Baudelaire's Illustrated Spleen de Paris
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Charles Baudelaire, Spleen de Paris, edition illustree etornee par le peintre d'Essertine, Theoule sur Mer [France], Phillipe Gonin, 1942. Quarto, original hand-lettered wrappers, collated in sections, pp 81, bookplate to colophon leaf. Housed in faux leather portfolio with hand-lettered spiine (hinges split), faux leather slipcase. Limited edition of 20, of which this is no.6. Consists of 13 poems, extensively illustrated with guache and watercolour portraits, still lifes, landscapes and initials. This edition made on the initiative of Mr. Jean E. Bonna. Baudelaire's 'Spleen de Paris' (first published 1869) represents An important early precursor to literary modernism, written in newly created poetic prose to capture the essence of modern urban life. This war-time creation May have been intended to combat the images of destruction so prevalent in Europe at the time and, in turn, pays homage to Pissaro, Gaugin and other artists.
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- Modernism / Modernist - Modernist furniture and design emerged in the early to mid-20th century as a response to traditional styles of the 19th century and prior times, and a reflection of the technological and social changes of the time. Characteristics of Modernist furniture and design include simplicity and minimalism and clean lines and a lack of unnecessary ornamentation are key features. That form follows function is a fundamental principle of Modernist design, and furniture and objects are designed with a focus on their practical use.
Modernist furniture often incorporates geometric shapes, such as cubes, rectangles, and circles. This reflects a departure from the more ornate and curvilinear forms of previous design styles. The furniture often prioritizes ergonomic design, ensuring that objects are comfortable and user-friendly. Modernist designers aimed to create designs that could be mass-produced, making good design accessible to a broader population.
Prominent figures associated with Modernist furniture and object design include designers such as Hans Wegner, Verner Panton, Florence Knoll, Harry Bertoia and Ettore Sottsass - Important - Important is a word used in the antique trade to indicate an object should be ranked above other similar objects, and is therefore more valuable.
The object could be considered important because it is by a famous designer or maker, has been shown at a major exhibition, is of exquisite workmanship, is rare or is a "one-off", was made for an important patron, and so on.
Even further up the pecking order are objects that are described in catalogue descriptions as highly important or extraordinarily important. - Faux - A French word meaning "false", but when used in decorative arts, the intention is not to deceive, but to simulate the decorative effects of the more expensive material it is imitating. The term " faux bois" meaning "false wood" refers to a furniture item that has been decorated with a marked grain (woodgrain finish) to imitate a more expensive timber.
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