Doulton Lambeth coffee can & saucer Doulton & Rix. Decorated by…
click the photo to enlarge
Doulton Lambeth ___3Af98D19-9F53-8546-33F93B9AEB46A53D___ & saucer Doulton & Rix. Decorated by Miss M gray. transfer mark Marqueterie post 1891. Decoraters mark 1572X, circa 1895. (a/f minor chips to gilded rim of saucer)

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Coffee Can - A coffee can is a cup for holding coffee, but of a cylindrical shape rather than the waisted shape of traditional cups. They were in use at the end of the 18th century and in the early 19th century.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
  • Transfer Printed / Decorated Transferware - Transfer printing is method of decorating ceramics, reducing the cost of decoration when compared to employing artists to paint each piece. A print was taken on transfer-paper from an engraved copperplate, covered in ink prepared with metallic oxides, and the image on the paper was then applied to the biscuit-fired ceramic body. The print was fixed by heating the object in an oven, and then glazed, sealing the picture. Early transfer prints were blue and white, as cobalt was the only colour to stand firing without blurring. Early in the 19th century advances in the composition of the transfer paper resulted in better definition and detail, and enabled engravers to combine line-engraving with stipple.
  • A/f, as Inspected - The letters "A/F" or "as inspected" as part of a description is the cataloguer's shorthand for "all faults" or "as found", meaning the item has some type of damage or deficiency, it is of uncertain date or provenance, and/or that the seller takes no responsibility for the completeness of the item or the accuracy of the description.

This item has been included into following indexes:

Visually similar items

An Edwardian silver calling card case, engraved scrolled foliate decoration; Henry Matthews, Birmingham, 1912. Weight 47.6g.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Mexican silver cigarette case etched 'Babs'. Stamped 'Silver 950'. Weight 152g

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A handbag by Chanel, styled in black caviar leather with silver metal hardware and chain and leather weave strap, 17589371, authenticity card included.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

English hallmarked sterling silver Victorian calling card case having a shaped rectangular body with hand-engraved scrolled & geometrical decoration, a side-hinged lid & an engraved central cartouche. Birmingham, 1853, maker Foxall, Hill & Foxall, conditio

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.