George III Chairs in John Cobb Style

• Serpentine - Resembling a serpent, in the form of an elongated 'S'. A serpentine front is similar to a bow front, except that the curve is shallow at each end, swelling towards the middle. The term presumably derives from its similarity to a moving snake or serpent. Serpentine fronts are usually veneered, with the carcase either being cut and shaped from a solid piece of timber, or built in the 'brick' method.
• Scrolls - Serpentine-shaped forms, used in cabinet construction and decoration for centuries. The scroll appears in legs, feet, as carving in chair brackets, chair rails and arms. The deeper and more spontaneous the carving is, the earlier the piece is likely to be. The Regency or 'Thomas Hope' scroll, used on pediments and sideboard backs, consists of two scrolls on the horizontal plane, placed back to back in a mirror image, and sometimes decorated with a variety of carved and/or applied ornament, such as shells, foliate and other motifs. Chippendale-style furniture is often distinguished by two corresponding scrolls in the form of a 'C' in the upper splat or where chair legs join the seat rail.
• Reeding - A series of parallel, raised convex mouldings or bands, in section resembling a series of the letter 'm'. The opposite form of fluting, with which it is sometimes combined. Reeding is commonly found on chair legs, either turned or straight, on the arms and backs of chairs and couches and around table edges in the Neoclassical or Classical Revival manner. Reeding was also used as a form of decoration during the Edwardian period, but it is usually much shallower and evidently machine made.
• Manner of .... / Style of ..... - A cataloguing term where the item, in the opinion of the cataloguer is a work in the style of the artist, craftsman or designer, possibly of a later period.
• George Iii - George III (1738 - 1820) was King of Great Britain and Ireland from 1760 to 1820.
• Husk Motif - The husk motif is a decorative element that has been used in furniture, silver, glass and ceramics decoration for centuries. The motif is typically based on the shape of the husk, or outer covering, of a nut or seed. It is often depicted as a series of overlapping, scalloped shells that create a textured, ornamental pattern.
  
  In furniture, the husk motif is commonly used in the design of chair and table legs, as well as in the decoration of cabinet doors and drawer fronts. The motif is carved into the wood or other material, creating a three-dimensional effect that adds depth and visual interest to the piece.
  
  In ceramics, the husk motif is used in a variety of ways, from the decoration of bowls and plates to the design of decorative tiles and other objects. The motif is often painted or carved into the surface of the clay, creating a relief pattern that adds texture and dimensionality to the piece.
  
  The husk motif has been used in many different historical and cultural contexts, from ancient Greece and Rome to 18th-century France and England. It has been adapted and modified over time, with variations including the acanthus leaf and the palmette motif.

This item has been included into following indexes:

• chairs, sets of 10, style or period - all styles and timbers 97
• chairs, sets of 6, style or period - Georgian 89
• chairs, sets of 6, timber - all styles and timbers 737