A Thomas Webb Art Nouveau Peachblow gilded glass vase, circa…
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A Thomas Webb Art Nouveau peachblow gilded glass vase, circa 1880s-90s, the cased bottle vase in blood red modulating to peach pink over white with gilded and jewel like decoration in the Japanese manner of a trailing prunus branch with a butterfly, attributed to Jules Barbe. Height 17 cm.

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  • Peach Blow - Peach blow is a finish that was used on 19th century art glass, particularly in the United States. It is characterized by a gradation of colour that goes from a pale pink or white at the top of the piece to a deep, rich red or magenta at the base. The effect is achieved by layering or coating the glass with a combination of gold chloride and tin chloride, which is then heated in a furnace to produce the desired colour.

    The name "peach blow" comes from the fact that the colour of the glass resembles that of a ripe peach. This finish was particularly popular during the Victorian era, and was used to create a variety of decorative glass objects, including vases, pitchers, and bowls.

    Peach blow glass was highly valued by collectors and connoisseurs of the time, and remains a sought-after type of antique glass today. Some of the most famous makers of peach blow glass include Mount Washington Glass Company and the New England Glass Company, both of which were based in the United States.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Manner of .... / Style of ..... - A cataloguing term where the item, in the opinion of the cataloguer is a work in the style of the artist, craftsman or designer, possibly of a later period.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
  • Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
  • Art Nouveau Period - The Art Nouveau period was a cultural movement that emerged in the late 19th century, and was characterized by its emphasis on natural forms, flowing lines, and a decorative, ornamental style. Art Nouveau was a reaction against the ornate and heavily stylized designs of the previous era, and sought to create a new, more organic aesthetic.

    Art Nouveau was characterized by its use of sinuous, curving lines, as well as a focus on natural elements such as flowers, vines, and other organic shapes. Art Nouveau designers sought to create a total work of art, in which every element of a building or object was designed to be harmonious with the overall design.

    Some of the most iconic examples of Art Nouveau design include the Paris Metro entrances designed by Hector Guimard, the works of the artist Alphonse Mucha, and the architecture of Victor Horta in Brussels.

    The Art Nouveau period was at its peak between 1890 and 1910, but began to decline in popularity by the start of World War I. However, Art Nouveau remains an important influence on design and art to this day, and continues to be celebrated for its emphasis on natural forms and decorative style.

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