cream, red and beige colours with stylised palmettes and arabesque foliage upon a cream field, the main border with bold repeat floral patterns, with a certificate of authenticity from Master's Persian carpet gallery, port Douglas, l

A pair of Japanese cloisonne vases, Meiji period, late 19th century, large baluster vases with formal floral borders and patterns to the neck and foot and an arrangement of growing roses, chrysanthemum and other flowers on a turquoise blue ground scattered

Louis XV transition period marquetry vitrine second half 18th century the grey marble top above a pair of glass doors enclosing shelves, with a long drawer below, front and sides inlaid with geometric patterns, raised on four tapering legs, height 146. 5 c

Pierre Cardin wall hanging by Folklore carpets, geometric patterns in purple, blue and red 100% pure wool, Scandinavia, c 1960s, 218 cm high, 70 cm wide

Pierre Cardin wall hanging by Folklore carpets, geometric patterns in orange, yellow and green, 100% pure wool, Scandinavia, c 1960s, 216 cm high, 70 cm wide

Pierre Cardin wall hanging by Folklore carpets, geometric patterns in turquoise, red and purple, 100% pure wool, Scandinavia, c 1960s, 216 cm high, 70 cm wide

Scandinavian rug, 100% pure wool in blue and cream tones, aztec patterns, Scandinavia, c 1970s, 208 cm wide, 144 cm deep

An ornate Victorian occasional table, the top inlaid with star patterns in various timbers and a carved apron, raised on an ornate carved column and tripod base. 70 x 74 cm.

A Kashmir hand knotted silk-on-cotton rug, the cream ground with herati patterns in curvilinear florals and multiple border guards. Showing signs of wear. 188 x 120 cm

A Chinese Qing Dynasty Kangxi period famille verte lidded jar, this jar has an arched lid, a red plum blossom to the middle of the knob. The jar glazed white on the interior and decorated with butterfly and flower famille verte design on the green exterior

A mother of pearl and garnet ring, on silver, sun patterns carved on band. Size L. Weight 7.3 grams.

Two Spode 'Blue room Collection' large cups each marked to base, with saucers, for 'Geranium,' and 'Greek,' patterns, diameter 17 cm each cup.

Antique sterling silver mounted Scottish sporran in leather and badger fur, with matching kilt badge and shoe buckles. With clan Mackay crests and Celtic patterns. Sporran marked to maker Robert and Henry Bruce, Kirkwood, Edinburgh, 1905.

A Solomon Island club. Carved from a single piece of wood and coloured dark brown. The head of the club has incised geometric patterns that have been coloured with white pigment. Length 88.3 cm, width 9.1 cm, depth 5 cm

A Sepik skull rack, Papua New Guinea. Tradtionally used to display the skulls of slain enemies, but after the 1920s skulls of ancestors, over-modeled with clay, were hung with offerings such as betel nuts and shell money. These ritual maintained the connec

A Ramu River dance mask, Papua New Guinea. Made from bark stretched over a wooden frame, decorated with a mane of long rattan around its edges. The center of the mask is decorated with feathers in a line from the forehead to the tip of the long, trunk-like

A talking stick (tokotoko) chisel carved by master carver Mel Manu (Ngapuhi). The traditional design of this tokotoko or talking stick is ornately carved entirely by hand, using chisel tools. Tokotoko is fashioned in the form of a walking stick and from on

A Mel Manu taiaha adorned with kiwi feathers. A weapon of hardwood with one end carved to represent a head with a protruding tongue, and other representing the body of a warrior. The upoko (head) and the arero (tongue) are heavily carved in the traditional

A Mel Manu taiaha adorned with kiwi feathers. A weapon of hardwood with one end carved to represent a head with a protruding tongue, and other representing the body of a warrior. The upoko (head) and the arero (tongue) are heavily carved in the traditional

A Peter Chatsworth attributed Tukutuku panel. Entitled 'Awa. Tukutuku panels are an integral part of story telling for Maori and were designed to hold the attention of the viewer as the story unfolded. They were designed to add aesthetic beauty to the surr

A Peter Chatsworth attributed Tukutuku panel. Entitled 'Maunga. Tukutuku panels are an integral part of storytelling for Maori and were designed to hold the attention of the viewer as the story unfolded. They were designed to add aesthetic beauty to the su

A Peter Chatsworth attributed Tukutuku panel. Entitled 'My Turangawaewae. Tukutuku panels are an integral part of storytelling for Maori and were designed to hold the attention of the viewer as the story unfolded. They were designed to add aesthetic beauty

A Peter Chatsworth attributed Tukutuku panel. Entitled 'My Marae. Tukutuku panels are an integral part of story telling for Maori and were designed to hold the attention of the viewer as the story unfolded. They were designed to add aesthetic beauty to the

An impressive Jane Brenkley carved box. The lid features an uncommon design of possum and tuatara forms flanked by Maori masks and organic spiral patterns. The design is carved and painted, with inset paua detailing. Pokerworked and painted cottage scene t

Te Ariki (Onehunga Woollens Ltd), woollen travel rug, decorated with stylised tukutuku patterns in grey, red and yellow ochres, original Woolmark label attached, 163 x 128 cm

A Swamp kauri carved map of Aotearoa, paua shell decoration and carved patterns. Incised signature 'B.G 15'. Length 117 cm, width 38 cm

Mirek Smisek, two footed dishes, relief patterns, impressed marks, 18.5 cm, 11.5 cm dia

A fine Fijian tapa cloth, early 19th century example decorated with complex geometric patterns in alternating bands of black, white and brown, 86 x 127 cm

An unglazed ceramic sculptural group of Guanyin and two children, late Qing dynasty. stand, 20.9 cm high. Provenance: Private collection, Melbourne. Unglazed and high-fired ceramic such as the current lot is called fanci (reversed ceramics), shengci (raw c

A collection of 19th century Japanese Imari porcelain, comprising two plates, a smaller plate, a dish and a cup, all decorated in various typical Imari patterns in blue, red, gold and green. (5), diameter of largest plate 20 cm

A thirty seven piece Regency Coalport tea service, circa 1820, pattern 830, provenance: by descent, the lavishly decorated service with Empire shaped cups and high looping handles, having Nantgarw-type floral designs within finely gilded borders and patter

A pair of Victorian ruby lustres, 19th century, the large pair with everted petal form rims above broad fonts richly decorated with polychrome swags, gilt borders, patterns and decorations, a knopped stem to a spreading base, hung with two tiers of prisms

A Russian .875 silver tea glass holder, 1898-1908 kokoshnik mark, .84 standard, Cyrillic assayer and maker's marks, the holder with a square top bracket handle upon a stepped base, decorated to the body with an engraved arrangement of flowers and patterns,

A blue and white porcelain plate in the Qing manner, a gently lobed plate centred with a figural narrative scene within a pavilion and garden setting enclosed by a pencilled main border with arrangements of plum blossom and peony, and narrow borders with s

A vintage Japanese Imari bowl, decorated with diaper and fret patterns and adult and child figures to the interior and exterior amidst pine tree foliage and scattered pine cones, a coloured chevron border to the lower body, unmarked, height 5.5 cm, diamete

Rare engraved return boomerang, Western New South Wales / Southern Queensland. Of convex section, the face with linear, criss-crossed and linked diamond patterns, old patina overall. Carved and engraved hardwood. Provenance: Private Collection, Queensland.

Fine pearl shell pendant, Kimberley Region, Western Australia. These beautiful Kimberley pearl shell pendants are usually incised with intricate patterns on their convex surface. The patterns represent mythological themes associated with rain. The pendants

Early incised club, South East Australia. Wooden club, tapered to a handle which is cone shaped and incised with cross hatching and an elongated flattened bulb head with incised geometric patterns. Carved and engraved hardwood. Provenance: Private Collecti

Early bulbous club, Western New South Wales. The straight shaft of circular section with patterns cut in high relief which terminates in a finely adzed thick bi-conial distal end, old glossy patina. Carved and engraved hardwood. Provenance: Private Collect

Missoni rug, 100% wool, square and diamond patterns in a pallette of black, pink, aqua, yellow, purple and red, Italy, c 1980s, 244 cm high, 167 cm wide

Missoni rug, 100% wool, geometric square patterns on a palette of green, pink, purple and orange, Italy, c 1980s, 294 cm high, 196 cm wide

Missoni rug, 100% wool, Memphis inspired patterns in a palette of black, red, yellow, green purple and blue, Italy, c 1980s, 242 cm high, 164 cm wide

A vintage French 18ct gold bracelet, flat rope style links, one side featuring engraved shell patterns to a box clasp with safety clip, width 17.5 mm, length 19.5 mm, wt. 45.49g, French hallmarks on clasp.

Turkish Kilim rug, four central medallions all with geometric patterns, red tones, wool on wool, 222 x 266 cm

A large harlequin set of German .800 silver cutlery, mainly two patterns and including 12 of the following; dessert spoons, dessert forks, cake spoons, fish knives, fish forks, teaspoons, coffee spoons, fruit knives and forks, dinner knives, luncheon knive

Four small church stone medieval style garden balls, varying patterns, good weather patina.

A late 19th century Turkish Central Anatolia, Obruk Kilim runner wool and cotton geometric diamond patterns. The 7 central motifs are known as 'Reciprocal rams horns' with certificate and valuation from John Leach $5000,