An ebonised figural occasional table, with a distressed surface…
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An ebonised figural occasional table, with a distressed surface and supported on a blackamoor-type cupid to scrolling swept legs, 58 cm high, 38 cm diameter. provenance: J.P. Heurteau
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- Provenance - A term used to describe the provable history of an antique or work of art, and thus an additional aid to verifying its authenticity. Provenance can have an inflating effect on the price of an item, particularly if the provenance relates to the early settlement of Australia, a famous person, or royalty. Less significant are previous sales of the item through an auction house or dealer.
- Ebonised - Timber that has been stained or lacquered black in imitation of ebony. The process has been used since the Renaissance, but is most commonly found in late 19th century furniture, sometimes gilded and turned in imitation of bamboo. Furniture with an ebonised finish is not currently in vogue, and this is reflected in the price for such pieces.
- Distressed - Usually applied to describe the condition of an item of furniture, and means that the object is extremely worn and is verging on being unsuitable for its intended use, without some restoration or repairs being undertaken.
Furniture can also be artificially distressed, by deliberate infliction of superficial damage to make it appear old. Artificial distressing can be done with the object of deceiving a purchaser, where the object is being passed off as "of the period", or can be done for aesthetic reasons so that a new object is made to appear as though it has been in use. - Cupid Motif - The Cupid motif, which features the Roman god of love and desire, Cupid, was a popular decorative element in classical ornamentation. Cupid was often depicted as a winged, naked baby with a bow and arrow, and was often used to symbolize love and desire.
In classical art and architecture, Cupid motifs were often used as decorative elements on furniture, such as on the legs of chairs and tables, as well as on architectural elements such as friezes and pediments. They were also used as decorative elements in frescoes, mosaics, and other forms of art.
During the Renaissance, Cupid motifs were often incorporated into the decoration of palaces, churches and other grand buildings, as they were seen as symbols of love and fertility. Cupid motifs were also commonly used in the decorative arts of the Baroque period, often appearing in the form of putti, which are small winged cherub figures.
In addition to their decorative use, Cupid motifs were also believed to hold symbolic meaning, as they were thought to evoke feelings of love, desire, and fertility.
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