A rococo style cast bronze and opaline glass chandelier, 19th…
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A rococo style cast bronze and opaline glass chandelier, 19th century, with an open bell shaped frame decorated with cast and trailing foliate, elements enclosing a large domed white glass shade, issuing two curvaceous, arms with upturned sconces supporting frilled dishes and glass chimneys, length 120 cm, width 100 cm

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  • Foliate - Decorated with leaves or leaf-like forms.
  • Sconce - A light attached to a wall. Originally a candle holder that is attached to a wall with an ornamental bracket and sometimes with a reflective back plate, but now applied to an electric light that has been inspired by that design.

    In recent times the word has also come into use to desribe the candle holders on a candelabra.
  • Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.

    The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.

    It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.
  • Opalescent / Opaline - The descriptions of glass as "opalescent" or "opaline" are often used interchangeably by dealers and auction houses. At the upper end of the scale, opalescent / opaline glass can refer to the opal-like milky blue glass produced by Lalique and Etling. It also refers to the pressed glass mass produced in Britain from the 1840s with a milky white edge as sugar-basins, milk jugs and vases were made in great quantities for the mass market, and were sold at fairs along with Staffordshire figures and wooden dolls. A less common type of opalescent glass was made from two layers of glass blown into a mould.

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