A rare Senufo Sejen sculpture, Northern Ivory Coast, wooden…
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A rare Senufo Sejen sculpture, Northern ivory Coast, wooden sculpture in the shape of a bird with a proud chest, spread wings, long beak in an elongation of the skull. The body and the beak adorned with embossed brass slabs. Loss on one of the wings. Produced by the Poro society, representing a hornbill, symbol of parenting and leadership, and used during initiation ceremonies, height 66 cm

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  • Ivory - Ivory is a hard white material that comes from the tusks of elephants, mammoth, walrus and boar, or from the teeth of hippopotamus and whales. The ivory from the African elephant is the most prized source of ivory. Although the mammoth is extinct, tusks are still being unearthed in Russia and offered for sale.

    Ivory has been used since the earliest times as a material for sculpture of small items, both in Europe and the east, principally China and Japan.

    In Asia ivory has been carved for netsuke, seals, okimono, card cases, fan supports, animals and other figures and even as carved tusks.

    In the last 200 years in Europe ivory has been used to carve figures, for elaborate tankards, snuff boxes, cane handles, embroidery and sewing accessories, in jewellery and as inlay on furniture. Its more practical uses include being used for billiard balls, buttons, and a veneers on the top of piano keys.

    The use and trade of elephant ivory have become controversial because they have contributed to Due to the decline in elephant populations because of the trade in ivory, the Asian elephant was placed on Appendix One of the Convention on International Trade in Endangered Species (CITES), in 1975, and in January 1990, the African elephant was similarly listed. Under Appendix One, international trade in Asian or African elephant ivory between member countries is forbidden. Unlike trade in elephant tusks, trade in mammoth tusks is legal.

    Since the invention of plastics, there have been many attempts to create an artificial ivory
  • Hornbill - Oriental antique descriptions occasionally refer to "hornbill" or "hornbill ivory" as the material from which the object is made. In fact the hornbill is a large bird, the helmeted hornbill, found in a few South-East Asian countries, and the name is also applied to the material obtained from a growth on the upper section of the beak of the bird, known as a casque.

    In its natural form it is a yellow colour, but when the hornbill rubs its beak while preening its feathers, the growth turns a red colour.

    As well as being used as a carving material in areas where the bird is found, hornbill became popular as a carving medium with the Chinese in the 19th century, and it was prized (and priced) ahead of ivory and jade.

    The helmeted hornbill is listed in Appendix 1 of CITES, (Convention on International Trade in Endangered Species) meaning that trade in hornbill objects requires import and export permits.

    the s natural ivory from the bird, native to Indonesia. The hornbill is now an endangered species, but due to the apparent age of the jewelry, this item would be legal for trade. Hornbill ivory is not a true ivory as it is not a dentine material, but rather a keratin. Hornbill ivory of this nature was often carved from the lower layer of the hornbill casque for the western market. The upper area, with a strong red coloration, was traded to the Eastern market. The upper areas of these pieces yet show some of the red coloring. The rest is in the strong yellowish color of natural hornbill.
  • Embossed / Repousse - Embossing, also known as repousse, is the technique of decorating metal with raised designs, by pressing or beating out the design from the reverse side of the object.It is the opposite of chasing, where the decoration is applied from the front. An embossed or repoussed object may have chasing applied to finish off the design.

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