A 19th century French mantel clock, the black slate case…
click the photo to enlarge
A 19th century French mantel clock, the black slate case surmounted by a gilt bronze figure group of an 18th century woman kneeling and sewing the buckle on the shoe of an officer in naval dress, the square slate case embellished with ormolu festoons, stylised acanthus leaf borders and raised on a plinth base with ormolu neo-classical scroll feet, the white circular dial with Roman numerals marked 'Arera à Paris', striking movement marked 'Arera' No. 222. Height 49 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
  • Movement - The technical name for the workings of a clock or watch, and does not include the dial or case.
  • Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.
  • Neo Classical - The period or style, known as "neo-classical", was based on Greek and Roman designs and motifs, and is usually associated with the influence of the four Adam brothers, but principally Robert Adam, the second oldest of the brothers, who were architects and designers, active in the latter half ot the 18th century (1760s to 1790s).

    Born in Scotland in 1728, Robert Adam spent time in Italy studying and his designs are influenced by the finds made during the excavation of Pompei.

    When he returned to England he became the Court Architect to George III (1738-1820).

    In turn, designs by Adam then influenced Hepplewhite.

    Neo-classical ornamentation is characterised by use of classical urns, palmettes, mythical creatures such as the sphinx and griffin, ram's heads, swags, scrolling foliage, and use of the Greek key pattern.
  • Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.

    The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.

    It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.

This item has been included into following indexes:

Visually similar items

French boulle and ormolu clock with two facial panels a key and starburst pendulum. Height 39.5 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

French brass clock, 19th/20th century, case decorated with scrolling foliage, surmounted by urn finial, with key and pendulum. Height 51 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A fine French neo Renaissance ormolu mantle clock, circa 1820s-30s, with mark of Heyraud a Lyon to dial, and gold medal stamp and mark of Honore Pons 1827 to mechanism, a finely cast rectangular clock with a fruiting finial and a shaped spreading base, in

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

An ormolu and cloisonne enamel mantle clock, late 19th century, with mark of H. Kreitz to the dial, in the rococo manner, the rectangular bracket clock with a brass dial and Roman numerals, a pagoda top and putto in a scallop shell finial, decorated with e

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.