Two Japanese inro & netsuke, [2], 1] Edo Biwa zu Makie Inro and…
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Two Japanese inro & netsuke, [2], 1] Edo Biwa zu Makie Inro and signed Netsuke, Edo period, c. 1750-1850, Biwa zu (four-stringed Japanese lute) and reverse with Mother of pearl inlay on a background, Technique: Kuro Urushinuri Raden Morimakie, Netsuke: (wood) a square convex shape with a Samurai Battle scene and on reverse a ship with sails on the ocean, ojime: metal, 2] Japanese GOLD MAKIE INRO with Chrysanthemum on the black lacquered wooden ground, Edo period, c. 1750-1850, GOLD MAKIE INRO with Chrysanthemum on the black lacquered wooden ground, NETSUKE: (bone) in the form of a sleeping monkey, OJIME: wood, Japanese traditional robes lacked pockets, objects were often carried by hanging them from the obi, belt or sash. Inro consist of a stack of tiny, nested boxes. They were most commonly used to carry identity seals & medicine. They were made by experts & known artists in a variety of material, mostly of wood covered by lacquer & then delicately painted or inlaid. The stack of boxes is held together by a cord that is laced through cord runners down one side, under the base, and up the opposite side. The ends of the cord are secured to a netsuke, a kind of toggle that is passed between the sash and pants, then hooked over the top of the sash to suspend the Inro. An ojime, or bead, is provided on the cords between the Inro and netsuke to hold the boxes together. This bead is slid down the two suspension cords to the top of the Inro to hold the stack together while the Inro is worn. The Inro & netsuke are an example of the highest artistic abilities of Japanese artists working in small scale objects. Provenance: Todd Barlin collection. 6.5 x 5.5 cm, 6 x 5.5 cm

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  • Lacquered Lacquerware - Lacquer is a clear or coloured resin that is obtained from the sap of several species of trees in the genus Rhus, particularly the Rhus verniciflua tree, which is native to China and Japan. The resin is harvested by making incisions in the tree bark and collecting the sap that oozes out.

    The sap is then processed and refined through a series of steps, which may include filtration, heating, and chemical treatments. The resulting lacquer is a highly durable and glossy material that is used as a finish for furniture, musical instruments, and other objects.

    Lacquer has been used for thousands of years in Asia, where it is valued for its beauty and durability. It is applied in multiple thin layers, with each layer being allowed to dry and harden before the next one is added. The process can take several weeks or even months to complete, but the resulting finish is incredibly hard, glossy, and resistant to scratches and wear.

    The lacquer derived from the resin of the Rhus tree has been used for decoration of furniture in several countries in Asia, particularly China, Japan, Korea, and Vietnam. These countries have rich traditions of using lacquer for furniture decoration and have developed unique techniques and styles of lacquer work.

    In China, lacquer has been used for furniture decoration for over 2,000 years, and it became a major art form during the Ming (1368-1644) and Qing (1644-1912) dynasties. Chinese lacquerware is known for its intricate carving, painting, and inlay work, as well as its use of bold colours and designs. Lacquer was used to decorate furniture such as cabinets, screens, and chairs.

    In Japan, lacquer has been used for furniture decoration for over 1,000 years. Japanese lacquerware is characterized by its simplicity and elegance, and it often incorporates natural materials such as wood, bamboo, and shells. Lacquer was used to decorate furniture such as chests, cabinets, and trays.

    In Korea, lacquer has been used for furniture decoration for over a thousand years. Korean lacquerware is known for its restrained and understated beauty, and it often features delicate patterns and designs that are achieved through careful layering and carving. Lacquer was used to decorate furniture such as cabinets, chests, and screens.

    In Vietnam, lacquer has been used for furniture decoration for over 2,000 years. Vietnamese lacquerware is known for its vibrant colours and intricate designs, and it often features scenes from daily life, nature, and mythology

  • Mother-Of-Pearl - Mother-of-pearl, technical name "nacre", is the inner layer of a sea shell. The iridescent colours and strength of this material were widely used in the nineteenth century as an inlay in jewellery, furniture, (especially papier mache furniture) and musical instruments.

    In the early 1900s it was used to make pearl buttons. Mother-of-pearl is a soft material that is easily cut or engraved.

    Nowadays it is a by-product of the oyster, freshwater pearl mussel and abalone industries.
  • Edo Period, Japan - The Edo period in Japan lasted from 1603 to 1868. During this time, Japan was ruled by the Tokugawa shogunate, a military government led by the Tokugawa family. The Edo period is characterized by a period of relative peace, stability, and economic growth, as well as by the development of a distinctive culture and society.

    During the Edo period, the capital of Japan was moved from Kyoto to Edo (modern-day Tokyo), and the country became increasingly isolated from the rest of the world. The shogunate implemented strict policies to maintain control, including the restriction of foreign trade and travel. However, despite this isolation, the Edo period saw significant cultural and artistic development, including the emergence of the ukiyo-e woodblock print tradition, the growth of Kabuki theater, and the flourishing of a vibrant merchant culture.

    The Edo period ended with the Meiji Restoration of 1868, which saw the collapse of the shogunate and the restoration of imperial rule.
  • Ojime - An ojime is a small decorative bead that is used as a sliding bead or toggle on the cord of a traditional Japanese netsuke. The netsuke is a small sculptural object that was used to fasten a container, such as a box or pouch, to the obi (sash) worn with a traditional Japanese kimono.

    The ojime was used to adjust the length of the cord or to secure the container in place. Ojime beads were typically made from a variety of materials such as wood, ivory, bone, and stone. They were often elaborately carved with intricate designs or decorated with colourful lacquer, enamel, or inlay work.
  • Runners - Runners or slides are wood on each side of the bottom of a drawer, being the surfaces which take the weight of the drawer and provide for its movement in and out. The runners of a drawer are usually the first areas of a drawer to display wear, due to the friction between the two surfaces. In modern cabinet making the wooden runners on th ebottom of the draer have been replaced by metal runners fixed to the side of the drawer and the side of the cabinet.

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