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A Chinese Ming Dynasty Binh Thuan shipwreck dish, circa 1608, Wanli period, the Swatow low form bowl with underglaze blue decoration with a double phoenix in a garden setting to the centre, the cavetto embellished with scale like patterns interspersed with

Satsuma blue ground dish decorated with geisha within a flower shaped panel & with gilded floral patterns. Signature panel to the base. Condition good to fair, some wear to the paint work. Diameter 15.4 cm

A large Chinese porcelain blue and white jar in the Ming manner, squat ovoid shape decorated with sinuous opposing dragons, a diaper pattern at the shoulder and wave patterns at the foot. Height 29 cm

A Chinese porcelain vase, ovoid shape with trumpet mouth, decorated in underglaze blue with stylised calligraphy on a background of foliate tendrils and stylised patterns. Height 42.5 cm

Classic Kazakh rug runner with geometric patterns based on traditional tribal motifs. 345 cm long x 85 cm wide

A fine heavy crystal pedestal bowl by Waterford, of generous proportions, the hemispherical bowl having a slice cut undulating rim, and decorated throughout with a series of arching, intersecting ribs and pineapple and fan patterns to a short knopped pedes

A Victorian sterling silver tea and coffee set, 1867 London, with makers' marks for Daniel & Charles Houle, comprising a coffee pot, tea pot and a covered sugar basin and milk jug, of compressed pear shape with 'C' scroll handles and raised on curvaceous f

A pair of Satsuma vases, later Meiji period (1868-1912), the baluster shaped vases with waisted necks richly decorated throughout with applied and jewelled figures and deities in high relief, with textured enamels and gilding in a deep red, green and black

A large Arita ware charger, in typical blue and white tones, depicting a Chinoiserie design of birds amidst flowering prunus, peony and bamboo in a fenced garden setting, with patterns interspersed with insect and floral roundels to the rim. Height 8 cm di

A Chinese Ming Dynasty Binh Thuan shipwreck dish, circa 1608, Wanli period, the Swatow low form bowl with underglaze blue decoration with a double phoenix in a garden setting to the centre, the cavetto embellished with scale like patterns interspersed with

A fine Japanese Satsuma earthenware large vase, ovoid shape, decorated with a panel depicting a nobleman and attendant in a pavilion interior, another panel to the reverse decorated with Manchurian cranes in a garden; the field decorated with numerous asym

A pair of large decorative Chinese porcelain jars and covers, of inverse baluster shape with domed covers, decorated in underglaze blue with landscapes, flowers and birds, lappet panels decorate the shoulder and wave patterns decorate the foot. Height 35 c

7pcs Georg Jensen, sterling silver serving table flatware, early to late 20th century various patterns, comprising of Danish scroll serving spoon, 2 acorn pate knives, blossom spoon, acorn spirit measuring cup, blossom pickle fork and 1984 year spoon Danis

A Kashmir handknotted silk rug garden tile design with 6 panels featuring the tree-of-life, prayer niche (mihrabi), hanging chandelier and other floral patterns, finely wrought in a multitude of harmonious colours, with floral mihrabi pattern in small-form

A pair of Chinese porcelain cups with Yongzheng mark inverted bell shaped wine cup, decorated to the exterior with rich iron red glaze and gilt floral patterns, 7 cm high

An 18th century Tibetan silver and wood bowl and cover, Used as a Buddhist drinking utensil, the horn shaped handle lid is embossed with Buddhist patterns, the bowl, rim and foot are silver mounted to reveal a polished wooden band, 18th century, 11 cm high

A Southern Chinese rosewood daybed, late Qing period, the back board shaped as a plantain leaf and decorated with relief of frogs and snails, further decoration to the bed includes traditional openwork patterns and mounted rattan mats, 180 cm length. Prove

A French brass and frosted glass chandelier, circa 1940s, the chandelier with a stem comprising a trio of brass cones and issuing six gently shaped tapering arms supporting conical cream frosted dishes embellished with gilded chevron and lattice patterns.

A Carlton Ware 'Scimitar' vase, 1932-1936, pattern 3651 attributed to Violet Elmer; shape number 777, the bold and vibrant Art Deco conical vase with stylised enamel flowers and shark fin panels with patterns in black, yellow, orange, fawn and gilt upon a

Two sterling silver salts with spoons, 1877 London, with makers' marks for Walter & John Barnard (salts) and 1870 London (spoons), the tapering ovoid pots with cast and repousse patterns and bright cut borders, a central band with foliate reserves and meda

Two 19th century silver dessert spoons, fiddle & thread and fiddle patterns; Wm Eaton, London 1842 and Wm Hicks, Exeter 1824. (2)

English hallmarked sterling silver Victorian ornate claret jug with a pull down mechanism, armorial spout, three ring panel neck with various floral patterns & motifs, the body is is decorated with bouquets & overflowing floral baskets & stamped with two b

A Chinese rosewood altar table, of traditional design with rectangular top with 'rolled' ends, the frieze to either side and end decoratively carved and pierced with square scroll patterns; raised on legs carved within low relief with knotted cord and tass

Five small bronze handwarmers Qing dynasty, 19th century each of different form, the covers pierced with various diaper patterns, one with a swing handle, the base of each with an impresssed mark (5) 6.5 cm to 7.5 cm long

A wide gold filigree worked bracelet, 14ct yellow gold, made as a fancy wide bracelet of multiple patterns, detailed by a central row of flower like panels, flanked to each side by an oversized curb link of woven and polished gold, flanked by a final row o

A seventy one piece Limoges porcelain dinner service, circa 1918-1939 production era with a cream border decorated with bouquets of roses, swags and patterns, comprising thirty five dinner plates, twelve side plates and soup bowls, a salad bowl, two covere

A Victorian Imari tea caddy by Davenport, circa 1870-1887, of canister shape with a flattened lid and decorated throughout with iron red and gilded patterns and florals in reserves; iron red backstamp and numerals underside. Height 11.5 cm

A George III sterling silver ladle, 1787 London, with marker's mark for Hester Bateman, of typical form, bright cut and prick worked with patterns and a floral motif to the handle, the finial with a vacant cartouche; hallmarked underside. Silver weight 140

A Victorian Aesthetic movement sterling silver tankard, 1881 Birmingham, with maker's mark for Hilliard & Thomason, the straight sided tankard with a simple hollow 'C' form handle beautifully bright cut and prick worked with patterns, birds and insects in

A pair of signed Satsuma butterfly and floral vases Meiji period, circa 1900, unidentified maker, the slender baluster vases richly embellished with alternating ribs of thousand butterflies and chrysanthemum patterns in iron red, aqua, mauve and gold, some

Two Chinese bronze Cannons both supported on wheel bearing carriages, one bronze, the other timber and studded with vintage coins, both with patterns in relief to the bronze barrels. Height 30 cm. Width 66 cm. Depth 11 cm. And smaller

A French ormolu mantle clock in the Louis XVI manner, 19th century, with maker's mark for Vincenti et Cie, the eight day bell striking clock with an enamel dial and Roman numerals set within a 'Rock' and surmounted by a bucolic maiden and flowers and vines

English hallmarked sterling silver Art Deco four piece dressing table set comprising a hand mirror, hair brush, clothes brush, & comb, all with machine etched geometrical patterns in a fitted black velvet box. Birmingham, 1938, maker W I Broadway & Co cond

An Anglo Indian quill inlaid writing compendium the exterior inset with quills modulated in geometric patterns between ebonised bands inset with bone dots, opening to interior fittings with similar decorations, a velvet writing slope, and an interior panel

An Anglo Indian quill inlaid writing compendium the exterior inset with quills modulated in geometric patterns between ebonised bands inset with bone dots, opening to interior fittings with similar decoration and containing letters and miscellaneous items,

An Anglo Indian quill inlaid writing compendium the exterior inset with quills modulated in chevron like patterns between ebonised bands inset with bone dots, opening to interior fittings with similar decorations, a tooled leather writing slope, and an int

A Sri Lankan quill inlaid writing compendium the exterior inset with individual quills modulated in chevron like patterns, internally ebonised and inset with bone dots, fitted with a fold down writing slope and lidded compartments, 43 cm wide

A French Aubusson wall tapestry, 18th century in muted tones, the shaped central cartouche with a floral bouquet motif within a flourished border, with foliate and scroll patterns, (some losses), 378 x 330 cm

Lise Temple 'Flinders Ranges Patterns' oil on board, signed lower right 76 x 100 cm

Victorian cavalry officer's sword the three bar Gothis style pierced hilt clad with shagreen grip and the blade etched with Art Nouveau patterns. In a brass scabbard. Together with two pairs of Victorian epaulettes. Condition fair, the blade sitting in the

Lalique 'Lucie' pair of vases featuring a twisted fluted and flared trumpet shape, with scalloped edge patterns moulded into the frosted crystal sides. The foot is a plain clear crystal glass and etched 'Lalique France' to the base, one with 'Made in Franc

English hallmarked sterling silver George III teapot of squat melon-form lobed form, with raised all over floral patterns, an acorn type finial on a dome hinged lid with a band of hand-chased floral detail. The spout modelled as a swan with a figurehead of

Huanghuali demountable side table of unusual design, ' Xiaotiao'an', 19th / 20th century, the floating top with book-matched firery patterns and Guilian grains with scroll ends carved with lingzhi stalks, the stretcher in large Linzhi and coin motifs toget

Ian Tremewen (20th century) Rainforest Patterns watercolour signed lower right, 105 x 157.5 cm

Two late Victorian copper food moulds, both varying patterns, highly decorative, one marked 'CM 200½', some damage. Height 9 mm and 13 cm

A nine piece 'Panama', 'Tango' & 'Barcelona' setting by Dedon, the outdoor setting comprising two and three seater sofas, two armchairs, a reclining lounge, a footstool, an oval occasional table, two small round tables, all in weatherproof charcoal weave w

A Herend porcelain Relish dish, later 20th century, in 'Fortuna' pattern Conjoined scalloped dishes decorated with an applied Robin on a branch, decorated with flowers and butterflies in copper, coral and gold tones on a white ground, with moulded basket w

A large Satsuma vase, Meiji period, later 19th century, unsigned, the oviform vase with a broad trumpet neck and sea creature handles, decorated to the main reserves with warrior and courtly narratives between floral reserves and brocaded patterns, in a su

A large Chinese brass censer, the waisted tripod censer with loop handles engraved throughout with dragons and phoenix within reserves between wave like patterns; with a faux Ming mark underside. Height 17 cm. Width 25 cm diameter 23 cm

A Chinese ivory Emperor figure, late Qing Dynasty, 19th century, the columnar figure of an emperor in splendid attired and carrying a sword, relief carved throughout with scroll and wave like patterns and inked in black; signed underside and with a timber

A Chinese blue and white covered porcelain brush wash, late Qing Dynasty, late 19th to early 20th century, the Ming style elongated container with rounded ends, a flattened lid and a pierced internal tray decorated throughout with writhing dragons and tend

A fine and very large Edo Japanese Satsuma Saki pot, decorated with geometric and floral patterns in Gosu blue enamelling, with the original woven wisteria vine handle, signed Satsuma Yaki below a Shimazu Family crest. 17 cm in diameter. Provenance: Christ

A 1920s Art Deco standard lamp, decorated in the chinoiserie manner, square base with Greek key pattern to the edge, the square tapering lamp column with Art Deco chevron patterns in relief to top and base, with a modern apple green linen shade. Height to

A fine quality mother-of-pearl and silver miniature casket, of oblong shape, the very slightly domed hinged lid, the sides and the base of pearl shell all finely engraved with ribbon and scale patterns; set and pinned within an unmarked silver (tested) fra

A 1960's Pucci beach jacket. Short sleeved velveteen in geometric patterns (medium)

Three late 19th century copper food moulds, varying sizes and patterns, the largest in the form of a castle and marked 'H. Benham & Co. 1914', repairs to one mould. Heights 9 cm and 10 cm

Austro-Hungarian silver footed bowl 800 standard, with two handles & floral raised patterns. Height 7.4 cm. Weight 176g

Four bronze hand warmers Qing dynasty, 19th century comprising one of rounded rectangular shape; one of compressed circular form; one of chamfered rectangular form; and one of lobed rectangular form with swing handle, the cover of each pierced with diaper

A pair of Satsuma vases, Edo period, 1850-60s, unsigned, the tapering oviform vases with waisted necks exquisitely decorated to scalloped reserves with birds, figures, flowers, insects and fruits in subtle pastel tones with gilt enhancements upon a richly

A group of four Japanese Imari wares, Edo to Meiji periods, 19th to early 20th century, a scalloped bowl with blue patterns interspersed with handpainted birds and foliage on a brown ground, dishes with radiating patterns in colours, and a low dish with pa

A group of fourteen Chinese blue and white porcelain wares, Variously dated, Qing Dynasty, the mixed collection of utilitarian pieces comprising six cups, six ink bottles, a shaped dish and a grinder with a cover and a base with channel and spout, all with

A carved timber brushpot, later Qing Dynasty, 19th century, the hexagonal pot, each facet well carved with scrolls, auspicious symbols and vases of flowers upon an extended stepped base with incised and low relief patterns; bearing a jian ding wax seal und

A Chinese fluted vase, the octagonal fluted oviform vase with a trumpet neck decorated with underglaze plum floral designs and patterns with patches of heaping and piling upon a white ground, t: 13.5 cm

Two small antique Chinese ceramic wares, a crackleware pot with underglaze blue design with outlines and loose colour fill below blue concentric lines, with a freely applied border to the collar, and a celadon tripod censer with a bulbous body and a broad

A Chinese polychrome moon vase, late Qing Dynasty, late 19th to early 20th century, of typical cushion form with applied chilong handles and three cylindrical spouts, decorated in a famille rose palette with auspicious figures and their attributes with cra

A Chinese bronze wine vessel in the archaic manner, the cast vessel or 'Chia' of rounded pot form with a broad waist and flared rim, having a single applied handle, square section posts to the rim with bell like caps, and raised on splayed triagonal legs,

A large Chinese celadon bottle vase, the body having a lightly incised design throughout and three shaped reserves enclosing images of writhing dragons in low relief, with scroll and elongated leaf patterns to the neck and a ruyi border to the flared rim;

Villeroy & Boch Foglin and Tipio partial set, Twenty eight pieces including Tipio and Foglin patterns: three teacups and saucers, two pair salt and pepper (unmarked), two coffee cups, creamer, sugar, one large plate, four salad, saucers.

An Austrian.812 silver torah finial, 1864 Vienna, with 13 loth mark and rubbed maker's mark, the single cast and chased finial with floral motifs and patterns, having a knopped stem supporting a domed trumpet upper section surmounted by a pierced Crown hol

A mixed group of nineteen Georgian and Victorian sterling silver spoons and forks, 1824, 1831 and 1861 London, with makers' marks for Charles & Henry Eley, William Chawner II, Samuel H Hayne, in 'King's' and 'Fiddle, thread and shell' patterns, comprising

A Russian.875 silver, enamel and filigree caddy spoon, 1882-1897 Moscow with zolotniki 84 and maker's mark for Ivan Saltykov, the spoon with bright red, blue, turquoise and white enamels set in floral and foliate patterns to the reverse of the bowl and to

Two Victorian silver plated trays, John Gilbert & Sons, London and Birmingham, with a fluted and beaded rim with bright cut patterns centrally, and H&Co, a pierced and beaded tray with bright cut key fret and foliate designs, raised on bird claw feet . Dia

Sadanobu III, Hasegawa (1881-1963), circa mid 20th century, a kabuki warrior, a woodblock in colours on paper with artist's characters and seals with printer's mark, the paper also impressed with patterns. Length 36 cm. Width 24 cm

Sadanobu III, Hasegawa (1881-1963), circa mid 20th century, a geisha, a woodblock in colours on paper with artist's characters and seals with printer's mark, the paper also impressed with patterns. Length 36 cm. Width 24 cm

Sadanobu III, Hasegawa (1881-1963), circa mid 20th century, a geisha, a woodblock in colours on paper with artist's characters and seals with printer's mark, the paper also impressed with patterns. Length 36 cm. Width 24 cm

A set of five Oriental Arita style dishes, the lobed dishes each decorated with underglaze mons in various patterns on a near white ground, with tan glazed rims. Height 4.5 cm. Diameter 19 cm. (irregular)

A group of six blue and white Chinese export dishes, Qing Dynasty, 19th century, five plates in the manner of Wanli kraak ware with partitioned borders to the everted rims with floral designs and patterns, each decorated to the centre with a garden scene c

A pair of Oriental lacquer and mother of pearl snuff bottles, early 20th century, the quatrefoil cushion shaped bottles each with a floral inlaid design to one face and a boating scene with pagodas to the other, with mother of pearl patterns also to the si

A Chinese silver teapot, Qing Dynasty, 19th century, with a double cartouche bearing Chinese characters, of squat ovoid form with a double swing handle styled as bamboo and a bamboo branch pouring spout, the collar with engraved and embossed patterns and f

A fine Cutwork linen Tablecloth and Napkins, mid 20th century, the tablecloth in ecru linen decorated throughout with floral designs and patterns in a range of techniques including embroidery, pulled thread work and tatting, with twelve associated napkins.

A Chinese black lacquer display cabinet, with an extended cornice above two bevel glazed doors with three internal glass shelves, a pair of cupboards below also with shelving and upon a plinth base, decorated in gold and muted tones with traditional orient

A large Chinese turqouise ground box, Tihedian Zhi mark iron-red mark to the base, painted in black with bird and flower patterns, 30.5 cm diam.

A good Persian rug with red and black tones and geometric patterns

A Japanese bronze, gilt and ivory okimono, of a Bare-footed, rickshaw driver pulling a Bijin, Taisho period, moveable canopy and wheels decorated with brocade patterns, a signature of mount Fuji to base, 20 cm length

A hand knotted wool runner rug thick pile with floral and geometric patterns on a black and red ground. Sun faded and worn. Length 258 cm. Width 80 cm

A good Persian hand knotted silk rug with repeating floral and bird patterns on a multi coloured faded ground. Length 20 cm. Width 134 cm

A hand knotted Persian rug possibly Shiraz with twelve repeating geometric patterns on a red ground. Length 195 cm. Width 160 cm

A hand knotted Persian rug with traditional repeating floral patterns in blues and greens. Sun faded. Length 22 cm. Width 141 cm

A silk scarf by Chanel, styled with monogram design and abstract circular patterns in blue and red on an ivory background, 87 cm square, boxed.

A silk scarf by Hermes, the 'Brides De Gala En Desordre' design by Cyrille Diatkine depicting geometric disorderly patterns of the original 1957 design by Hugo Grygkar in black and ivory, 90 cm square, boxed.

Peter Travis (b. 1929), ceramic vessel of triangular form with with impressed geometric patterns, signed to underside 'D60, Peter Travis'. Height 21 cm

A Canton ivory puzzle ball, 19th century, the outer ring carved in pierced relief with flowering peony, enclosing inner rings pierced with different diaper patterns, later pedestal stand, (2), 11 cm diameter

A Carlton Ware float bowl, circa 1923 -1927, decoration pattern 2729, in 'New Mikado' with Chinoiserie designs in gold of flowering trees and pavilions upon a mottled blue ground, the rim with fine tracery patterns of lingzhi mushrooms; W & R mark stamp un

A Rogers blue and white pearlware plate, early 19th century, after Spode's 'Blue Italian' design, with a central scene surrounded by a mixed decorative border with flora and patterns; a single blue 'V' mark underside. Diameter 25.5 cm

A Carlton Ware trumpet vase, circa 1923 -1927, decoration pattern 2728, in 'New Mikado' with Chinoiserie designs in colours of flowering trees and pavilions upon a mottled blue ground, with fine tracery patterns to the foot; W & R mark stamp underside and

A Victorian Mintons part tea and dinner service, circa 1870s, 'Blue seaweed' pattern G2702, discontinued 1878, twenty nine pieces with delicate lace like seaweed patterns in cobalt on a white ground with gilt rims and comprising: eight cups and six saucers