An impressive Meissen porcelain clock garniture, German, circa…
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An impressive Meissen porcelain clock garniture, German, circa 1880, the clock of waisted form, richly encrusted with floral bocage and rocaille decoration, centred by an embossed brass dial with enamelled Roman numeral cartouches, surmounted by a putto emblematic of night, a rooster crowing for dawn at his feet, the lower body applied with three putti emblematic of the seasons summer, autumn and spring, together with a pair of four light candelabra applied with conforming decoration, including putti drawing and playing the trumpet, underglaze blue crossed swords marks, incised model numbers 'N. 168', 'N. 169', 'N. 169' and various pressnummern, the clock movement stamped 'Lenzkirch, clock 62 cm high, candelabra 54.5 cm high

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  • Emblematic - Serving as a symbol.
  • Embossed / Repousse - Embossing, also known as repousse, is the technique of decorating metal with raised designs, by pressing or beating out the design from the reverse side of the object.It is the opposite of chasing, where the decoration is applied from the front. An embossed or repoussed object may have chasing applied to finish off the design.
  • Incised - A record of a name, date or inscription, or a decoration scratched into a surface, usually of a glass or ceramic item with a blunt instrument to make a coarse indentation. Compare with engraving where the surface is cut with a sharp instrument such as a metal needle or rotating tool to achieve a fine indentation.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Putto / Putti / Amorino / Amorini - A putto (plural: putti) or amerino (plural: amerini) is a cherub or cupid frequently appearing in both mythological and religious paintings and sculpture, especially of the Renaissance and Baroque periods and later used as a decorative element in the design of furniture, ceramics, statuary etc. They are usually depicted as chubby males, or of indeterminate gender, often with wings. Their depiction may represent an association with love, heaven, peace or prosperity.
  • Movement - The technical name for the workings of a clock or watch, and does not include the dial or case.

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