A Victorian opal set Insect brooch the bee set with a white…
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A Victorian opal set Insect brooch the bee set with a white crystal opal body, garnet-and-glass doublet head; 15ct gold. Weight 4g.

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  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Doublet and Triplet - A doublet and a triplet are both composite imitation stones, consisting of two or three joined layers. A triplet is made with the crown and base of genuine material, but with a centre layer, usually of glass, the object being to make the stone appear larger than it really is. A doublet consists of only two layers.

    Opal doublets are quite common and consist of a thin layer of opal cemented to an opal matrix or black glass.
  • Bee Motif - The bee is a popular motif in jewellery design, often used to symbolize industry, hard work, and the natural world. They can be depicted in a variety of styles, from realistic to stylized, and are often used as a decorative element on rings, pendants, earrings, and other types of jewellery. In many cultures, bees are also seen as a symbol of prosperity and good luck, making them a popular choice for talismanic jewellery. Some people also choose to wear bee-themed jewellery as a way to show support for the conservation of bees, which are important pollinators that play a vital role in the health of ecosystems around the world.

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