An Eastern Tibetan gilt bronze figure of Dra Lha Kye Chigbu,…
click the photo to enlarge
An Eastern Tibetan gilt bronze figure of Dra Lha Kye Chigbu, circa 18th century, the cast bronze and gilded wrathful protective deity, one of the five Pehar Kings, depicted wearing a round hat, a short upper garment with flaring sleeves, jewels, his right hand in tarjani mudra where a sandalwood stick attribute would once have been, his left hand curled to clasp another now missing attribute of a cane. He has flaming brows and beard, and is riding a horse through a swirling cloud amidst a rocky mountainous landscape, depicted in the figure's base of stylised mountains. Remnant traces of pigment can be found on the figure's face and hat. Base resealed with a later base plate. Unsealed consecration aperture beaneath the belly of the horse, but with intact consecration material within., 13.5 cm high, 11.5 cm wide. Provenance: Christie's park Avenue, Indian, Himalayan and Southeast Asian Art (sale 8146), 24 March 1995, lot 70. Dr Raul Vispo collection. Soo Tze Oriental Antiques, 2011.

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
  • Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.

    The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.

    It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Sandalwood - Sandalwood is a heavy, yellow coloured and very fine-grained timber, which has a fragrance which lasts for many decades, and acts as a deterent to moths and insects.

    In the British colonial era, sandalwood was imported into Britain from India, and the wood also used within India for the manufacture of Anglo-Indian furniture.

    Becasue it does not have a distinct grain pattern, sandalwood was not used for the exterior surfaces of furniture, but was put to use for drawer and box linings, where the aroma was noticeable one the object was opened. it was also used to manufacture small objects (treen).

    Nowadays sandalwood is commercially grown with Australia the largest producer. As well as producing timber, oil is extracted for use in the manufacture of perfumes.

This item has been included into following indexes:

Visually similar items

An early 20th century necklace, seed pearl and green stone composites on 9 carat yellow gold. Total weight 7.2g

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Garry Nash 'Blue Reef' vase, ovoid shape, mottled blue over red colour-way, signed and dated '15. Height 22.5 cm.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Garry Nash studio glass spherical vase, with everted mouth speckled green and blue finish on a silver ground over dark blue. Signed and dated '95. Height 9.5 cm.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Victorian silver gilt double ended ruby tear drop scent bottle, faceted glass and ornate embossed silver hinged lids. London c. 1860. Length 8 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.