Ebonised and giltwood convex girandole, circa 1810 a large and…
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ebonised and giltwood convex girandole, circa 1810 a large and impressive Regency bronze mounted ebonised and giltwood convex girandole, circa 1810 the later plate within a ribbed and beaded reverse-profile frame mounted with orbs, flanked by a pair of scrolling candle-branches with camel head terminals to each side, the feathered apron centred by a coiled serpent, the whole surmounted by a substantial rock form bracket supporting a spread-eagle suspending a ball-and-chain from its beak 150 cm high, 100 cm wide

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  • Ebonised - Timber that has been stained or lacquered black in imitation of ebony. The process has been used since the Renaissance, but is most commonly found in late 19th century furniture, sometimes gilded and turned in imitation of bamboo. Furniture with an ebonised finish is not currently in vogue, and this is reflected in the price for such pieces.
  • Regency Period - The Regency period in English furniture design refers to the period when King George III, was declared unfit to rule in 1811, and his son ruled as proxy as Prince Regent, until 1820, and then, after the death of his father as George IV until his death in 1830. The Regency period was preceded by the Georgian period (George I, George II, and George III: 1714 - 1811), and was followed by the William IV period, which only lasted until 1837 when William IV died as was succeeded by Queen Victoria.
  • Apron - A decorative wooden panel that sits underneath the top surface of a table or chair, and unites the top of the piece with the legs, running at right angles to the underside. On carcase furniture such as a chest or wardrobe, the apron sits below the drawers or doors and attaches to the legs.

    On carcase furniture without legs the panel under the drawers or doors sits on the floor and is termed a plinth.

    An apron can provide a decorative touch to an otherwise unadorned piece of furniture and at the same time provide structural support and strength. They can be carved or pierced and quite elaborate.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Giltwood - Giltwood is used to describe a gold finish on furniture and other decorative wooden items, whereby a thin sheet of gold metal, called gold leaf, is applied to the surface for decorative purposes.

    Unlike gilding, where the gold leaf is applied over a coating of gesso, with giltwood the gold leaf is applied direct to the surface, or over a coat of linseed oil gold leaf adhesive.

    Most gold-finished mirrors will be gilded, whereas furniture with gold highlights will have the gold applied through the giltwood method.
  • Girandole -  A girandole is a type of candle holder or candelabra that features several branches or arms for holding candles. It is often used as a decorative piece and can range in design from simple and functional to highly ornate and elaborate. Girandoles can be made from a variety of materials, including metal, glass, ceramic and crystal, and can be found in a range of sizes, from tabletop models to large floor-standing pieces, as well as sidelights on wall mirrors and accessories in a clock set.
  • Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.

    The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.

    It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.
  • Girandole - An ornate candle sconce, usually with several lights and combined with an ornate mirror to reflect the light, made to be attached to the wall. Sometimes also used to refer to a mirror with sconces.

    They reached their height of their popularity in England and France in the second half of the 18th century,

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