A Louis XV style porcelain gilt spelter clock garniture, late…
click the photo to enlarge
A Louis XV style porcelain gilt spelter clock garniture, late 19th century, a profusely embellished plinth with a drum head and urn flanked by music playing cupids upon long base, and floral and Watteau-esque painted porcelain plaques and trims on a rouge ground, with well cast swags of spilling ripe fruits and laurel leaves, the accompanying ovoid porcelain vases with bronze covers bursting with fruits conforming. Height 54 cm. Width 49 cm. Depth 15 cm urn height 18 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Laurel Leaf - The use of the laurel leaf as a decorative element can be traced back to ancient Greece and Rome, where it was closely associated with victory and honour. In these cultures, the laurel was a sacred tree that was dedicated to the god Apollo and was believed to have protective and healing properties.

    In ancient Greece, the laurel wreath was awarded to victors in athletic competitions, such as the Olympic Games, as a symbol of their achievement. The wreath was also associated with academic achievement, and was often worn by scholars and poets. The Greeks also used the laurel leaf as a symbol of victory in war, and it was often depicted in artwork alongside images of triumphant warriors and heroes.

    The Romans continued this tradition, and the laurel wreath became a symbol of the highest military honor, the triumph, awarded to victorious generals. The wreath was also used to crown emperors and other important officials, and was often depicted in Roman art and architecture as a symbol of power and authority.

    The laurel leaf is still used as a symbol of achievement, success, and excellence, and is frequently used in logos, emblems, and other branding materials. Its association with victory and honour has made it a popular choice for awards, medals, and other forms of recognition.
  • Floral Swag / Garland / Festoon - Floral swags are a decorative motif often used in the ornamentation of various objects, such as silverware, glassware, and furniture. The term "swag" refers to a garland or wreath of flowers, foliage, or other decorative elements, which is usually arranged in a loop or curve.

    Floral swags can be found in a variety of decorative styles, from ornate Baroque and Rococo designs to more naturalistic Art Nouveau and Art Deco styles. They are often used to add a touch of elegance, refinement, or whimsy to an object, and can be seen on a range of items from chandeliers and candlesticks to picture frames and tea sets.

    In the decoration of silver objects, floral swags are often used to accentuate the curves and lines of the piece, and to add visual interest to the surface. Similarly, on glass objects, floral swags may be used to frame or highlight a particular area of the object, or to add a touch of color and delicacy.

    On furniture, floral swags can be found on a variety of pieces, from cabinets and armoires to chairs and sofas. They are often used to enhance the lines and curves of the furniture, and can be used to create a sense of movement and flow in the design.

    Overall, floral swags are a versatile decorative element that can be adapted to a range of styles and applications, and have been used in the decoration of various objects throughout history.
  • Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.

    The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.

    It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.
  • Oviform /ovoid - The outline loosely resembling the shape of an egg.
  • Spelter - Spelter was the name given to an alloy of zinc and brass or copper used in the 19th century for statuary and lighting. It is a brittle bluish-white metal. It was used as a cheap replacement for bronze, but being brittle easily breaks and can't be repaired. When finished it can often be mistaken for bronze, but if discreet a scratch on the base displays shows a greyish colour, the metal is spelter, if a golden colour the metal is most likely bronze.

This item has been included into following indexes:

Visually similar items

A fine Sevres and gilt bronze clock in the Louis XV manner, 19th century, with maker's mark LG, the finely cast clock with a central bleu celeste porcelain urn with a painted flower roundel flanked by pierced trailing floral garlands to a richly scrolled r

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A French porcelain and gilt clock garniture set late 19th century the clock and urns stamped P.H. Mourey, comprising of a clock (AF), a pair of urns and a pair candlesticks the urns have reversible tops that can be used as candle snuffers height 34 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

An unusual gilt and silvered bronze mantle clock, 19th century, with maker's marks for Japy Freres and Le Roy, in the manner of Russian tula work, having a gilt dial with enamel chapters within an ornate drum embellished with mascarons and an urn, and upon

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Sevres pattern porcelain and gilt metal clock garniture, French, 19th century clock 38 cm high, candelabras 35 cm high

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.