Two pieces of Grace Seccombe kookaburra ceramics for Taronga…
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Two pieces of Grace Seccombe kookaburra ceramics for Taronga Zoo, one trough vase in the form of a hollow log, the other a wall pocket, both incised 'Taronga Zoo' and glazed green and brown, length of trough 23 cm. Other Notes: Seccombe's work was also available at the Taronga Zoo gift shop. After World War II, it was essential for overseas visitors to return home with a Grace Seccombe figurine, condition: hairline crack to one end, please note condition reports can be amended during the pre-sale period, so we strongly suggest any interested bidders check the published condition report available on the website before the auction commences. Leonard Joel makes no guarantee of the originality of mechanical or applied components. Absence of reference to such modifications does not imply that a lot is free from modifications.

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  • Incised - A record of a name, date or inscription, or a decoration scratched into a surface, usually of a glass or ceramic item with a blunt instrument to make a coarse indentation. Compare with engraving where the surface is cut with a sharp instrument such as a metal needle or rotating tool to achieve a fine indentation.
  • Wall Pocket - A wall pocket is a ceramic vase of flattened shape, pierced at the back so it could hang on a wall, and sometimes tapering to a point at the base. They were often made in quaint shapes such as fish, a mask, or a cornucopia. They became popular in the eighteenth century and continue to be made to the present day. Porcelain examples were made by Worcester in a very elaborate form, while those designed Clarice Cliff and Longwy were streamlined and often in pleasant pastel colours.
  • Firing Crack - A firing crack is a crack in a porcelain or stoneware item that occurs whilst the item is in the kiln.They are usually caused by faulty design, where one part is thicker than the surrounding area, and being thicker it cools more slowly, setting up a stress with the surrounding area. Firing cracks are not often seen on modern mass produced porcelain, as the damaged items are discarded during prooduction. However they are seen in earlier items and artisan-produced objects.

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