Antique Aberglasslyn House bed, important most elaborate cedar…
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Antique Aberglasslyn House bed, important most elaborate cedar four post bed, This bed has been described by experts as an outstanding example of early Australian Furniture. It is of commanding proportions. The tapering baluster and reeded posts are decorated with bands of stylised tulip carving and joined by moulded canopy rails that are finished with inverted finials to the cornice. The shaped headboard has lightly carved ornamentation while the matching foot is decorated with 'scroll shell' carving. C1840. The bed is in original condition having a richly developed patination with no significant or blemishes to the timber. The original owner of this bed was William Nicholson who leased and then purchased Aberglasslyn in 1853. Antique Aberglasslyn House bed, important most elaborate cedar four post bed, This bed has been described by experts as an outstanding example of early Australian Furniture. It is of commanding proportions. The tapering baluster and reeded posts are decorated with bands of stylised tulip carving and joined by moulded canopy rails that are finished with inverted finials to the cornice. The shaped headboard has lightly carved ornamentation while the matching foot is decorated with "scroll shell" carving. C1840. The bed is in original condition having a richly developed patination with no significant or blemishes to the timber. The original owner of this bed was William Nicholson who leased and then purchased Aberglasslyn in 1853.

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  • Baluster (furniture) - An architectural term for a column in a balustrade or staircase, often defined as a "vase shape". The shape is extensively used in furniture and decorative arts.

    In furniture, it is used to describe a chair or table leg turned in that form, or more usually as an inverted baluster, with the bulbous section to the top. Less commonly used to describe a chair back that has the outline of a baluster. A baluster may also be split and applied to the front of a cupboard for ornamentation.

    For ceramics and silver items it is often used to describe the shape of the whole item, rather than a part.

    In Georgian glassware, the shape is commonly seen in the stem of glasses.
  • Finial - An architectural decoration, found on the upper parts of of an object. On furniture they are usually found on pediments, canopies and shelf supports. On smaller ceramic or silver items, such as spoons, they may decorate the top of the item itself, or the lid or cover where they provide a useful handle for removal.

    Finials have a variety of shapes and forms. They may be urn-shaped, baluster shaped round or spiral, but usually taper into an upper point. Many real life shapes may also be used as finials, such as pineapples, berries, pinecones, buds, lotus and acorns. Sometimes animals such as a lion are depicted, or fish and dolphins.
  • Reeding - A series of parallel, raised convex mouldings or bands, in section resembling a series of the letter 'm'. The opposite form of fluting, with which it is sometimes combined. Reeding is commonly found on chair legs, either turned or straight, on the arms and backs of chairs and couches and around table edges in the Neoclassical or Classical Revival manner. Reeding was also used as a form of decoration during the Edwardian period, but it is usually much shallower and evidently machine made.
  • Patination / Patina - In broad terms, patination refers to the exterior surface appearance of the timber, the effect of fading caused by exposure to sunlight and air over the course of a century or more, changing the piece to a soft, mellow colour.

    As patina is very difficult to replicate, it is one of the most important guides to determining the age of furniture.

    Patina is also the term applied to the bloom or film found on old bronzes due to oxidisation.
  • Cornice - The upper section of a high piece of furniture such as a bookcase, wardrobe or cabinet that sits immediately on the main structure. The cornice is usually decorated with a variety of architectural mouldings, worked either with a moulding plane or, from the later 19th century, by machine. The front and side of the cornice are mitred together, strengthened by glue blocks, and the back is generally a simple dovetailed rail to hold the structure together. Cornices are generally, though not always, fitted separately to the piece and are held in place either by screws sunk into the top board or by wooden corner blocks. A pediment may sit above the cornice, but sometimes the terms cornice and pediment are used interchangeably.
  • Proportions - Essentially, the size of the various parts of a piece of furniture in relation to the whole. Ideally, the proportions should be pleasing to the eye appearing neither top-heavy nor unbalanced and convenient for ordinary use.

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