In the manner of Charles Rennie Mackintosh dining setting, four…
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In the manner of Charles Rennie Mackintosh dining setting, four dining chairs and a table in stained oak with rush seating. Made in Italy stickers present. Italy, produced 2010s, chairs: 105 cm high, 45.5 cm wide, 40d, table: 76 cm high, 100 cm wide, 100 cm deep

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  • Oak - Native to Europe and England, oak has been used for joinery, furniture and building since the beginning of the medieval civilisation. It is a pale yellow in colour when freshly cut and darkens with age to a mid brown colour.

    Oak as a furniture timber was superceded by walnut in the 17th century, and in the 18th century by mahogany,

    Semi-fossilised bog oak is black in colour, and is found in peat bogs where the trees have fallen and been preserved from decay by the bog. It is used for jewellery and small carved trinkets.

    Pollard oak is taken from an oak that has been regularly pollarded, that is the upper branches have been removed at the top of the trunk, result that new branches would appear, and over time the top would become ball-like. . When harvested and sawn, the timber displays a continuous surface of knotty circles. The timber was scarce and expensive and was used in more expensive pieces of furniture in the Regency and Victorian periods.
  • Manner of .... / Style of ..... - A cataloguing term where the item, in the opinion of the cataloguer is a work in the style of the artist, craftsman or designer, possibly of a later period.
  • Mackintosh, Charles Rennie - Charles Rennie Mackintosh (1868 - 1928) was an important Scottish architect, water colourist and designer duing the Arts & Crafts period.

    Born in Glasgow, and at age 15 he began evening classes at the Glasgow School of Art. It was here he met his future wife Margaret Macdonald, who he married in 1900. Together with his wife, his wife's sister and her husband, they exhibited furniture and posters and became known as the 'Glasgow Four".

    Mackintosh originally produced graphic work and repousse metalwork in conventional Art Nouveau style, but from the 1890s developed a distinctive simplified style highly influential on Viennese furniture and architecture.