Vion & Baury Cornucopia Cupid Vase

• Jewelled Decoration - Jewelled decoration on ceramics is a technique where small, colourful, and often metallic beads or "jewels" are applied to the surface of ceramic objects to create intricate and highly decorative designs. This technique has been used throughout history and across different cultures, but it was particularly popular during the late 19th and early 20th centuries, especially in Europe.
  
  The jewelled decoration is usually applied by hand, one bead at a time, onto a base glaze or enamel. The beads can be made of glass, porcelain, or even precious stones, and are often set in a metal setting, such as gold or silver. The end result is a highly decorative and often luxurious surface, which can add a lot of visual interest and value to the ceramic object.
  
  Jewelled decoration was used on a wide range of ceramic objects, including vases, plates, bowls, and figurines. It was particularly popular in the Art Nouveau and Art Deco periods, where it was used to create highly stylized and ornate designs.
• Cupid Motif - The Cupid motif, which features the Roman god of love and desire, Cupid, was a popular decorative element in classical ornamentation. Cupid was often depicted as a winged, naked baby with a bow and arrow, and was often used to symbolize love and desire.
  
  In classical art and architecture, Cupid motifs were often used as decorative elements on furniture, such as on the legs of chairs and tables, as well as on architectural elements such as friezes and pediments. They were also used as decorative elements in frescoes, mosaics, and other forms of art.
  
  During the Renaissance, Cupid motifs were often incorporated into the decoration of palaces, churches and other grand buildings, as they were seen as symbols of love and fertility. Cupid motifs were also commonly used in the decorative arts of the Baroque period, often appearing in the form of putti, which are small winged cherub figures.
  
  In addition to their decorative use, Cupid motifs were also believed to hold symbolic meaning, as they were thought to evoke feelings of love, desire, and fertility.
• Cornucopia - The cornucopia, literally the horn of plenty, is a symbol of abundance and wealth. It is traditionally is represented by a curved goat horn overflowing with grain and fruit.
  
  Modern cornucopias are often depicted as horn-shaped baskets filled with food, and this symbol is often associated with the harvest. This decorative device has a long and ancient history, with roots in Greek mythology.
  
  In one version, when Zeus was playing with the goat Amalthea he accidentally broke off one of her horns. To atone for this, Zeus promised Amalthea that the horn would always be full of whatever fruits she desired. This became the cornucopia of the Roman goddess Copia, the personification of plenty. Other goddesses, including Fortuna and Pax, also held the cornucopia.
  
  In furniture and decorative arts, cornucopia as a decorative element have been popular since the 16th century and can be found on items as diverse as light fittings and candelabra to clocks, sculpture and statuary and furniture.
  
  In ceramics, cornucopia shaped vases were popular in the 19th century, in singles and pairs.

This item has been included into following indexes:

• Vion et Baury (France) - ceramics 5