A quality Edwardian silver gilt Adams style bonbonniere raised…
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A quality Edwardian silver gilt Adams style bonbonniere raised bowl, the fine vertical pierced panel sides with radiating acanthus leaf base, highlighted with ram's heads and laurel leaf swags, the four spreading legs terminating in ram's hoofs, original green glass liner. London 1905. 16 x 13 x 13 cm.

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  • Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
  • Bonbonniere - A small elaborate lidded container for holding sweets (bon bons) used in the 18th century and 19th century. Most commonly they were circular in shape, about 6 to 9 cm in diameter and 2 or 3 cm high. However other shapes such as egg, rectangular and a circular legged bowl are seen.

    Generally expensive materials were used in their manufacture including gold and silver, enamel, tortoiseshell, ceramics and minerals such as nephrite, bowenite, rock crystal.

    To illustrate the prices at the top end of the market, Christie's London in 2004 sold a Saxon hardstone and gold bonbonniere inlaid with 57 numbered specimens of hardstones including a variety of dendritic and banded agates, By Johann-Christian Neuber, Circa 1785/1790, for £265,250 (US$424,400 at the time). At the other end of the market, less expensive examples sold in London can fetch only £100 or £200.

    A simpler variation in the 19th century were those in glass or ceramics, in the form of a footed bowl with a lid.

    Very few bonbonnieres appear on the Australian market.

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  • Laurel Leaf - The use of the laurel leaf as a decorative element can be traced back to ancient Greece and Rome, where it was closely associated with victory and honour. In these cultures, the laurel was a sacred tree that was dedicated to the god Apollo and was believed to have protective and healing properties.

    In ancient Greece, the laurel wreath was awarded to victors in athletic competitions, such as the Olympic Games, as a symbol of their achievement. The wreath was also associated with academic achievement, and was often worn by scholars and poets. The Greeks also used the laurel leaf as a symbol of victory in war, and it was often depicted in artwork alongside images of triumphant warriors and heroes.

    The Romans continued this tradition, and the laurel wreath became a symbol of the highest military honor, the triumph, awarded to victorious generals. The wreath was also used to crown emperors and other important officials, and was often depicted in Roman art and architecture as a symbol of power and authority.

    The laurel leaf is still used as a symbol of achievement, success, and excellence, and is frequently used in logos, emblems, and other branding materials. Its association with victory and honour has made it a popular choice for awards, medals, and other forms of recognition.
  • Edwardian - The Edwardian period of English furniture and decorative arts design is named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910. It follows the Victorian period, in turn was followed by the Art Nouveau and Art Deco styles. In Australia, designs of this period are also known as being in the Federation style.
  • Floral Swag / Garland / Festoon - Floral swags are a decorative motif often used in the ornamentation of various objects, such as silverware, glassware, and furniture. The term "swag" refers to a garland or wreath of flowers, foliage, or other decorative elements, which is usually arranged in a loop or curve.

    Floral swags can be found in a variety of decorative styles, from ornate Baroque and Rococo designs to more naturalistic Art Nouveau and Art Deco styles. They are often used to add a touch of elegance, refinement, or whimsy to an object, and can be seen on a range of items from chandeliers and candlesticks to picture frames and tea sets.

    In the decoration of silver objects, floral swags are often used to accentuate the curves and lines of the piece, and to add visual interest to the surface. Similarly, on glass objects, floral swags may be used to frame or highlight a particular area of the object, or to add a touch of color and delicacy.

    On furniture, floral swags can be found on a variety of pieces, from cabinets and armoires to chairs and sofas. They are often used to enhance the lines and curves of the furniture, and can be used to create a sense of movement and flow in the design.

    Overall, floral swags are a versatile decorative element that can be adapted to a range of styles and applications, and have been used in the decoration of various objects throughout history.

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