Beautiful pair of Chinese Qing Dynasty, Qianlong period vases,…
click the photo to enlarge
Beautiful pair of Chinese Qing Dynasty, Qianlong period vases, set with French ormolu mounts for the handle and spout in the form of acanthus motifs, the body in a blue crackle glaze, terminating to scrolled ormolu foot, with underglaze seal mark and ceramic Collectors Society exhibition, no.13, 1982, height 35 cm (2). Provenance: Roderick Palmer Antiques, 5th April 1974, then Dr. Merna Marie Torrington collection

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Crackling and Crackle as a Decorative Technique - Crackle, also known as crackling, is a decorative technique that has been used in China for centuries. It is believed to have originated during the Song Dynasty (960?1279 AD) and was primarily used in the production of ceramics, lacquerware, and furniture. The crackling effect was achieved by applying a glaze or lacquer that was formulated to crack during firing, creating a crackled pattern on the surface of the item.

    During the Ming Dynasty (1368?1644 AD), crackle became a highly sought-after decorative technique, and it was used to create intricate and beautiful designs on ceramics and lacquer ware.

    In Western decorative arts, crackle / crackling came into use during the Art Nouveau movement in the late 19th and early 20th century. The crackling effect was used to create a sense of movement and fluidity in the design of Art Nouveau pieces.

    It was also used in the 1920s and 1930s during the Art Deco movement.
  • Qing Dynasty - The Qing Dynasty was the last imperial dynasty of China, ruling from 1644 to 1912. It was established by the Manchu people, who originated from the northeastern region of China. The Qing Dynasty was preceded by the Ming Dynasty and followed by the Republic of China.
  • Crackles / Cracquelure - In ceramics, crackles may be introduced intentionally during the firing process, as was often the case with Oriental ceramics, and are known as artificial crackles. Natural crackles occur with age, and if the glaze is transparent, may be difficult to detect. Natural crackles may not cover the whole surface of the object and may be uneven in size.
  • Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
  • Ming Dynasty - The Ming Dynasty was a ruling dynasty of China from 1368 to 1644. It succeeded the Yuan Dynasty and preceded the Qing Dynasty. The Ming Dynasty was established by Zhu Yuanzhang, a former Buddhist monk who became a rebel leader and eventually overthrew the Mongol Yuan Dynasty. During the Ming Dynasty, China experienced a period of relative stability and prosperity. The government was centralized and bureaucratic, with the emperor at the top of the hierarchy. The Ming Dynasty is known for its cultural achievements, including the development of porcelain, the invention of movable type printing, and the construction of the Great Wall of China.

  • Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.

This item has been included into following indexes:

Visually similar items

Chinese silver gold plated filigree urn with beast form handle & spout. Fine beading to the body of the urn, height 14.5 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Chinese silver gilt sprinkler of Near Eastern form Tang/ Liao Dynasty manner, the vessel of compressed pear shape on a splayed foot with projecting phoenix heads from the shoulders serving as spouts above engraved wings, all on a finely beaded and filigree

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A George III silver creamer, ovoid shape raised on circular spreading foot and with flying S-scroll handle, the body embossed with foliate designs and vacant cartouche. London 1817. 70gms. Height 11.5 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Two Royal Worcester vases by Kitty Blake, dated 1930 and 1934, one of boat shaped form with scrolling acanthus handles, the other of globular form with four out swept feet, each painted with flowers, berries and leaves within gilt borders, puce printed fac

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.