Georgian Jacobite engraved wine glass, c.1745, with round…
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Georgian Jacobite engraved wine glass, c.1745, with round funnel shaped bowl, engraved with rose, flower bud and oak leaf representing Jacobite sympathies, raised on knop air twist stem, on circular foot, with Phillips label, height 15 cm. Provenance: A number of pieces of the collection featured in the 'Circle of Glass Collectors Commemorative Exhibition 1937 - 1962', Victoria and Albert Museum, London, 1962 and 'Exhibition of English Glass', Victoria and Albert Museum, 1968

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  • Jacobite - Wine glasses engraved with mottos and symbols of the Jacobites, who were supporters of Prince Charles Edward Stuart's claim to the English throne.

    They were passed around amongst the members of secret groups devoted to the restoration of a Catholic monarch in Scotland and England under the House of Stuart.

    The last Jacobite Rebellion ended with Charles Edward Stuart?s defeat at the Battle of Culloden in 1746. His image features on some of the Jacobite glassware.

    Genuine examples of Jacobite glassware are dated between 1746 and 1788 but many later copies and forgeries are in circulation.

    In November 2012 a Jacobite "Amen" glass, the rarest group of Jacobite glasses sold for £43,000 at auction in Shropshire, England.
  • Knop (glass) - In Georgian glassware, the knop is a bulbous protrusion, usually midway up the stem of the glass. It may be included singly or in groups, and may be hollow or solid. There are many styles of knop including basal, baluster, bell, acorn, cone, flattened, melon and mushroom.
  • Bowl - With drinking glasses, the bowl is the hollow section of the glass that holds the liquid. Many glasses were mounted on a stem joined to a foot, others were cylindrical, of tumbler shape. The size and shape of the bowl was determined by the type of liquids they were meant to hold. Shapes used included bell shaped, conical (funnel), bucket shaped, trumpet, cup, ogee, funnel, cylindrical and rounded.
  • Twist - A rod of glass in which there is one or several threads or tapes of coloured glass, or bubbles of air embedded, which is then twisted to give an attractive appearance. The technique is mostly associated with the stems of Georgian glasses. The technique was in use from about the 1740s to the 1760s.

    Collectors have identified over 150 variations of twist decoration. One of the most common is the air twist which as the name implies, has one or more columns of air embedded within the rod. A colour twist has one or more coloured tapes, usually opaque but sometimes translucent. other common types of twist include cable, corkscrew, enamel, gauze, lace, opaque and thread.
  • Air Twist - An air twist is a decorative feature found on some types of glassware, including Georgian drinking glasses. It is created by twisting the glass while it is being blown, which creates a spiral pattern of ridges or rings around the stem of the glass. The air twist is typically made by a skilled glassblower using a hot glass rod to shape the glass. It is a decorative feature that adds visual interest to the glass. Georgian glassware is known for its high quality and intricate design, and the air twist is just one of the many decorative elements that may be found on Georgian drinking glasses.
  • Knop - In Georgian glassware, the knop is a bulbous protrusion, usually midway up the stem of the glass. It may be included singly or in groups, and may be hollow or solid. There are many styles of knop including basal, baluster, bell, acorn, cone, flattened, melon and mushroom.
  • Oak - Native to Europe and England, oak has been used for joinery, furniture and building since the beginning of the medieval civilisation. It is a pale yellow in colour when freshly cut and darkens with age to a mid brown colour.

    Oak as a furniture timber was superceded by walnut in the 17th century, and in the 18th century by mahogany,

    Semi-fossilised bog oak is black in colour, and is found in peat bogs where the trees have fallen and been preserved from decay by the bog. It is used for jewellery and small carved trinkets.

    Pollard oak is taken from an oak that has been regularly pollarded, that is the upper branches have been removed at the top of the trunk, result that new branches would appear, and over time the top would become ball-like. . When harvested and sawn, the timber displays a continuous surface of knotty circles. The timber was scarce and expensive and was used in more expensive pieces of furniture in the Regency and Victorian periods.
  • Stem - In drinking glasses the stem is that section of the glass that joins the bowl to the foot. In mass produced glasses is usually solid and of cylindrical shape, but in antique drinking glasses it may be long and short and in various styles or with decoration, such as air twist, baluster, collared, faceted, hollow, knopped, teardrop, twisted or incised.
  • Engraved Glass - The method of decorating glass by marking the surface with a sharp intrument such as a diamond, metal needle or rotating cutting wheel. As pressure is applied to the surface, best results for engraving are achieved if the glass is of sufficient thickness. In the 19th century etching was used to decorate some table glassware that was too fine to take an engraving tool.
  • Georgian - As an English stylistic period, Georgian is usually taken to cover the period from George I (1714) to the Regency of Prince George (1811-20), although the period from 1800 to 1830 is sometimes designated as the Regency period. During the Georgian period the great English cabinetmakers and designers such as Chippendale, Hepplewhite, Adam Sheraton etc., were all active.

    Therefore there isn't a single 'Georgian style' as such and to say something is 'Georgian', usually means it was made between 1714 and 1830. This assumes we discount George V and George VI, both being from the 20th century.

    The styles popular at the time of each reign were:

    George I (1714-1727) saw out the last years of the Baroque period.

    George II (1727-1760) reigned during the Rococo period.

    George III (1760-1820) saw the last gasp of the Rococo, all of the early Neo-Classic 'Adam style' and most of the later neo-Classic 'Regency style'.

    George IV (Prince Regent 1820-1830)encompassed the last of the 'Regency' style.

    William IV's reign (1830-1837) was something of a no man's land (stylistically) and he wasn't a 'George' anyway. He covered the last glimmerings of 'Regency' and the start of the 'Victorian' style.

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