Victorian Worcester Japonais Teapot, c.1880

A Victorian Worcester Japonais teapot, blue and white with…
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A Victorian Worcester Japonais teapot, blue and white with double bamboo cylinder body, the lid with small internal crack. C.1880. Height 12 cm. Note: Worcester gained recognition for its Japanese-inspired designs, which formed part of Japonisme, a collective fascination with Japan that took place in Europe and the United States following the opening of Japanese markets to the West by Commodore Perry in 1853.

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  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Japonaise - In 1853, Japan ended the long period of self-imposed isolation from the rest of the world and trade with Europe and America gradually developed. Impetus was given by the Meiji Revolution of 1867-8 which began the ruthless Westernization of Japan. As the Japanese enthusiastically embraced all things western, there was a corresponding appreciation of traditional Japanese art forms in the west. This led to traditional Japanese designs being incorporated into furniture, ceramics, and silverware in the third quarter of the 19th century.

    Examples of the Japanese influence are Japanese motifs, faux bamboo, fretwork and lacquer work.
  • Firing Crack - A firing crack is a crack in a porcelain or stoneware item that occurs whilst the item is in the kiln.They are usually caused by faulty design, where one part is thicker than the surrounding area, and being thicker it cools more slowly, setting up a stress with the surrounding area. Firing cracks are not often seen on modern mass produced porcelain, as the damaged items are discarded during prooduction. However they are seen in earlier items and artisan-produced objects.

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