An antique French walnut wardrobe, late 19th century, the…
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An antique French walnut wardrobe, late 19th century, the moulded cornice above an asymmetrical arrangement of a hanging space with mirrored door, a cupboard with slides, and drawers, on a shaped plinth base, decorative fluting and carved details throughout. Height 209 cm. Width 128 cm. Depth 55 cm

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  • Fluting - A form of decoration found on many pieces of furniture, as well as ceramics, silver and clocks, in which round-bottomed grooves, of varying width and depth, are let into columns, pilasters, legs. As a general rule, flutes are cut in the vertical, though they may follow a turned leg in a spiral pattern. In cross-section, they may be described as a series of 'U' shapes, rising and narrowing at each end of the groove. Fluting is the opposite of reeding, with which fluting is often associated.
  • Plinth - The square or rectangular base of a piece of cabinet furniture, often ornamented with moulding. The plinth may be separate, as in some wardrobes or presses, and act as the support for the carcase. In a false plinth, the moulded boards may be attached directly to the piece. Furniture with a plinth base usually does not have separate feet. The term derives from architecture where it denotes the base of a column or statue.
  • Cornice - The upper section of a high piece of furniture such as a bookcase, wardrobe or cabinet that sits immediately on the main structure. The cornice is usually decorated with a variety of architectural mouldings, worked either with a moulding plane or, from the later 19th century, by machine. The front and side of the cornice are mitred together, strengthened by glue blocks, and the back is generally a simple dovetailed rail to hold the structure together. Cornices are generally, though not always, fitted separately to the piece and are held in place either by screws sunk into the top board or by wooden corner blocks. A pediment may sit above the cornice, but sometimes the terms cornice and pediment are used interchangeably.

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