An Art Deco Thomas Webb cameo glass vase, circa 1930s, the…
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An Art Deco Thomas Webb cameo glass vase, circa 1930s, the striking vase of exaggerated trumpet form with random slice and lens cut motifs throughout in amber amidst a semi opaque clear textured ground, with a fire polished rim and polished pontil. Height 16.5 cm. Diameter 21 cm

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  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Art Deco Period - The Art Deco period was a cultural movement that emerged in the 1920s and 1930s, and was characterized by its emphasis on modernism, luxury, and elegance. The name "Art Deco" comes from the Exposition Internationale des Arts Décoratifs et Industriels Modernes, a large exhibition held in Paris in 1925 that showcased the latest trends in decorative arts.

    Art Deco was a reaction against the ornate and elaborate styles of the previous era, and reflected a new modern sensibility. It was characterized by streamlined, geometric shapes, bright colours, and the use of new materials such as chrome, glass, and Bakelite. Art Deco designers sought to create a sense of luxury and sophistication, often incorporating expensive materials such as ivory, marble, and rare woods.

    Art Deco had a significant impact on a wide range of artistic fields, including architecture, fashion, graphic design, and interior design. Some of the most iconic examples of Art Deco architecture include the Empire State Building in New York City, the Hoover Building in London, and the Palais de Chaillot in Paris.

    The Art Deco period came to an end in the 1940s, as World War II and changing cultural trends led to a shift in artistic styles. However, Art Deco remains an important influence on design and art, and continues to be celebrated for its modernist sensibility and glamorous aesthetic.
  • Pontil Mark - A pontil mark, also known as a pontil scar, is a distinctive mark or scar found on the base of certain types of glass. It is a remnant of the glassblowing process and is particularly associated with handcrafted items made prior to the widespread use of automated manufacturing.

    The pontil mark is created during the final stages of production. After the glassblower has shaped and formed the glass object, it is removed from the blowing iron. At this point, the glass object is often attached to a solid rod called a pontil rod or punty for further shaping, finishing, or attaching additional components. The attachment point is typically at the base of the object.

    Once the glass item is complete, it is detached from the pontil rod, leaving behind a mark or scar on the base. This mark can take various forms, such as a rough or irregular surface, a concave or slightly recessed area, or a small circular scar. The presence of a pontil mark indicates that the item was handcrafted rather than mass-produced.

    Collectors and historians often use pontil marks as clues to determine the age, authenticity, and production methods of glass or ceramic pieces. Different types of pontil marks may suggest different techniques used in the production process. For example, an open pontil mark is one where the scar is left as an exposed, roughened area, while a closed pontil mark occurs when the scar is smoothed or covered in some way. It's important to note that not all handcrafted glass items have pontil marks, as some artisans developed alternative methods for finishing their work. In Edwardian times the pontil mark was oftern ground off leaving a concave circle in the centre of the base of the object.

    The use of pontil marks diminished with the advent of industrialization and automated manufacturing processes in the 19th and 20th centuries.

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