A large sepia-decorated landscape vase, 20th century, of tall…
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A large sepia-decorated landscape vase, 20th century, of tall ovoid form rising from the flared base and surmounted by a waisted neck with everted mouth, the sides painted predominantly in sepia with detailing in iron-red, depicting a continuous lakeside landscape with a figure standing near a boy on a buffalo tethered beside a cluster of thatched cottages, with pine trees growing amongst rocks and a waterfall descending from the high cliffs, the reverse with sampans on the lake, an inscription in black with red seal signed Zou Guojun and dated 1963, all between formal borders in grisaille, the base inscribed in iron-red with the company name Jingdezhen Porcelain Art Company, 61.5 cm high

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  • Jingdezhen Kilns - The Jingdezhen kilns are a series of kilns located in Jingdezhen, a city in the Jiangxi province of China, which have been producing high-quality porcelain since the Han Dynasty (206 BCE?220 CE). The city's location in a valley surrounded by mountains provided it with abundant supplies of high-quality kaolin clay, which is essential for the production of porcelain.

    Jingdezhen quickly became one of the most important centres of porcelain production in China, and its porcelain was highly prized by the imperial court and exported to markets throughout Asia and Europe. During the Song Dynasty (960-1279 CE), the kilns began to produce blue-and-white porcelain, which became a hallmark of Jingdezhen porcelain production.

    In the Ming Dynasty (1368-1644 CE), Jingdezhen porcelain production reached its peak, with the kilns producing a wide range of objects, from bowls and vases to figurines and architectural tiles. The porcelain produced during this time was noted for its fine quality, translucent white body, and delicate decoration. The kilns also developed new decorative techniques, such as the use of overglaze enamels and famille-verte ("green family") decoration.

    During the Qing Dynasty (1644-1912 CE), the Jingdezhen kilns continued to produce porcelain, but the market for porcelain began to shift towards export markets in Europe and the Americas. Jingdezhen porcelain was highly prized by European collectors and royalty, and the kilns produced many objects specifically for export, such as tea sets, dinnerware, and decorative objects.

    Today, the Jingdezhen kilns continue to produce porcelain, although the industry has faced challenges from modern manufacturing techniques and competition from other countries. Nevertheless, the city remains an important center of porcelain production and has become a popular destination for tourists interested in traditional Chinese crafts and culture.
  • Oviform /ovoid - The outline loosely resembling the shape of an egg.
  • Everted - An everted rim is an outwardly turning or flaring outwards rim, as seen the rims on jugs, vases, bowls and dishes.
  • Grisaille -
    Decorative painting in monochrome, usually shades of grey, olive green or buff, painted on wood, plaster, ceramic or stone surfaces to imitate marble figural sculpture or relief ornament.


    Grisaille, from the French "gris", or grey (colour) is a painting technique in which a monochrome image is created using only shades of gray, black and white, usually created by using a gray underpainting or a limited colour palette. It is often used to create the illusion of sculpture or relief on a flat surface, and was commonly used during the Renaissance and Baroque periods.

    The technique of grisaille has been used in decorative arts for centuries. It was commonly used in the Renaissance and Baroque periods in Europe to create the illusion of sculptural relief on flat surfaces such as walls, ceilings, and furniture. This technique allowed artists to create the illusion of depth and dimensionality without the use of colour.

    During the Rococo period, grisaille was often used in the production of ceramics and porcelain to create finely detailed designs on a white or light-colored surface.

    In the 19th century, grisaille continued to be used in decorative arts, particularly in the production of ceramics, both Western and Oriental.

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