A George II silver lidded tankard, of mildly tapering…
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A George II silver lidded tankard, of mildly tapering cylindrical form, the body and lid with heavily embossed decoration of flowers and leaves, an armorial engraved to the front, a scrolling thumbpiece with shell decoration to the base of handle, the handle decorated with a cornucopia of fruit and flowers. Weight 791gms, Newcastle 1748 by Isaac Cookson. 10.5 x 19 cm

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  • Engraving - The method of decorating or creating inscriptions on silver and other metal objects by marking the surface with a sharp instrument such as a diamond point or rotating cutting wheel.
  • George Ii - George II (1683 - 1760) was King of Great Britain and Ireland from 1727 until his death in 1760.
  • Cornucopia - The cornucopia, literally the horn of plenty, is a symbol of abundance and wealth. It is traditionally is represented by a curved goat horn overflowing with grain and fruit.

    Modern cornucopias are often depicted as horn-shaped baskets filled with food, and this symbol is often associated with the harvest. This decorative device has a long and ancient history, with roots in Greek mythology.

    In one version, when Zeus was playing with the goat Amalthea he accidentally broke off one of her horns. To atone for this, Zeus promised Amalthea that the horn would always be full of whatever fruits she desired. This became the cornucopia of the Roman goddess Copia, the personification of plenty. Other goddesses, including Fortuna and Pax, also held the cornucopia.

    In furniture and decorative arts, cornucopia as a decorative element have been popular since the 16th century and can be found on items as diverse as light fittings and candelabra to clocks, sculpture and statuary and furniture.

    In ceramics, cornucopia shaped vases were popular in the 19th century, in singles and pairs.
  • Tankard - A tankard is a drinking vessel for beer, ale, and cider, similar in shape to a large mug, and usually with a hinged lid. Silver tankards were in use in Britain and other parts of Europe from at least the sixteenth century, pewter tankards probably from the thirteenth. In the 19th century a number of ornately carved ivory tankards were produced, but these were designed to demonstrate the skill of the carver, rather than for day to day use. The shapes of tankards vary, sometimes globular, sometimes a tapering concave. For those with lids, the lid usually includes a thumbpiece that the drinker can hold down to keep the lid open. Variation in the design of the thumbpiece include wedge, ball and wedge, ball, hammer head, bud and wedge, double volute (scroll), chair-back, ball and bar, shell, double acorn, corkscrew, and ram's horn.
  • Embossed / Repousse - Embossing, also known as repousse, is the technique of decorating metal with raised designs, by pressing or beating out the design from the reverse side of the object.It is the opposite of chasing, where the decoration is applied from the front. An embossed or repoussed object may have chasing applied to finish off the design.
  • Armorial / Armourial - Bearing a coat of arms. Coats of arms came into general use by feudal lords and knights in in the 12th century, and by the 13th century, arms had spread beyond their initial battlefield use to become a flag or emblem for families in the higher social classes of Europe. They were inherited from one generation to the next. When a family crest is used on individual items of silver or furniture it is an indicator of the aristocratic standing of the family represented.

    Armorials were also used to decorate mass produced ceramic souvenir ware by such companies as Goss, Carlton & Shelley, and in these cases the coats of arms displayed were of boroughs and cities.

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