An antique Murano Latticino vase, late 19th century, with a…
click the photo to enlarge
An antique Murano Latticino vase, late 19th century, with a slender trumpet neck, and a baluster body above a pedestal foot, with a fine white latticino spiral throughout enhanced with gilded bands. Height 23.5 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Baluster (glass) - An architectural term for a column in a balustrade or staircase.

    When used to describe glass, it can either refer to the shape of the stem of a wine glass, being slender above and pear shaped below, or the shape of the whole vessel, usually a vase. In fact the baluster shape is often described as being vase-like.

    The description of a vase as being of baluster shape covers a wide variety of shapes that often bear no resemblance to the original architectural form.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

This item has been included into following indexes:

Visually similar items

A Tiffany Studios bronze and French glass centre vase, early 20th century. a white frosted glass trumpet vase encircled by an applied pale green and gilt serpent, in a gilt bronze stiff leaf holder with a vegetal knop to a slightly domed spreading base, en

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Large vintage red Venetian glass vase, with gilding & applied floral decoration, 38 cm high approx

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Lalique 'Virginia' compote, circa 1945-1978 period, the frosted and clear glass compote supported by four conjoined peacocks, with large fan like feathers supporting the bowl above a clear glass base; etched mark of Lalique France underside; illustrated

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A fine Tiffany 'Favrile' trumpet vase, circa 1900, in iridescent gold shot with hot pink and hints of lime, the slender trumpet vase knopped to the lower stem and having a domed and spreading floriform base, etched underside with L.C. Tiffany, Favrile, and

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.