A Victorian sterling silver reticulated basket, probably 1850…
click the photo to enlarge
A Victorian sterling silver reticulated basket, probably 1850 London, with maker's mark for Joseph & Albert Savory, cylindrical with an everted scalloped rim, a plaited swing handle with a central rococo cartouche, formal Gothic strapwork and raised on a cast base with four scrolling feet, original ruffled blue glass liner; hallmarked to base, silver weight 182gr (without liner), height 11 cm, diameter 11 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Scallop / Shell Motif - The shell motif has been used in furniture and decorative arts for centuries. In ancient Greece and Rome, shells were often used as decorative elements on furniture and in mosaics. The scallop or cockleshell are the most commonly used. During the Renaissance, the shell motif became popular in furniture and architecture, as the ornate decoration was seen as a symbol of wealth and luxury. In the 18th century, the Rococo style of furniture and decorative arts featured an abundance of shell motifs, and it was used by Thomas Chippendale and as a feature on Queen Anne style cabriole legs. In the 19th century, the shell motif was incorporated into Victorian furniture and decorative items, and often a representation of the the conch shell was inlaid into furniture.

  • Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
  • Cartouche - An ornamental panel in the form of of a shield, oval or rectangular scroll with curling edges. It may be carved into the back of a chair or the top of a sideboard, or present on a piece of silver or jewellery, and contain the initials of the original owner, heraldic symbols, or some other inscription, such as the details of a presentation.

    In ceramics the term defines the central area of a vase or similar with a decorative border in one of the shapes above, into which a decorative scene or figures have been painted.
  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Everted - An everted rim is an outwardly turning or flaring outwards rim, as seen the rims on jugs, vases, bowls and dishes.
  • Hallmarks - A mark stamped on articles of precious metals in Britain, since the 14th century, certifying their purity. It derives its name from the Guild Hall of the Goldsmiths' Company, who recieved its Charter in 1327 giving it the power to assay (test the purity) and mark articles of gold and silver.

    The hallmark will consist of several marks, including the:

    - silver standard mark, indicating the purity of the metal. Sterling silver is .925 pure silver.

    - the city mark indicating the city in which it was assayed eg London, Birmingham, York etc.

    - the date mark, usually a letter of the alphabet in a particular font and case,

    - a duty mark, indicating whether duty had been paid to the crown, and only in use from 1784 to 1890

    The piece may include an additional mark, the maker's mark, although not forming part of the hallmark, will be located in the vicinity of the hallmarks.

    Sometimes silver plated items will bear faux hallmarks, often confusing those not familiar with silver markings.

This item has been included into following indexes:

Visually similar items

An early Victorian sterling silver bon bon dish, Sheffield 1846 by Hawkesworth, Eyre & Co., Later replaced liner

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A fine pierced blue glass lined sterling silver basket, 1930/31, Birmingham, with maker's marks for Charles Boyton & Sons, the ovoid tapering basket with a waisted neck and a ribbed swing handle, elegantly pierced with panels of fan shaped flowers and leaf

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Victorian sterling silver pedestal sweetmeat cup, 1860 London, with maker's mark for John bell & Frederick Brasted, a bell shaped cup with scrolling pierce work to the body and lobed foot, with beading to the scalloped rim and a rope twist swing handle,

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A large red painted tole ware coal bucket with central family cresting. 45 cm high, 41 cm diameter.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.