A rosewood cased rectangular mantel-clock, by T.Jones Sydney,…
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A rosewood cased rectangular mantel-clock, by T.Jones Sydney, English made 19th century. double fusee movement with repeat mechanism. Timothy Jones and Sons were clockmakers 330 George Street Sydney and London. ( See Sands Directory of 1863) In Sydney, the business operated more as a retailer of imported clocks, some of which the business made at its headquarters in London. Provenance: The Collection of Graham and Elizabeth Cocks, Bonhams November 2012 lot 57.
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- Rosewood - A dense timber that varies in shade to very light brown to almost black. When rosewood is cut and sanded the colour of the timber will turn black, and after polishing and exposure to daylight, the surface will gradually lighten over time to light brown with black streaks.
The name comes from the odour emanating from the timber when it is planed, sanded or cut.
Rosewood was very popular for use in Victorian furniture in the second half of the 19th century, and at that time most of the rosewood was imported from Brazil. However it also grows in India and Indonesia.
It is used in the sold for chairs and table legs, but for carcase furniture such as side cabinets and bookcases, and for table tops it is always used as a veneer. - Movement - The technical name for the workings of a clock or watch, and does not include the dial or case.
- Fusee - The fusee movement was used in clocks and pocket watches from the mid 17th century. The fusee is a cone shaped drum within the works that is linked to the barrel of the spring, usually by a length of chain.
As the mainspring loses its tension over time, the cone shaped barrel compensates for this by increasing the tension, by pulling the mainspring tighter, thus ensuring the time remains constant.
Use of the fusee in clocks was superseded by the "going barrel" in the mid 19th century and for pocket watches at the beginning of the 19th century.
The fusee continued to be used in marine chronometers until the 1970s.
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