A fold over Victorian burr walnut games table, mid 19th century,…
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A fold over Victorian burr walnut games table, mid 19th century, with a serpentine shaped book end veneer top opening to a finely refurbished, green baize and tooled leather playing surface, a knopped and carved pedestal, splayed cabriole legs with acanthus details and whorl feet terminating in porcelain casters, height 73 cm, length 92 cm, width 87 cm

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  • Veneers - Veneers are thin sheets of well-figured timber that are glued under pressure to the surface of a cheaper timber for decorative effect, and then used in the making of carcase furniture.

    Early veneers were saw-cut so were relatively thick, (up to 2 mm) but is was realised that saw cutting was wasteful, as timber to the equivilent of the thickness of the saw was lot on each cut.

    A more efficient method was devised to slice the timber, either horizontally with a knife, or in a rotary lathe.

    Flame veneer, commonly found in mahogany or cedar furniture, is cut from the junction of the branches and main trunk. So-called fiddleback veneers, where the grain is crossed by a series of pronounced darker lines, is usually cut from the outer sections of the tree trunk.

    During the 17th and 18th centuries, and in much of the walnut marquetry furniture made during the latter part of the 19th century, the veneer was laid in quarters, each of the same grain, so that one half of the surface was the mirror image of the other.

    The use of veneer allows many other decorative effects to be employed, including stringing, feather banding, cross banding, and inlaid decorative panels in the piece. The carcase over which veneer is laid is usually of cheaper timber such as pine, oak or, sometimes in Australia during the first half of the 19th century, red cedar.

    The important thing to remember about veneers is that prior to about 1850 they were cut by hand, and were consequently quite thick - ranging up to about 2mm deep.

    From the mid-19th century veneers were cut by machines and were almost wafer-thin. This is a critical point when trying to judge the approximate age of veneered furniture.
  • Serpentine - Resembling a serpent, in the form of an elongated 'S'. A serpentine front is similar to a bow front, except that the curve is shallow at each end, swelling towards the middle. The term presumably derives from its similarity to a moving snake or serpent. Serpentine fronts are usually veneered, with the carcase either being cut and shaped from a solid piece of timber, or built in the 'brick' method.
  • Blind Tooling / Blind Tooled - Blind tooling is a technique used in the decoration of leather goods such as book covers, belts, and wallets. It involves the use of specialized tools to impress designs and patterns onto the surface of the leather without the use of added colour.

    The process involves the use of a variety of tools, including stamps, embossing tools, and finishing tools, which are used to create various textures and patterns on the leather surface. The tools are heated, and then pressed onto the leather, leaving an impression. The tools can be used to create designs that are simple or complex, with a variety of textures and patterns, including geometric shapes, florals, or scenes. The leather is then burnished to enhance the design and give it a smooth finish.
  • Cabriole Leg - The cabriole leg evolved from an elongated scroll, curving out at the knee which may or may not be carved, and forming a serpentine shape as it descends to the foot.

    First introduced into English furniture in the late 17th century, cabriole legs were widely used during the Queen Anne and early Georgian periods, where they frequently terminated in a pad foot or ball and claw foot. The style has had many imitators since then. The cabriole leg was re-introduced in the mid-19th century, and is commonly associated with the balloon-back dining or drawing-room chairs made in walnut, mahogany or, in Australia, cedar. The Victorian cabriole leg, on the whole, was rather more slender than the earlier form, following the French style, which emphasized the delicacy and daintiness of the chairs they were designed to support. Cabriole legs are sometimes found on windsor chairs, especially those made during the 18th century.
  • Foldover - A term used when describing card, tea or games tables, where the top folds over onto itself when not in use. The interior surfaces that are exposed when the top is open may be polished (in the case of tea tables) or baized (for card or games tables).
  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Burr - Burr (or in the USA, burl) is the timber from the knotted roots or deformed branch of the tree, which when cut, displays the small circular knots in various gradations of colour. It is always cut into a decorative veneer, most commonly seen as burr walnut on 19th century furniture.
  • Gold Tooled - Gold tooling on leather inlays in desks and other furniture and leather book bindings refers to the decorative process of embossing the leather with a design using gold leaf. The design is first traced onto the leather and then incised into the surface using a small blade. The incisions are then gilded with thin sheets of gold leaf. The gold leaf is burnished into the leather to create a raised, metallic design. The process is repeated until the entire design is covered in gold.
  • Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
  • Baize - Baize is a type of fabric that is made from wool or a wool blend. It is a dense, closely-woven fabric that is smooth to the touch and has a matte finish. Baize is often used for covering surfaces, such as table tops or the playing surface of card, pool and billiard tables, and for lining drawers and boxes, because it is durable and resistant to wear. This fabric is often associated with gambling and is often used on casino gaming tables and other gaming equipment.
  • Tooled - Decoration of a leather surface, usually by stamping the surface with a heated punch or wheel containing foliate or geometric designs. In blind tooling the surface of the punch or wheel is in direct contact with the leather, while in gold tooling, a ribbon of gold leaf is placed between the punch or wheel and the leather, and once they have been applied, the excess gold is brushed off, leaving only the design.

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