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A Hermes silk scarf. Features a light pink background with multicolour patterns. 100% silk, made in France. Dimensions 40 x 40 cm. Comes together with box.

Missoni rug by T&J Vestor; diamond coloured patterns with black borders. 100% pure wool; Italy; c 1980s; 236 cm long, 160 cm wide

Italian circular rug; orange, cream and brown square patterns. Cotton and acrylic. Italy; c 1970s; 195 cm deep

Italian circular rug; mustard and yellow with flower patterns. Italy; c 1970s; 197 cm deep

A rare Chinese Longquan celadon 'Arrow' vase, Southern Song-Yuan Dynasty, 13TH-14th century the pear shaped body rises to a tall, slender neck flanked by a pair of tubular handles, and is incised with a band of keyfret patterns. The vase is covered overall

Two Royal Crown Derby thimbles, mini churn, pill box and a brush pot various patterns including Honeysuckle

Mixed Wedgwood dinner service, eight person setting, bone china in satellite and formal gold patterns, white with gold detail to rim

A Delft blue and white onion neck vase, circa 19th century, the baluster lobed vase typically decorated throughout with leaves, flowers and sprigged patterns, the bulbous body with bouquets between a leaf and floral collar, marked Lpk to the underside. Hei

Graeme Storm spherical box, squat spherical form. Fine sgraffito floral patterns cut through matt manganese oxide. 9.5 cm diameter

Dennis O'Connor bowl, green rock ash glaze with relief patterns. Impressed mark. 19 cm diameter

Anneke Borren ovoid vase, hand painted with abstract circular patterns, unglazed terracotta. Artist initials to base. 15 cm height

Warren Tippett rare Mardi-Gra goblet, hand painted with abstract patterns and text 'Gay and Lesbian' Mardi-Gra' 'Sydney'. Given to the 'Sisters of the Indulgent' who dressed as nuns at the artist's famous Mardi-Gra Parties. 17 cm height

Fairfax & Roberts, 18ct gold, enamel and diamond locket, the hinged oval locket, the front enamelled with circular patterns and highlighted with seventeen brilliant-cut diamonds together weighing approximately 0.17 carats, glazed panels to interior, unsign

A Kupesi rubbing tablet, Tonga, used in the production of ngatu tapa, the barkcloth is layed over the tablet and pigments are rubbed into the barkcloth to create the designs. Made with a coconut husk base with coconut midrib stitched into patterns. 32 x 98

An Alofolo club, Malaita, Solomon Islands, late 19th century. Carved from a single piece of wood, this club features a flat rectangular blade enlivened by a raised fin on each side. Delicate incised detailing of geometric patterns at the blade. A long shaf

A Vunikau club, Fiji, used in combat. Carved from hardwood. A shaped cylindrical shaft with the head formed by the rootstalk of a tree. The handle features incised zig-zag geometric patterns running up its length. Braided plant fibre cords are wrapped in t

A Bowai club, Fiji, used for both parrying and attacking in combat. Carved from a dense hardwood and highly polished. This pole club has been shaped into a long cylindrical form with a faint flare at the end of the shaft with a rounded butt. At the handle

A Kinikini club, Fiji, used in combat. Carved from a heavy hardwood. Featuring a large blade with incised patterns, ribbed detailing, and a whalebone star inlay. The club has sennit cord wrapped around two sections of the shaft. Length 133 cm, width 26 cm

A wood shield, Ramu River, Papua New Guinea, used to protect the body from incoming projectiles. Carved from a single piece of lightwood. The body of the shield is rectangular with a taper towards the base. The shield features raised relief of diamond and

A Ruatangaeo pedestal adze, Mangaia, Cook Islands, early 20th century. The size and form of this ruatangaeo suggests that it May have been a ceramonial adze rather than a functional tool. This ruatangaeo has a pyramidical form. The lower section of the sha

A pate log drum, Rarotonga, Cook Islands. The drum has been carved from a single log of hardwood. A central cavity has been hollowed and decorative patterns have been carved at each end of the drum. The two tikita sticks are used to hit the drum to create

A skull rack, Bamu river, Papua New Guinea, skull racks are used for the display of skulls of fallen foe. Carved from a light wood, this skull rack depicts an anthropomorphic figure, the negative space between the arms and torso creates a space for ropes t

A stone pestle, Western Provence, Solomon Islands, 19th century. Used for grinding foods and plant fibres. This pestle is carved from a single piece of stone with a faint curvature to the shaft. Patterns have been deeply incised around the head of the pest

A whakawae door jam, Aotearoa. An architectural piece used as an upright of a doorway. This whakawae depicts three full standing figures and a head at the bottom that has been lost. The figures are covered in notched carvings with spiral motifs on the butt

Six George III and Victorian silver mustard and salt spoons, fiddle and Old English patterns. Various dates.

An Anneke Borren tall vase, brown stoneware, bulbous base brush patterns of light black decoration, gloss finish, from the Sufi series, height 35.5 cm.

An exceptional 19th century sea captain's bureau-cabinet of Danish or Swedish origin, constructed of various hardwoods including Honduras and Cuban mahogany and teak which would have been acquired during voyages in the Caribbean and the Pacific. Extraordin

A 20th century ngati tarawhai carved Wakahuia (treasure box), carved in rauponga patterns with pataki, the lid displays a central tiki figure in high relief with detailed manaia figures to each end. Paper sticker inscribed 'Carved as a gift to Ernest Willi

Four Moorcroft pin trays, In the 'Juneberry', 'Snowberry', 'IPB' and 'Sophie' (designed by Philip Gibson, 2001) patterns, each with impressed Moorcroft stamp, painted marks and other ciphers to the underside, in their original boxes.Diameter: 12 cm

Four Moorcroft trays, comprising three pen trays in the 'Cleopatra', 'Mackintosh' and 'Winds of Change' patterns, and a pin tray in the 'Leicester' pattern, each tube-lined, with impressed Moorcroft stamp, painted marks and other ciphers to the underside,

A Victorian four-fold screen, each front panel with tapestry floral patterns, the centre of each panel with petit point embroidered images of four of the muses, the back panels lined with self-patterned green velvet, all panels with upholstery nail detail.

Doreen Blumhardt studio pottery large dish, rectangular form with coloured poured glaze with circle and lineal patterns, black to the rim. Impressed potter's mark. 50.5 x 43 cm.

A set of six Moorcroft miniature vases... various shapes, designers and patterns. (2006), height 5.5 cm

A set of six Moorcroft miniature vases... various shapes, designers and patterns. (2006), height 5.5 cm

A set of six Moorcroft miniature vases... various shapes, designers and patterns. (2006) Height 5.5 cm

An antique Indian tribal silver torque neckring (hussli), border of the Sind/Indus valley, Rajasthan, 19th/20th century. Cast solid silver, finely chased and incised with various lobes and geometric patterns. 15 cm wide, an impressive 663 grams total, (23.

Pearlshell pendant, Kimberley Region, Western Australia. Carved and engraved pearl shell, in-filled with red ochre. These beautiful Kimberley pearl shell pendants are usually incised with intricate patterns on their convex surface. The patterns represent m

Fine early engraved boomerang, Western New South Wales / Southern Queensland. Carved and engraved hardwood. Of convex section, the face with linear, criss-crossed and linked diamond patterns, the reverse bearing fine engraved lines, old dark shiny patina.

Early elongated bulbous club, Lake Tyers, Victoria. Carved and engraved hardwood. Wooden club, tapered to a handle which is cone shaped and incised with cross hatching and an elongated flattened bulb head with incised geometric patterns, old dark shiny pat

An Aynsley 'Orchard Gold' coffee suite transfer patterns by two artists: N. Brunt - six cups, six saucers, one larger saucer, D. Jones - coffee pot, creamer, largest saucer, sugar bowl

Hermes, three scarves 'Les Jardins d?Armenie' by Karen Petrossian, orange, purple, green highlights of a garden with animals and plants on yellow ground, together with brown, green hues of circular patterns, both labelled 'Made in France 100% silk, togethe

A Royal Doulton porcelain vase, painted by George white (act. 1885-1912), decorated with two 'Cameo' portraits of women, each portrait reserved on a pale pink ground enriched with gilt ribbons, loop swags and 'Lace work' patterns. Each portrait signed, pri

Alice Mylie Peppin Students, bulbous cream long neck vase with sgraffito patterns, incised: Graeme.C, (long neck vase) - 1960s Hobart, Tasmania, (cream bowl) - 1960s Hobart, Tasmania, (squat bowl) - 1960s Oatlands, Tasmania, cream bowl with sgraffito patte

Barrie de jersey (1936 - 2000), pink, black and white patterned vase, incised: BdeJ 93, (patterned vase) - 1993 Hobart, Tasmania, (large mug) - 1950s/60s Hobart, Tasmania, (shallow dish) - 1970s Hobart, Tasmania, aqua blue matte glaze with sgraffito patter

Arthur Merric Boyd (1920-99) John Perceval (1923-2000), Studio - tea cups, 1950's, terracotta glaze with black glaze patterns, incised Perceval and Perceval AMB, height 6 cm, diameter 11.5 cm, diameter 9 cm

A Japanese Kutani lidded box in the form of Hotei, Meiji period (1868-1912), potted in the form of Hotei resting on his sack of treasures, the sack decorated with rich textile patterns in iron red enamel and gilding. Kutani mark within the lid. 12.5 cm hig

A large Khmer black glazed stoneware jar, Angkor period (802-1431), 12th/13th century, the large stoneware jar in baluster form with a widely everted mouth rim, decorated with horizontal lines and combed patterns, four lug handles, the whole covered in a r

Four Moorcroft pin trays, the four pin trays or dishes in different patterns including Celtic Web, Coneflower, fairy rings, and an anniversary Centennial black, with impressed marks, signatures and other ciphers to the underside. Diameter 12 cm

Three Moorcroft mugs, the three mugs in different patterns including thistle, Robin, and bottle kiln (1986) on ivory ground, with impressed mark, signature and other cipher to the underside, in their original boxes. Height 8.5 cm

An impressive antique Tabriz medallion carpet, North-West Persia, 19th century, the field with a large central dark blue medallion with two pendants, filled with intricate scrolling foliage against red ground, with scattered floral and foliate patterns, th

Rene Lalique, Lagamar, Clear glass, mould-blown using four-part mould, black enamel. Frosted vase with raised horizontal bands decorated with graphic black enamel patterns. R. Lalique hand-etched to base. Model created on 15th February 1926, out of sto

Versace, pair of tissue dispensers, cast brass decorated with bands of geometric patterns and single medusa head medallion to one side (2), height 6.5 cm width 26 cm depth 14.5 cm. Provenance: Gianni Versace, Castlereagh Street, Sydney, 2006. Private Colle

Rosenthal for Versace, collection of porcelain plates, transfer decoration on porcelain, including patterns 'Barocco', 'Medusa', 'Arcadia', 'Le Jardin de Versace', 'Vanity' and 'Les Tresors de la Mer', each retains printed factory mark (8), diameter 31 cm

Grant Featherston collection of buttons, nine glass and brass buttons with various nature patterns, Australia, c 1950s, largest: 1.5 cm high, 2.5 cm deep

Bronwynne Cornish vase hand painted with concentric line patterns, mark to base, 23 cm height (rim chip)

An Afghan kilim, multiple wide strips with geometric patterns to the field, brown and cream tones. 250 cm x 175 cm.

A Lilihan wool rug, south western Iran, circa 1930s, a garden of paradise rug with sweeping foliate patterns in pink, green and blue tones upon a brown field, enclosed by a main lotus border and narrow bands, 203 cm x 140 cm

A figural famille rose bowl, probably Worcester, and two blue and white bowls in the manner of Lowestoft, circa 1760, a polychrome bowl with figural narratives and a fleur de lis border and two blue and white bowls including cannonball and rock in garden p

Afghan prayer rug geometric patterns in red and ivory ground, wool on wool 149 x 102 cm

'Paterson, Laing & Bruce Ltd. Melbourne' chromolithograph advertising 'New Patterns For Our Standard Shirts In Cellular, Silkstripe, Matti And Oxfords', dated 1898 with photographic vignette upper left, printed by McNeill & Bruce Lith. 45 x 57 cm, 47.5 cm

A Louis Vuitton Blue Monogram Shawl. Crafted from a blend of 60% silk and 40% wool for a luxuriously soft feel, this scarf features bright blue background with multicolour monogram patterns and fringe edges. Made in Italy. Dimensions 134 x 138 cm. Comes to

A pair of large Japanese black lacquer circular Hokkai Bako, 19th century, the horizontally ribbed roiro-nuri lacquer sides decorated overall with gold makie flowering scrolls, the gilt metal mounts chased with asa-no-ha (diaper patterns), wood boxes, 43 c

A large Japanese black lacquered lidded Hokkai Bako, 19th century, made for the Kato and Hayashi families in the Yamagata Prefecture, with horizontally ribbed roiro-nuri sides, the cover gilt with a design of bound ribbons, gilt metal mounts chased with di

A set of six Crown Lynn Mogambo cups & saucers with rack, simple mid-century patterns and rare with the original rack. Cup size, height 6 cm, width 7 cm

A 19th century possibly Worcester matched tea service for eight comprising 8 teacups, one hairline, 8 coffee cups, two differnt colour pattern, 1 bowl, 1 teapot, 1 lidded sugar, 2 small dishes, different patterns,

A Royal Stafford Titania Ware bowl 1915-1920 octagonal, deep blue-purple, gilded grape vine leaf pattern on exterior. Two opposing patterns inside of fairy, toadstool. Pixie and rabbit, predominantly lilacs and pinks, diameter 19 cm

A fine Turkoman rug, the field decorated with multiple geometric circular patterns, multiple border guards in traditional tones of bright red, black and ivory. 350 x 250 cm.

A Chanel CC Scarf. Features navy blue background with sparkles, flower patterns, and different colour CC logos throughout. Dimensions 194 x 96 cm.

Australian Aboriginal hunting boomerang, c.1920, Western Australia, of curved form, incised with patterns, length 60 cm. Provenance: J & a Saussehrd, then private collection

A set of four Aynsley cups and saucers, John Aynsley, pattern 602, circa 1930s, the flat demitasse cup & saucer set with pale yellow, green, blue and pink swirl patterns and painted flowers inside, each stamped to the underside, height 5.5 cm, (cups) diame

Jenny Smith silk Road patterns of time - ruby 2005, red cast glass, 45 cm height

Jenny Smith, Silk Road patterns of time - jade 2005, green cast glass, 38 cm height

Warren Tippett large floor pot hand painted with blue and yellow geometric patterns on a pale blue ground, signed and dated '84, 38 cm height, 36 cm diameter

Peter Stichbury coffee pot oil jug, and six wine goblets, green rock ash glaze with wax resist patterns

A Yaozhou celadon conical bowl, five Dynasties-Northern Song Dynasty the interior is finely insiced with floral patterns, 13.8 cm diameter. Provenance: Uragami Sokyu-Do Co, Ltd, 1/11/2014 (original receipt). A private collection, Vic, Australia.

A large Chinese painted pottery storage jar, Majiayao culture (3300-2000 B.C.), Machang phase (2300-2000 B.C.) finely decorated with geometric patterns in mineral pigments, 30.5 cm high. Provenance: Maria Lam, Hong Kong, late 90s.

A Solomon Islands carved stone head, collected Morovo Lagoon area, first half 20thC. With scarification patterns to the face that resemble a nguzunguzu, and dramatically distended earlobes with disc earrings. The coiffure as a ribbed and segmented close ca

Two Art Deco Susie Cooper Nursery Ware mugs, 'Noah's Ark' and 'Hunting' patterns. Glaze rub to one.

Missoni rug, 100% wool., geometric square patterns on a palette of green, pink, purple, and orange, Italy, c 1980s, 294l x 196w

Early 20th century European Majolica four plates and fruit bowl shallow relief patterns (two plates with rims chips)

19th century Majolica three dessert plates and tazza shallow relief of autumn leaf patterns

Clarice Cliff vase painted in geometric patterns in blue, purple, green and yellow 23 cm dia, painted 'Persian' pattern mark to the base and printed factory marks 'Hand painted Bizarre by Clarice Cliff Newport Pottery England'

A Japanese Satsuma vase, signed Kinkozan, Meiji period circa 1890, of globular form, the body of the vase exhibits a very fine crackle, the decoration of overglaze enamelling and gilding of superior quality featuring a long and detailed Sankinkotai process

Moorcroft: two pieces with different patterns on blue ground, comprising a baluster vase in the blue anemone pattern and a small dish in Orchid pattern, the vase with underglaze monogram and impressed marks, the dish with impressed marks, height of vase 14

A collection of nine silver and steel vanity items. Comprising five with Edwardian sterling silver handles (Birmingham, various makers) fashioned in a neoclassical manner with repousse patterns of scrolled shields within a ground of flora and lattice; incl

An antique Anatolian wool rug, flat weave, fine spun wool in geometric patterns, red, blue, ivory on a camel toned ground. 194 x 140 cm.

A group of Chinese blue and white tea bowls and saucers, Kangxi period (1661-1722) and later, comprising seven tea bowls and six saucers of various patterns, the largest teabowl 7 cm high, 8 cm diameter.

A Japanese blue and white bowl, by Kawamoto Hansuke IV, Edo period (1603-1868) or Meiji period (1868-1912), circa 1850s, decorated with medallions of diaper patterns overlapping to the sides, six character mark to the base, 11 cm high, 23.5 cm diameter.

A collection of pressed glass powder boxes by Verlys, France, circa 1930, comprising three boxes in quartz coloured glass with holly, mistletoe and spray patterns to the lids, moulded mark 'Verlys' to bases, the largest 13 cm diameter

Christian Lacroix, set of eight 'Souvenir - Souvenir' plates, decorated with various patterns, including 'Sun', 'Heart', 'XVIII century', 'Bullfighting' and 'Theatre', diameter 22 cm

A pair of 19th century Doulton Lambeth stoneware vases, tapering cylindrical form with wide neck, decorated with incised floral patterns, impressed mark, date, and various scratched initials to base included E.D.L for Edith D Lupton one of Doulton's finest

A pair of Japanese Imari bottle vases, traditional patterns and colourway. Height 31 cm.

An old French copper jardiniere, cauldron form on tripod sweeping paw feet below lion masks, the side decorated with heraldic crest featuring fleur de lys, sunshine, shamrock, also decorated with fruit and foliate and acanthus patterns. Nice patina consist

A Japanese Satsuma censer, late Meiji period, a large Japanese satsuma tripod censer, decorated in various coloured enamels and gilt on a crackled cream glaze with panel portraits bordered by geometric patterns, with gilded foo dog twin handles, feet and f

A carved box, Tokelau, with incised geometric patterns and flowers. Height 9.6 cm, width 12 cm, depth 8 cm

A Siapo, Samoa, made from the inner-bark of Hiapo (mulberry tree) and decorated with oodblock patterns with over hand died designs. 158 x 140 cm