A Meissen porcelain tray, 19th century the deep quadrilobate…
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A Meissen porcelain tray, 19th century the deep quadrilobate tray modelled with a basket weave border and naturalistic twig handles to either end, having a gilded rim, decorated with polychromatic sprays of 'Deutsche Blumen', crossed swords in underglaze blue 29 cm in diameter. Property from the Collection of Dame Nellie Melba GBE

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  • Basket Weave / Basketweave - Basket weave is a decorative pattern that is often used in textiles, ceramics, furniture and other decorative arts. It is created by actual or simulated interweaving of horizontal and vertical threads or strips to create a pattern that resembles a woven basket.

    In textiles, basket weave can be created using various materials such as fabric, yarn, or ribbon. It is often used to create decorative details on clothing, upholstery, and other household items. Simulated basket weave can also be created using ceramic clay, timber or other materials, and it is often used to decorate pottery, tiles, furniture, silver and other decorative objects.

    Basket weave patterns can vary in complexity, from simple, straightforward designs to more intricate, elaborate patterns. The size and spacing of the interwoven threads or strips can also be varied to create different effects. Basket weave is often used to create a natural, rustic look and is often associated with traditional crafts and folk art.
  • Deutsche Blumen - Deutsche blumen is a German term which translates to "German flowers." It is a decorative art style that emerged in Germany in the late 18th and early 19th centuries. The style is characterized by a profusion of highly detailed and lifelike flowers, fruits, and leaves, typically arranged in bouquets or garlands.

    The style was particularly popular in the manufacture of porcelain, with many German porcelain factories producing pieces in the style. These pieces were often used for table settings, and were highly prized for their beauty and craftsmanship.

    Deutsche blumen was a reaction against the ornamental austerity of the previous rococo and empire styles, and was a reflection of the growing interest in naturalism and botanical illustration during the 19th century. The style is considered to be a precursor of the Art Nouveau movement, which emerged later in the century.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

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